Reviews
Pokémon Detective Pikachu review - a cute commercialFriday, 10 May 2019
This is the Who Framed Roger Rabbit? of the Pokémon franchise, bringing the video game’s cute critters into a live-action, film noir world, as Pikachu (Ryan Reynolds) turns Holmes-hatted detective to help teenage human Tim (Justice Smith) find his... Read more... |
Hugh Jackman, SSE Hydro, Glasgow review - showman plays to his strengths as he kicks off world tourFriday, 10 May 2019
“I hope you’re not only Wolverine fans or this is going to be a long night,” a grinning Hugh Jackman tells a screaming Glasgow crowd. The line – delivered in front of a giant screen on which Jackman, adamantium claws extended, is climbing out of a... Read more... |
Within the Golden Hour/Medusa/Flight Pattern, Royal Ballet review - the company shows its contemporary faceFriday, 10 May 2019
Sidi Larbi Cherkaoui has come a long way since his early days as a hip hop artist, but the outsider status is obvious even before the curtain goes up on Medusa, his first commission for the Royal Ballet and the centrepiece of a triple bill... Read more... |
Deep State, Series 2, Fox review - covert conspiracies in AfricaFriday, 10 May 2019
Last year’s first season of Deep State featured cloak and dagger exploitations of chaos in the Middle East by the capitalist West and its intelligence services. Judging by its opening episode, this second iteration is about to do something similar,... Read more... |
Death of a Salesman, Young Vic review - new-minted revival of a masterpieceFriday, 10 May 2019
The Young Vic, a welcoming theatre with a culturally diverse audience, has been home to memorable Miller revivals before, notably Ivo van Hove's emotionally shattering, stripped-back A View From the Bridge in 2014. But before that, in the 1980s and... Read more... |
Seann Walsh, Broadway, Letchworth Garden City review - Strictly's bad boy tells his storyFriday, 10 May 2019
Let's start with that kiss – the one that propelled Seann Walsh from “Who?” in last year's Strictly Come Dancing line-up to being the “bad boy” of the series after pictures of his drunken late-night clinch with Katya Jones, his married professional... Read more... |
Madeline's Madeline review – American indie heralds an astonishing new starThursday, 09 May 2019
“You are not the cat. You are inside the cat.” This has to be one of the most memorable first lines you’ll hear this year, and it belongs to one of the most singular films, an American indie drama that charts a teenage girl’s efforts to navigate... Read more... |
LSO, Rattle, Barbican review - inner magic eventually joins outward masteryThursday, 09 May 2019
Nearly 17 years ago, Simon Rattle inaugurated his era at the helm of the Berlin Philharmonic with Mahler's Fifth Symphony. It couldn't hope to possess the thrill of discovery which had marked his Birmingham Mahler – after all, the Berliners had long... Read more... |
High Life review - Claire Denis boldly goes where she hasn't gone beforeThursday, 09 May 2019
Claire Denis's High Life is science fiction as a fever dream rather than a frenzy of ray guns and aliens. Our first contact is Monte (played by a gaunt Robert Pattinson); he’s alone on a rickety space ship, fixing the leaks in the hull,... Read more... |
Dead Dog in a Suitcase (and other love songs), Brighton Festival 2019 review - a feverishly foul-mouthed musical comedyThursday, 09 May 2019
Five years ago this Kneehigh Theatre production caused a stir with its vibrant modern retelling of John Gay’s 18th century satirical classic, The Beggar’s Opera. It’s currently on tour again and it’s easy to see why a revival was greenlit. It’s a... Read more... |
Ben Okri, Brighton Festival 2019 review - adventures in writingWednesday, 08 May 2019
If there’s one thing to learn from Ben Okri in this evening of conversation at Brighton Festival between the Famished Road writer and author Colin Grant it’s how to “upwake”.The phrase, coined in his new (11th) novel The Freedom Artist – a post-... Read more... |
Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new lightWednesday, 08 May 2019
Placed in a long and artfully Arcadian vista, earthy bronze subdued against verdant grass and trees, the restless form of Henry Moore’s Two Piece Reclining Figure: Cut, 1979-81 (Main picture), both disrupts and is absorbed by its surroundings. A... Read more... |
