Reviews
Jonathan Geddes
A guessing game could be played prior to Harry Styles taking to the stage at this gig, the first night of his UK tour and, as he later noted, his first stadium show as a solo act. There were ripples of excitement whenever anyone was near the stage as devoted fans tried to work out if that was the man himself getting ready to appear, and given that some fans had been camping out overnight in Glasgow just to be near the front, you can understand such feverish anticipation. When Styles finally strolled out, clad in a sequinned yellow and blue outfit that suggested he was just off the ranch, a Read more ...
Katie Colombus
Ever since his re-staging of Tchaikovsky’s Swan Lake, Matthew Bourne has managed to update the art of storytelling through dance steps and gesture in a way that others have struggled to achieve.This new re-working of his 2000 dance-noir, The Car Man, has been adapted for the Royal Albert Hall with a catwalk stage that allows the audience to get up close and very personal with the dancers.In "Harmony, population 975", a mysterious stranger (Will Bozier as Luca) arrives in answer to a sign that reads "Man Wanted", and carnal havoc ensues. Lana, played seductively by Zizi Strallen, grows into Read more ...
Maria Stuarda, Irish National Opera review – two queens sing for the crown, with spectacular results
David Nice
You don’t plan a production of a Donizetti opera without having top voices in mind. For what, after all, is his simplification of Schiller’s Mary Stuart but bel canto business as usual with a bit of high drama attached? Internationally celebrated Irish singers Tara Erraught and Anna Devin (Amy Ní Fhearraigh at some performances) are the royal cousins at deadly loggerheads. They don’t disappoint; nor do the rest of the cast, orchestra and chorus.If director Tom Creed and designer Katie Davenport throw in more than a dash of camp around the central conflict, that’s mostly par for the course. Read more ...
Graham Fuller
Like her first two features, Lucile Hadžihalilović’s Earwig is an oneiric coming-of-age drama that uses body horror imagery as a metaphor for the daunting unknowns – sexual and emotional – to be encountered in adulthood.Eschewing narrative logic, which some viewers will find frustrating, it depicts the ordeal of a little girl who has failed to develop secondary teeth. The unexplained involvement of her protector with a waitress, which is limned with erotic violence, intersects with the girl’s story. It dilutes the maturation theme, but amps up the movie’s power by adding layers of Read more ...
Kieron Tyler
In 1966, the combo fronted by French sax player Barney Wilen issued an album of musical interpretations of each sign of the zodiac. In the US in 1969, Mort Garson released 12 albums, each dedicated to a single sign. Two years earlier Garson was behind the one-sign-per-track Cosmic Sounds album, credited to The Zodiac. Back in 1945, bop pianist Mary Lou Williams made an album – over six 10-inch discs – titled Signs Of The Zodiac.Taking inspiration from the signs of the zodiac wasn’t unusual. But Wilen’s album approached what could have been cheesy from a perspective acknowledging that this was Read more ...
stephen.walsh
Handel’s operas have long posed, and still pose, severe problems for the modern theatre, and especially the modern director – all those endless streams of wonderful but emotionally more or less generalised arias hitched to interchangeable characters in fabricated love stories about crusaders or Roman emperors or oriental potentates.But they can suddenly explode into true music drama where the cardboard dramatis personae suddenly become real and human and acquire minds and feelings. Tamerlano, sandwiched in 1724 between two of Handel’s greatest operas, Giulio Cesare and Rodelinda, is a Read more ...
Markie Robson-Scott
The piercing-eyed German actor Udo Kier is best known for his supporting roles in many high-profile films, including those of Lars von Trier, Gus Van Sant and Fassbinder. In Swan Song, he carries off his first starring role magnificently as wry ex-drag queen and Ohio hairdresser Pat Pitsenbarger, though the film itself is rather meandering and has mawkish, saccharine moments.Director Todd Stephens (Another Gay Movie; Gypsy 83) based Mr Pat on a real character from his home town of Sandusky, Ohio. The film is a nostalgic journey, looking back at the days before gay dads became a norm (“I Read more ...
Katie Colombus
For those wishing to avoid the bloated plutocracy of #PlattyJoobs, the Great Estate Festival was the perfect antidote. Set in the beautiful estate of Scorrier House in Redruth, Cornwall it is described as “the most rambunctious garden fete”.There are two parts to this festival and an actual divide between them. Before the main entrance there is The Sanctuary, home to the Earth Roots stage, featuring world music and much barefoot dancing in hay before fire-spinning poi dancers emerged under the stars. One of my festival highlights was grooving here to Baka Beyond (pictured below), who have Read more ...
Helen Hawkins
Has there ever been a smarter television series than DR’s Borgen? It’s regularly compared to The West Wing for its twisty interrogation of government shenanigans – and certainly it pays to get to grips with the coalition-driven political scene at the Castle, seat of the Danish government, just as it did with Aaron Sorkin’s take on the Hill. But what The West Wing didn’t have was a character as beguiling as Birgitte Nyborg, played by Sidse Babett Knudsen, to guide its audience. The truly clever thing about Borgen is how palatable its politics are, even when they seem mind-numbing on the Read more ...
Jessica Duchen
Now for something completely different. The Excursions of Mr Brouček is Leos Janáček’s least typical opera and is rarely performed. Among his tragic tales such as Jenufa and Kat’a Kabanova, the charm of The Cunning Little Vixen and the strangely heart-twisting The Makropoulos Case, the Czech composer's biting satire – in which the time-travelling anti-hero is chiefly "blotto" – faces an uphill struggle for a look-in.Back in the English National Opera "powerhouse" days in the distant 1990s, the director David Pountney gave it a comparatively poetic staging, full of ballet and balloons (if I Read more ...
Matt Wolf
A birthday weekend in Devon goes rather badly wrong in All My Friends Hate Me, the new film co-written by its leading man, Tom Stourton, that looks guaranteed to make shut-ins of us all.The antithesis of the warm-and-fuzzy gatherings proffered onscreen over the years by the likes of Kenneth Branagh and Richard Curtis, Andrew Gaynord's film directing debut is compulsively watchable, in an increasingly grim way. But I'm sure I wasn't the only one wondering somewhere past the midway point why the likeable-enough Pete (Stourton) doesn't just cut his losses and drive away.The character's name can' Read more ...
Rachel Halliburton
You never forget your first Gecko production. I experienced mine almost 20 years ago at the Battersea Arts Centre, when the company performed Tailors’ Dummies, its ingenious surreal show about obsession. This had all the hallmarks that would make Gecko one of our most distinctive physical theatre companies; gravity-defying choreography, a quasi-acrobatic exploration of concepts of the body, and scenes that were as elliptical as they were absurd.From here they went on to create works including The Arab and the Jew, The Overcoat and Missing, enthralling audiences with their bold sculpting of Read more ...