thu 08/05/2025

Reviews

Masters of the Air, Apple TV+ review - painful and poignant account of the Eighth Air Force's bombing campaign

“Are they all like that?” asks a shaken Major Bucky Egan (Callum Turner), after he’s completed his first bombing mission over Germany as a guest of the US Eighth Air Force’s 389th Bomb Group. They’ve been battered by flak and lacerated by German...

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Radulović, Hallé, de la Parra, Bridgewater Hall, Manchester review - fun for the young

Back on home ground, the Hallé begin 2024 in Manchester with a repeated programme. I heard the first of three performances this week. It includes one piece they played only 10 days ago on a tour in Spain with the orchestra’s new principal...

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Richard Schoch: Shakespeare's House review - nothing ill in such a temple

Richard Schoch, in the subtitle of his new book on Shakespeare’s House, promises something big: “a window onto his life and legacy.” To the disgruntled reader – pushed to the brink by one too many new books on Shakespeare, each nervously...

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Balanas Sisters, Anonimi Orchestra, The Bomb Factory, Marylebone review - talented Latvian conductor heads exciting new ensemble

In an evening filled with "firsts" one of the many striking aspects was the effect the Anonimi Orchestra debut had on people walking past on the Marylebone Road. As we sat in the warehouse space of the Bomb Factory – with its exposed brick walls and...

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Manon, Royal Ballet review - a glorious half-century revival of a modern classic

It’s 50 years since the first, damning reviews of Kenneth MacMillan’s ballet Manon declared it to be too long and lumbered with terrible music. One of them also said that the title role was an appalling waste of the ballerina who, in the title role...

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Ablogin, SCO, Emelyanychev, City Halls, Glasgow review - a happy 50th birthday

The mood was indeed celebratory at Glasgow’s City Halls on Friday evening for the second of two concerts celebrating the Scottish Chamber Orchestra’s 50th birthday. It opened with a suite from Figaro Gets a Divorce, a comic opera written by composer...

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Gerhaher, Huber, Wigmore Hall review - new colours from old favourites

After a frozen week, the sensual languor of Berlioz’s Les nuits d’été promised warm respite at the Wigmore Hall – especially when delivered by house favourite Christian Gerhaher and his peerless pianist, Gerold Huber.Yet the Bavarian baritone saved...

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Music Reissues Weekly: The Long Ryders - Native Sons

Native Sons joyfully reframed musical styles of the past for the present. Even so, the freshness and oomph of The Long Ryders’ debut album meant revivalism was sidestepped. Originally issued in October 1984, it was a landmark in helping to nurture...

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Sakamoto's Kagami, Tin Drum, Roundhouse review - haunting virtual reality performance from late composer

This mixed reality concert is simultaneously a dimension juggling conundrum, a philosophical puzzle, and a fascinating insight into what the future might hold. Composer Ryuichi Sakamoto – whose influences included Bach, John Cage and David Bowie –...

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Igor Levit, Wigmore Hall review - every note of Brahms’ late genius carefully weighed

Successful performances, conductor Robin Ticciati once suggested to me, are when “the head has a conversation with the heart”. The same goes, surely, for great music, though from personal experience one has to reach a certain age to find that true...

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Cowbois, Royal Court review - fabulously queer extravaganza

At its best theatre is a seducer. It weaves a magic spell that can persuade you, perhaps against your better judgement, to love a show. To adore a show; to enjoy yourself. This, at least, is my experience of Charlie Josephine’s Cowbois, a queer...

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The End We Start From review - watery apocalyptic drama with star turn

The End We Start From couldn’t be more timely, opening in cinemas after weeks of heavy rain and flooding dominated UK news. But the film’s release has also coincided with the ITV police drama After the Flood and it’s too tempting...

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