mon 19/05/2025

Reviews

Dear England, National Theatre review - extra time for stirring soccer classic

With qualifying about to begin for the soccer World Cup, and England sporting a brand new manager, it’s fitting that James Graham’s Olivier-winning celebration of the previous boss returns to the National. Unusually for a play, Dear...

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Flow review - come the apocalypse, cue the animals

I so wanted to like Flow. I’d heard good things from usually reliable critic friends who’d seen it already and told me it had enchanted them and their pets.There’s no dialogue and as real animal calls were apparently used on the soundtrack, I...

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Adolescence, Netflix review - Stephen Graham battles the phantom menace of the internet

A dictionary definition of adolescence is “the transitional phase of growth and development between childhood and adulthood”, but in this four-part drama it looks more like a nightmare zone of uncontrolled rage, anxiety and sexual confusion.Created...

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Opus review - the press trip from hell, starring John Malkovich and Ayo Edebiri

Writer Ariel (Ayo Edebiri; The Bear) has worked at a music magazine for three years but in spite of coming up with great ideas, she never gets assigned stories.“You’re middle as fuck,” says her boyfriend, by way of explanation, as they eat Japanese...

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Jazz at Lincoln Center Orchestra, Marsalis, LSO, Pappano, Barbican review - sounds above substance

Few symphonies lasting over an hour hold the attention (Mahler’s can; even Messiaen’s Turangalîla feels two movements too long). Wynton Marsalis is a great man, but his Fourth, “The Jungle”, is no masterpiece, not even a symphony – a dance suite,...

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Uproar, Rafferty, Royal Welsh College, Cardiff review - colourful new inventions inspired by Ligeti

There’s a lot to be said for the planning that clearly went into this concert by the Cardiff-based new music ensemble, Uproar. Starting with Ligeti’s Chamber Concerto, it added three new commissions for (more or less) the same band and a fourth,...

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Attacca Quartet, Kings Place review - bridging the centuries in sound

Memorably described by Gramophone magazine as the “new kids on the classical block…with lavish pocket money”, Apple’s London-based label Platoon is busy cementing its street cred with an ongoing concert series at Kings Place.If BIS (bought by Apple...

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Music Reissues Weekly: Norma Tanega - I Don't Think It Will Hurt If You Smile

After scoring a hit in 1966 with the distinctive folk-pop of her jazz-inclined debut single "Walkin' my Cat Named Dog," US singer-songwriter Norma Tanega (1939–2019) seemed to melt away. Three follow-up 45s weren’t hits. Her album wasn’t a strong...

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Manchester Collective, RNCM review - exploring new territory

Manchester Collective, now very much a part of the establishment world of new music, are still enlarging their territory. For this set, performed in Leeds and Manchester and repeated in Liverpool, Nottingham and the Southbank Centre, they are...

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Henry Gee: The Decline and Fall of the Human Empire - Why Our Species is on the Edge of Extinction review - survival instincts

Henry Gee’s previous book, A Brief History of Life on Earth, made an interestingly downbeat read for a title that won the UK’s science book prize. He emphasised that a constant feature of that history is extinction. Disappearing is simply what...

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All Happy Families review - unhappy in their own way

Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence of Leo Tolstoy’s Anna Karenina: “All happy families are alike; each unhappy family is unhappy in its own way.”...

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Album: The Loft - Everything Changes, Everything Stays The Same

“Sitting on a sofa, cigarettes and beer, ten years disappear…agreeing to agree, just to get along.” By going into the difficulties of resuscitating the past, the lyrics of “Ten Years,” the fourth song on The Loft’s first album, neatly sum-up the...

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