LPO
Andsnes, London Philharmonic Choir and Orchestra, Gardner, RFH review - total clarity in classic-romantic and prophetic RachmaninovMonday, 30 September 2024
If there was ever a time for the inevitable "Rach Three” (piano concerto, not symphony) in the composer’s 150th anniversary year – and I confess I dodged other occasions – it might as well have come in the fresh and racy shape of Leif Ove... Read more... |
Prom 52, Carmen, Glyndebourne Festival review - fine-tuning a masterpieceFriday, 30 August 2024
If you ever doubted that Bizet’s Carmen, 150 years young next year, is one of the greatest operas of all time, this performance would have changed your mind. Among the four principals only Rihab Chaieb’s utterly convincing, consistent protagonist... Read more... |
Prom 23, Grosvenor, LPO, Gardner review - strange meetingsWednesday, 07 August 2024
Not everyone knew what to expect from this fascinating programme. Rachmaninov’s Symphonic Dances, last of his orchestral masterpieces, is nothing like the more familiar aspects of his piano concertos. Nor is Busoni’s nominal attempt at the form,... Read more... |
Tristan und Isolde, Glyndebourne review - infinite love at white heatSaturday, 03 August 2024
Richard Strauss described conducting Wagner’s Tristan und Isolde for the first time as "the most wonderful day of my life". It’s understandable that Glyndebourne’s music director Robin Ticciati should wish to improve upon “wonderful” in conducting a... Read more... |
theartsdesk at the 2024 Aldeburgh Festival - romantic journeys, cosmic hallucinations and wild stompsWednesday, 12 June 2024
It may be unusual to begin festival coverage with praise of the overseer rather than the artists. Yet Roger Wright, who quietly leaves his post at Britten Pears Arts this July after a momentous decade, is no ordinary Chief Executive. I’ve never... Read more... |
Carmen, Glyndebourne review - total musical fusionFriday, 17 May 2024
It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a master conductor. Glyndebourne Music Director Robin Ticciati leads the way with a peerless London... Read more... |
Götterdämmerung, LPO, Jurowski, RFH review - outside looking and listening in, always with fascinationSunday, 28 April 2024
Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Brünnhilde could become a new woman – literally, in this Ring. Since Das Rheingold, the “preliminary... Read more... |
Josefowicz, LPO, Järvi, RFH review - friendly monstersMonday, 08 April 2024
At first glance, this looked like an odd coupling: Stravinsky’s Violin Concerto from 1931, all spiky neo-classicism and short-winded expressionist sparkle, as a tributary opening before the mighty rolling stream of Bruckner’s Seventh Symphony.Yet in... Read more... |
Murray, Vlaams Radiokor, LPO, Gardner, RFH review - visual ‘interpretation’ blunts sonic brilliance in Szymanowski rarityThursday, 07 March 2024
Chances are few enough to catch Polish composer Szymanowski’s densely brilliant 1920s score for a ballet about love in the Tatra mountains. Harnasie (Robbers) is so little known that we need a clear line through action and sung text. That all went... Read more... |
The Creation, Alder, Clayton, Mofidian, LPO, Gardner, RFH review - dancing gay in green meadowsSunday, 03 March 2024
Light and grace must flood the concert hall in Haydn’s The Creation, after a striking-for-its time evocation of Chaos, and periwigged creatures skip around the Genesis picture. With Edward Gardner keeping the London Philharmonic Orchestra and Chorus... Read more... |
Segev, LPO, Lyniv, RFH review - melody, magic, and mourningMonday, 12 February 2024
We began in a forest packed with dangers and delights and ended, also in the Czech lands, with an infectiously joyful country dance. In between, however, came a sombre and spellbinding exposure to the pain and grief of war.Last night at the Royal... Read more... |
Bartlett, LPO, Bihlmaier, RFH review - a clear path through the stormSunday, 28 January 2024
Tempest-tossed seas seem all too apt a theme for January, so it felt fitting that the LPO decided to begin Saturday evening with Wagner’s stirringly elemental overture to The Flying Dutchman. As the programme note fascinatingly reminded us, he... Read more... |
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