sun 13/07/2025

Reviews

Who Wants to be a Millionaire? ITV1

Chris Tarrant: speedier format gives less time for his annoying, repetitive twaddle

"Welcome to the new-look, high-risk, high-speed show,” said presenter Chris Tarrant at the top of the programme. Well, sort of new-look; the opening titles are new (although they still haven't managed to put the question mark in the logo), but the...

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The Deep, BBC One

Wasn't The Deep the title of a 1970s movie starring Jacqueline Bisset and Nick Nolte? Something about sunken treasure and a stash of morphine off the coast of Bermuda. I have a hunch it may have been complete twaddle. No less preposterous is this...

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Aimard, BBC Symphony Orchestra, Nott, Royal Albert Hall

It was a huge irony that the focus of last night's Proms programme was the musical duet: the concerto, the waltz, the visual-aural duet of a Ravel tone poem. For the one duet that really mattered - the dance of necessity between conductor, Jonathan...

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Shellsuit, Dublin Castle, Camden

'How much do you charge for a piece of your own soul?' The Shellsuit manifesto explained

During the 1980s, a major artistic response to the Conservative government came in the form of a sustained surge in music that was, on some level at least, politically engaged. Not necessarily in the classic agitprop manner either. For every band...

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Le Corsaire & Paquita Triple Bill, Bolshoi Ballet, Royal Opera House

After all the encomia for Natalia Osipova it’s time for a paean to another Bolshoi ballerina, whose witty underplaying and conquest of style makes her the lady I’d choose to see shipwrecked in full tutu, diamonds and pink satin pointe shoes on...

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Coco Chanel & Igor Stravinsky

She glides on the arm of a tail-coated swain into an elegant Belle Epoque drawing room. Music swirls, eyes swivel. And no wonder. Her thin black dress hugs a gamine frame, a look of masculine confidence rests on her face. Gabrielle Bonheur Chanel,...

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Orchestra of the Age of Enlightenment, Rattle, Royal Albert Hall

In 1860 Wagner sent a full score of his recently published Tristan und Isolde to Berlioz, inscribing it: “To the great and dear composer of Roméo et Juliette, from the grateful composer of Tristan und Isolde.” The bonds between these two works go...

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Gruff Rhys's Separado! & Tony da Gatorra, BFI Southbank

Patagonia’s Welshness was a nagging issue for Gruff Rhys, mainman of Welsh psycho-nauts Super Furry Animals. His distant cousin, the folk singer René Griffiths, was born in the desert-filled southern reaches of Argentina, but visited Wales and...

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Separado!/ Gruff Rhys, BFI Southbank

Patagonia’s Welshness was a nagging issue for Gruff Rhys, mainman of Welsh psych-nauts Super Furry Animals. His distant cousin, the folk singer René Griffiths, was born in the desert-filled southern reaches of Argentina, but visited Wales and...

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Carlos Acosta, Premieres, London Coliseum

Great stars get lost sometimes. Up there in outer space, ringed with adulation, when they get a mid-life crisis sometimes they get sucked into a vanity black hole. No light emits, just the tatters of an angel who lost his way in his own legend....

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Stephen Sondheim at 80, Royal Albert Hall

Everybody in the business says don’t think Sondheim is easy. I’ve seen galas where big names stumbled in under-rehearsed numbers, and last night Bryn Terfel and Maria Friedman slipped and almost fell on the same banana skins that had done for...

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Australian Youth Orchestra, Elder, Royal Albert Hall

Elder coaxed a strikingly mature performance from his young orchestra

The stage of the Royal Albert Hall has a rather unfortunate habit of making orchestras seem incidental. Stretching endlessly across, one of the world’s largest organs by way of backdrop, even the most generous conventional ensembles take on...

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