Reviews
Liepe, National Youth Orchestra of Ireland, Cottis, NCH, Dublin review - a spirited shot at ShostakovichMonday, 06 January 2025
There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to address climate change issues, was so bland and featureless it could have been composed by AI. Any one bar of... Read more... |
Music Reissues Weekly: American Baroque - Chamber Pop and Beyond 1967-1971Sunday, 05 January 2025
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an elegiac atmosphere is set. The voice, coming in just-short of the 10-second mark, is similarly yearning... Read more... |
Nickel Boys review - a soulful experimentSaturday, 04 January 2025
RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black Southern teenage boys, this time in Sixties juvenile prison the Nickel Academy, where beatings and unmarked graves... Read more... |
Albums of the Year 2024: The Last Dinner Party - Prelude to EcstasyFriday, 03 January 2025
Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the many truly excellent albums I’ve reviewed this year should get the ‘top prize’ has, frankly, been... Read more... |
Davis, National Symphony Orchestra, Maloney, National Concert Hall, Dublin review - operetta in excelsisThursday, 02 January 2025
In one sense it was a New Year’s Day “nearly”, just stopping short of giving us the already great Irish lyric-dramatic soprano Jennifer Davis in the music of the man she was born to sing, Richard Strauss. Berlin will witness her Arabella shortly,... Read more... |
SAS Rogue Heroes, Series 2, BBC One review - Paddy Mayne's renegade warriors invade ItalyWednesday, 01 January 2025
Having carved a swathe of terror and destruction through the Axis forces in North Africa, the SAS return for a second series (again written by Steven Knight, and with another rockin’ soundtrack featuring the likes of The Cult’s “She Sells Sanctuary... Read more... |
Best of 2024: Classical music concertsTuesday, 31 December 2024
As always, great concerts have outnumbered great opera productions over a year, and all of our national orchestras can be proud of their record. I’ve sometimes started by celebrating youth, and it’s good to be able to do that in the shape of two... Read more... |
Best of 2024: DanceTuesday, 31 December 2024
In an ideal world an end-of-year roundup would applaud only new ventures – fresh productions that you may curse for having missed but whose success would almost certainly ensure a second run.The past 12 months in dance has offered few of these.... Read more... |
The Split: Barcelona, BBC One review - a soapy special with seasonally adjusted sentimentalityMonday, 30 December 2024
Maybe it was the timing, even though most of the action takes place in bright sunlight, that made The Split’s two-parter uncharacteristically soft-centred. This was a Christmas-but-filmed-last-summer special, often a guarantee of a mushy mash-... Read more... |
Best of 2024: Visual ArtsMonday, 30 December 2024
I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate... Read more... |
Spence, Perez, Richardson, Wigmore Hall review - a Shakespearean journey in songMonday, 30 December 2024
“O stay and hear,” sings Twelfth Night’s jester Feste in his song “O mistress mine”, “your true love’s coming,/ That can sing both high and low.” And loud and soft, earthbound and airborne, Heldentenor-grave and night-club frivolous: Nicky Spence’s... Read more... |
Best of 2024: ComedyMonday, 30 December 2024
Looking back over the past 12 months, it struck me how it has been the shows fashioned from personal stories that have stayed with me. It wasn't simply that the comics could make very good jokes about their travails or embarrassments, but that the... Read more... |
