Reviews
Adam Sweeting
This was the third collaboration between Dave and the mental health charity CALM (Comedy Against Living Miserably), hosted at EartH in Dalston by Joel Dommett. Its non-standard format comprised chunks of performances by the featured standup comics, intercut with the performers discussing what their material says about mental health.It’s a pressing issue and this is a commendable initiative, but the stilted structure meant the acts never really worked up a head of steam. Just as they began to get going onstage, we would cut away to another dollop of discussion and the momentum was lost. It Read more ...
Tom Birchenough
Director Nick Green’s new three-parter follows on the heels of his A Dangerous Dynasty: House of Assad and comparisons are sure to be made between his two subjects. Though the finer degrees of political power-play – and the sheer quantity of attendant blood-letting – may vary, both investigate how the two autocratic regimes concerned came into being and how they have managed to enjoy such almost total power for so long (and look likely to continue to do so for the foreseeable future).The two stories share a central paradox, too, namely the personalities of their leaders. When Syria’s Bashar Read more ...
Marianka Swain
The way that theatres and other arts institutions have leapt into action over the past week, providing a wealth of material online and new ways to connect with audiences, has been truly inspirational. Yesterday, the Hampstead Theatre re-released on Instagram a recording of its production of American playwright Lauren Gunderson’s I and You, specially filmed for IGTV and initially broadcast in 2018. It’s free until 22.00 on Sunday 29 March – and is well worth a watch.All stories have been recontextualised by the coronavirus outbreak and subsequent shutdown (have actors in TV dramas always Read more ...
aleks.sierz
It’s only been a week since London’s West End went dark, and theatres closed all over the UK, but it feels like months. Really. Like many, I’m in self-isolation, stressed by working online and worried about getting enough food and essentials, so it is heartening to know that digital performance – can you even call it theatre? – is alive, and, if not exactly live, certainly kicking. Theatre Uncut, a company whose slogan is “Political Theatre for Everyone Everywhere”, have this evening Facebook-streamed a recording of playwright Kieran Hurley’s short drama, Bubble. For the coming months, Read more ...
Nick Hasted
This lovely, contemplative Cannes prize-winner has something to teach us in testing times. Filmed in director Oliver Laxe’s grandparents’ Galician village, it observes convicted arsonist Amador’s return from jail to the fire-prone landscape he’s blamed for devastating. This is slow cinema, smouldering with hurt but attentive to beauty and kindness, as Amador settles back into rural rhythms and his elderly, stoic mum’s care.The land, lush and sodden early on, has a painterly palette, and Laxe drinks in its supernal sights. A great bridge appears spindly between mountains, mum Benedicta hides Read more ...
Guy Oddy
There aren’t many metal bands like Slipknot. For a start, the nine-piece line-up consists of the standard vocalist, two guitars, bass and drums – but then there are also two percussionists, sampler and decks. Their music is consistently ferocious, with a hardcore, high-speed, ragging thump and semi-comprehensible lyrics that leaves no room for chart-friendly power ballads. On stage they wear modern horror film costumes, fright-masks and put on a high octane, theatrical show that is not for the faint-hearted.Yet, Slipknot are one of the biggest and highest-earning bands on the planet that only Read more ...
Veronica Lee
Shappi Khorsandi's latest show, Skittish Warrior – Confessions of Club Comic, is an enjoyable look back at the stand-up's 20 years in the comedy business. She starts by taking us back to when she was child refugee; her father, a poet and satirist, offended the clerics in Iran, and was even the target of an assassination gang in London.Some of this material is familiar from previous shows, but no matter as her parents sound a hoot – although it's clear she didn't appreciate the disrupted sleep patterns she had from living in a household that was open all hours to other Iranian refuseniks and Read more ...
Charlie Stone
Nathalie Léger’s The White Dress brings personal and public tragedy together in a narrative as absorbingly melancholic as its subject is shocking. The story described by Léger’s narrator – a scarcely fictional version of herself – is of the performance artist Pippa Bacca who, in 2008, set out on a symbolic journey from Milan to Jerusalem clad in a white wedding dress, hitchhiking her way through cities and countryside. Bacca was never to reach her destination. The narrator’s research of this woman’s failed journey runs alongside and increasingly intertwines with her own story, that of her Read more ...
Kieron Tyler
Two of the 84 tracks on A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds of 1966 are covers of songs from Revolver. One is a rendering of “Tax Man” (sic) by a band named Loose Ends which was enterprisingly issued as a single on the same August 1966 day The Beatles’ album was released. Despite the addition to the arrangement of bongos, spiralling soul-type organ and an odd spindly guitar line it’s pretty faithful to the original and not too exciting.The other is Hertfordshire band The Mirage’s re-rendering of “Tomorrow Never Knows”, which hit record shops in December 1966 Read more ...
Daniel Baksi
That any writer “struggling to make ends meet” would apply themselves to the making of Dream of Fair to Middling Women is something of a complexity. Written in Paris in 1932, when Beckett was just twenty-six years’ old, this nebula – of autobiography, literary in-jokes, and musings on everything from philosophy, art and music, to the very novel that Beckett is in the process of piecing together – was shelved after multiple rejections for being too scandalous, too risky. There it would remain for another sixty years, until in 1992 it was finally published.His Read more ...
Adam Sweeting
Julian Fellowes admits he knows little about football and has always hated sport in general, but this hasn’t prevented him from writing a TV series (for Netflix) about football’s 19th century origins. While his other new series, ITV’s Belgravia, feels sharp and skilfully crafted, The English Game is more like a mud bath in the Scunthorpe Wednesday Evening League.His theme might be summed up as toffs and robbers. It’s set in the 1870s, when football (largely invented in public schools) was becoming organised under rules laid down by the Football Association, comprising mostly public school Read more ...
Liz Thomson
Like all other performers, the Indigo Girls were forced to make the “heart-breaking decision” to cancel their spring tour. And in that moment, “we knew we wanted to play a free livestream show,” Amy Ray and Emily Saliers said in a statement. “People are feeling scared, isolated, uncertain, and unmoored. For the public good, we all have to do our part not to gather in person, but we can still play music, and we are really looking forward to connecting with you on Facebook and playing a low-key, homegrown set of songs and talking to people directly through Q&A.”We in Britain are now, Read more ...