tue 26/08/2025

Scotland

The Maccabees, Barrowland, Glasgow review - indie band return with both emotion and quality

You wait years for a guitar group with brothers to reunite and then two come along at once. The Maccabees return might have attracted far less attention compared to the Gallaghers hitting the road again as Oasis, but as they strolled onstage on a...

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Edinburgh Fringe 2025 reviews: Refuse / Terry's / Sugar

Refuse, Assembly George Square Studios ★★★★Maks works as a bin man in a small Ukrainian town. His little son might get picked on at school and told he’s smelly because of his dad’s occupation, but Maks is content with his lot, his soulmate of a wife...

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Edinburgh Fringe 2025 reviews: Imprints / Courier

Imprints, Summerhall ★★★★Keep your wits about you for this appropriately tricksy, sometimes elusive but beautifully put together show from young company the Palimpsest Project. For a work that’s ultimately about memory, Imprints is just as...

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Works and Days, Edinburgh International Festival 2025 review - jaw-dropping theatrical ambition

With the sheer density of theatrical creations jostling for attention across Edinburgh’s festivals, there’s no shortage of arresting stagings, innovative visuals and powerful, memorable design. (Just take Cena Brasil Internacional’s shocking Tom at...

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Edinburgh Fringe 2025 reviews: The Beautiful Future is Coming / She's Behind You

The Beautiful Future is Coming, Traverse Theatre ★★★★★Flora Wilson Brown’s epoch-straddling, climate change-themed six-hander had a run at the Bristol Old Vic before transferring to the Traverse Theatre for its Fringe residency. It shows: this is a...

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Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★★A rehearsal room; a tense preparation session for a production of King Lear, provocatively gender-swapped; a troublesome diva in the title role; and a near-silent understudy barely able to contribute.Dan Colley’s...

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Make It Happen, Edinburgh International Festival 2025 review - tutting at naughtiness

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and Morningside areas, the building of Royal Bank of Scotland’s immense Gogarburn HQ, the institution’s towering...

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Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at the Planetarium / PAINKILLERS

Alright Sunshine, Pleasance Dome ★★★★★Edinburgh writer Isla Cowan’s deceptively powerful solo show begins as an almost affectionate tribute to the city’s Meadows, fittingly just a few minutes down the road from the show’s venue – its yummy...

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Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like sheet music transfigured into the sound of an orchestra. Too often, though, the resulting film can...

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Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest and across burnt-orange fields. As her pursuers, a rough-looking band of thieves, draw nearer, she seeks refuge...

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Blu-ray: Eclipse

What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way, the “classic” aspect may be in the eye of the beholder, but “lost" is more easily quantified. Simon Perry...

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Bogancloch review - every frame a work of art

Director Ben Rivers is primarily an artist, and it shows. Every frame of Bogancloch is treated as a work of art and the viewer is given ample time to relish the beauty of the framing, lighting and composition. Many of the shots fall into traditional...

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