Reviews
Lisa-Marie Ferla
By the end of its first series, My Mad Fat Diary had departed far enough from memoirist Rae Earl’s frank, funny source material that the adaptation taking on a life of its own shouldn’t have been a cause for concern. Still, there’s always that niggle when something that got it so completely right first time around returns: can it possibly repeat that magic, or live up to expectations?Hence why it was such a relief to hear the inner monologue of Earl’s semi-fictional counterpart (Sharon Rooney) during her first sexual experience - well, non-solo one at least. “What if I don’t feel anything?” Read more ...
kate.bassett
Winston Smith is alone. Isolated in a pool of light, with an anglepoise lamp at his shoulder, he is about to pen the first entry in his private diary. But he is, of course, being watched. Mark Arends' Winston is, after all, living in the nightmarish superstate where Big Brother keeps every citizen perpetually under surveillance, even when they don’t know it.In this impressive, disturbing dramatisation of 1984 – Headlong's experimental adaptation of George Orwell's novel (originally published in 1949) – Arends' Winston believes he has found a nook that's unobserved. However, as he Read more ...
emma.simmonds
Long before the stars had begun walking (and working) the red carpet, this year's British Academy Film Awards were a hot topic. Unfortunately it was for all the wrong reasons. A whistleblower writing for the Daily Mail alleged that many of the Academy's 6,500 members make little effort to consider the full gauntlet of options, often voting for the big-budget American favourites sight unseen. Furthermore, the dubious inclusion of Saving Mr Banks, Rush and Gravity in the Outstanding British Film category edged out smaller, less controversially British efforts (the excellent For Those in Peril Read more ...
David Nice
Showboys will be boys – gym-bunny sailors, in this instance – as well as sisters, cousins, aunts, captain’s daughters and bumboat women. We know the ropes by now for Sasha Regan’s all-male Gilbert and Sullivan: a loving attempt to recreate, she says, the innocence of musical theatre in same-sex schools (mine, for which I played Sir Joseph Porter with a supporting army or navy of recorders, two cellos and piano, was mixed).This time, the naval high jinks allow Regan to evoke a kind of Privates on Parade scenario, the show-without-the-show set below deck on a World War Two battleship – or so we Read more ...
james.woodall
He cuts a dash, that man Cave. Very tall, gangly, with his idiosyncratic snub nose and upside-down-U-shaped hair, the Australian is a one-off. His growly music isn’t always easy to like. In his fury days with the Birthday Party and the Bad Seeds, he was a post-punk rock poet. He has, of course, oceans of fans. It goes without saying that they will be a-quiver at 20,000 Days on Earth (20,000 was the number of mortal days Cave had notched up three years ago when this documentary started: he’s now 57).You'd probably have to be pretty hard core to relish much of the twiddling and impro of the new Read more ...
Tom Birchenough
The Chinese thriller Black Coal, Thin Ice by director Diao Yinan won the Golden Bear at the closing ceremony of the Berlinale last night, as well as picking up the best actor prize for its star Liao Fan.It was a night for Asian cinema in general, with the best actress award given to Japan’s Haru Kuroki, playing in veteran director Yoji Yamada’s The Little House, while Chinese cinematographer Zeng Jian came away with the Silver Bear for outstanding contribution in the technical categories for his work on Lou Ye’s Blind Massage.Expectations were high for 'Boyhood' by Berlin favourite Richard Read more ...
Tom Birchenough
You couldn’t imagine The Kidnapping of Michel Houellebecq (****) coming out of anywhere except France. Three years ago the enfant terrible of French literature vanished for some days from a book tour, giving rise to rumours as extreme as that he had been kidnapped by Al-Qaida. Guillaume Nicloux’s wry and eccentric comedy, playing in Berlinale’s Forum programme, recycles that legend, only in his film Houellebecq is vanished to a gypsy compound outside Paris where he’s held in circumstances that couldn’t be friendlier.Nothing then of the atmosphere of Houellebecq’s most recent Goncourt Prize- Read more ...
Tom Birchenough
Back in the 1950s the Zurich underground club Der Kreis was a rare beacon of tolerance of homosexuality in Europe. Fitting then that Swiss director Stefan Haupt’s drama-documentary of the same name, The Circle (****), won this year’s Teddy award at the Berlinale, in the documentary category: the Teddies have been going since 1987, making them no less of a pioneer in the gay world, their brief to acknowledge and support LGBT cinema from around the world. (The maelstrom that is the Berlinale’s programming meant I missed the Portugese drama, Daniel Ribeiro’s The Way He Looks that took the Teddy Read more ...
james.woodall
Not the least remarkable thing about Richard Linklater's Boyhood is its being shot over a decade – that’s probably a first in film history. And it’s more than a sociological experiment, portraying in vibrant contemporary detail and a lot of observational fun the growing-up in Texas of a little boy, Mason, which will surely have an extraordinary impact on the life of the actor, Ellar Coltrane, who played him. It must be a bit like having a red carpet rolled out for you before you know the meaning of or have ever uttered the words “acting”, “award” and “celebrity”.Linklater won this year’s Read more ...
Veronica Lee
It's a mark of Miles Jupp's charm that he can do a show with a long segment about being the father of four young children and win over both non-parents and those who wish to forget for two hours that they have left their own offspring at home with a babysitter. But in Miles Jupp Is the Chap You're Thinking Of, which I saw at the Ambassadors Theatre in London, the comic expounds at length on life chez Jupp, which appears to be a whirl of cleaning Weetabix-encrusted crockery and finding faecal matter in inappropriate places.Many will know Jupp from Rev. and The Thick of It, and he's also Read more ...
james.woodall
French-Canadian Robert Lepage is a clever theatre inventor and tireless dramatist. This includes film, though with much less frequency than his stage pieces. The latter have refined themselves into films that are not going to get people running off the street but which are never less than thoughtful – and that is part of the problem. His stage imagination, so flexibly at work in The Dragons’ Trilogy and The Far Side of the Moon (which also became a film), wreaks endless visual and sonic surprises, and also allows itself to probe, three-dimensionally, philosophically. The screen can flatten Read more ...
Matt Wolf
Pretty well the last film in the current array of Oscar hopefuls to reach Britain is also (in my view, anyway) the best. That's saying something as we gear up for an Academy Awards ceremony paying tribute to the strongest selection of nominees filmdom has fielded in an age. But even to talk about Spike Jonze's Her in this way seems tantamount to cheapening it by way of commodification, when the truth is that this quietly devastating, achingly moving film seems to come from a private and privileged place all its own. Small wonder that Jonze has emerged as the front-runner for the Oscar for Read more ...