fri 15/08/2025

Reviews

Rumours review - pallid satire on geopolitics

It must have seemed such a delicious premise – a Buñuel-esque comedy about world leaders trapped at a luxury retreat as the apocalypse looms. With cult director and installation artist Guy Maddin directing alongside his regular collaborators Galen...

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On Becoming a Guinea Fowl review - mordant seriocomedy about buried abuse

The writer-director of 2017’s I Am Not a Witch, Rungano Nyoni, has come up with another scorcher, this time taking aim at Zambia’s social structures, in which women’s power can become petty tyranny. Nyoni’s Zambian scenarios are populated with “...

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Ricky Gervais, Touring review - new show, not-so new gags

Ricky Gervais begins by bringing us up to date with the latest “outrage” he has caused; two Netflix specials, SuperNature and Armageddon, upset some people, he tells us, thus giving them even more attention than they might otherwise have had. So now...

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Katy J Pearson, Saint Luke's and the Winged Ox, Glasgow review - warm-hearted songs to banish the cold

'Tis the season for all manner of bugs, colds and illnesses. One had befallen Katy J Pearson, who struck an apologetic note after the night’s first number to say she had been unwell all day and was going to do her best to get through the gig. That...

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Bach Mendelssohn Festival, Part I, Oxford Philharmonic Orchestra review - the flame that never died

“I am not better than my fathers.” Cracked, pained, occasionally rasping, rising to a fearsome roar then subsiding to a throaty whisper, Sir Bryn Terfel’s still-formidable bass-baritone made the great vault of Wren’s Sheldonian Theatre in Oxford...

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Album: White Denim - 12

White Denim’s literally titled 12th album opens with the fidgety “Light on.” Drawing a line between electronica and Tropicália, it exudes sunniness. “Econolining” and “Flash Bare Ass,” up next, are equally peppy, as bright and similarly accord with...

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theartsdesk on Vinyl 87: Roots Manuva, Bogdan Raczynski, Songhoy Blues, The Special AKA, Jhelisa, Tina Turner and more

VINYL OF THE MONTHBlood Incantation Absolute Elsewhere (Century Media)When death metal takes LSD it’s quite a thing. Whether this band have done acid or not, the output of Colorado's Blood Incantation feels that way on their fourth album. Each side...

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Currie, Hallé, Wong, Bridgewater Hall, Manchester review - sparkle and intrigue

Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme seemed likely to come from James MacMillan’s Veni, Veni, Emmanuel – his percussion concerto, with the star...

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Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dublin review - greatness everywhere

How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the three major roles? Here, there is none. INO’s jester and Duke are well cast, its Gilda supernaturally perfect in...

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Electric Dreams: Art and Technology Before the Internet, Tate Modern review - an exhaustive and exhausting show

Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial intelligence can produce paintings worth as much as those made by human hands.Depending on your view of AI,...

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Music Reissues Weekly: John Cale - The Academy in Peril, Paris 1919, Fear, Slow Dazzle, Helen of Troy

The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All have been previously reissued multiple times and none are scarce in any form. Anyone wanting any of these...

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Conclave review - secrets and lies in the Vatican's inner sanctum

“You either got faith or you got unbelief, and there ain’t no neutral ground,” as Bob Dylan sang, but Cardinal Lawrence (Ralph Fiennes) isn’t finding it quite that simple.The Pope (Bruno Novelli) has died, and in his last act in this world he...

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