Reviews
Nathalie Léger: The White Dress review – masterfully introvertedSunday, 22 March 2020
Nathalie Léger’s The White Dress brings personal and public tragedy together in a narrative as absorbingly melancholic as its subject is shocking. The story described by Léger’s narrator – a scarcely fictional version of herself – is of the... Read more... |
Reissue CDs Weekly: A Slight Disturbance In My MindSunday, 22 March 2020
Two of the 84 tracks on A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds of 1966 are covers of songs from Revolver. One is a rendering of “Tax Man” (sic) by a band named Loose Ends which was enterprisingly issued as a single on... Read more... |
Samuel Beckett: Dream of Fair to Middling Women review – the literary titan laid bareSunday, 22 March 2020
That any writer “struggling to make ends meet” would apply themselves to the making of Dream of Fair to Middling Women is something of a complexity. Written in Paris in 1932, when Beckett was just twenty-six years’ old, this... Read more... |
The English Game, Netflix review - it's the toffs versus the workers in this version of sporting historySaturday, 21 March 2020
Julian Fellowes admits he knows little about football and has always hated sport in general, but this hasn’t prevented him from writing a TV series (for Netflix) about football’s 19th century origins. While his other new series, ITV’s Belgravia,... Read more... |
The Indigo Girls, Facebook Live review - lightening the bluesFriday, 20 March 2020
Like all other performers, the Indigo Girls were forced to make the “heart-breaking decision” to cancel their spring tour. And in that moment, “we knew we wanted to play a free livestream show,” Amy Ray and Emily Saliers said in a statement. “... Read more... |
Taking Control: The Dominic Cummings Story, BBC Two review - disruptive political maverick eludes pigeonholingThursday, 19 March 2020
This patchwork of interviews and comments from male journalists and politicians interspersed with clips from television news and films, from The Godfather to The Avengers, was a zig-zag narrative of Dominic Cummings’s unique career as a political... Read more... |
Brendan Cleary, Great Eastern, Brighton review – last ordersThursday, 19 March 2020
St. Patrick’s Day, and socialising itself, has been all but cancelled. But turn the rickety door-handle of a bohemian pub near Brighton station, and a poignant scene is unfolding. The Irish poet Brendan Cleary’s reading has been officially called... Read more... |
Feel Good, Channel 4 and Netflix review - a fresh, bingeable comedy that digs deep but feels mildThursday, 19 March 2020
“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit... Read more... |
The Art Mysteries, BBC Four review - secrets and symbols of Van Gogh's famous self-portraitWednesday, 18 March 2020
Presenter Waldemar Januszczak suffers from something very like Robert Peston Syndrome, which makes him bellow at the camera and distort words as if they’re chewing gum he’s peeling off the sole of his shoe. Nonetheless he has a knack for finding... Read more... |
The Truth review - a potent Franco-Japanese pairingWednesday, 18 March 2020
It may offer veteran French star Catherine Deneuve as substantial and engaging a role as she has enjoyed in years, but the real surprise of The Truth is that it’s the work of Japan’s Hirokazu Kore-eda. The director, whose Shoplifters took the Palme... Read more... |
Penance, Channel 5 review - lust, disgust and mistrust in Kate O'Riordan's thrilllerWednesday, 18 March 2020
Adapted by Kate O’Riordan from her own novel, Penance is a taut little thriller spread over three consecutive nights. It’s not going to rock the planet off its axis, but there’s enough twisty and salacious intrigue to keep you coming back.There’s a... Read more... |
Beethoven: 1808 Reconstructed, Aimard, Philharmonia, Salonen, RFH review - a feast in fading lightTuesday, 17 March 2020
Like it or not, we live – as Beethoven did – in interesting times. In place of the revolutions, wars and occupations that convulsed the cities he knew, we now confront a silent, invisible foe that breeds an equal terror. Hence the empty seats in the... Read more... |
