Reviews
Follies, National Theatre review - the Sondheim spectacular returns, better than everSaturday, 23 February 2019
This is a golden age of London Sondheim revivals, with Marianne Elliott’s thrilling Company still playing in the West End, and Dominic Cooke’s Follies getting a hugely welcome second run at the National – both testament to a director’s... Read more... |
Kulman, Skelton, BBCSO, Oramo, Barbican review - romantic sign-offsSaturday, 23 February 2019
Time was when the BBC Symphony Orchestra played austerely wholesome programmes of modern and romantic classics to third-full houses. Now on a more varied diet – such as the collaboration with Neil Gaiman and Alwyn's Miss Julie in concert announced... Read more... |
Eden, Hampstead Theatre Downstairs review - thoughtful commentary on people and principlesSaturday, 23 February 2019
"It's gonna be the best golf course in the world," a man in an Aertex shirt and a bright red baseball cap is assuring us. "The best. I guarantee it." You can tell he's the kind of person who thinks talking quickly and loudly is the same thing as... Read more... |
Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delightSaturday, 23 February 2019
It doesn’t get better than this! Phyllida Barlow has transformed the Royal Academy’s Gabrielle Jungels-Winkler Galleries into a euphoric delight. Entering the space, you have to turn right and process through the three galleries; but by closing the... Read more... |
Old Boys review - short but not especially sweetSaturday, 23 February 2019
How does the ever cherub-cheeked Alex Lawther keep getting served in pubs? That question crossed my mind during the more leisurely portions of Old Boys, an overextended English schoolboy revamp of Cyrano de Bergerac that flags just when it most... Read more... |
Curfew, Sky One, review - belt up for a budget-price Mad MaxSaturday, 23 February 2019
Curfew (Sky One) is a new drama that begins as it means to go on, roaring from nought to 60 with a wildly implausible car chase. An electric blue McLaren is haring and weaving through London, with the law in hot pursuit. Forget the computer-... Read more... |
The Monstrous Child, Royal Opera, Linbury Theatre review - fresh operatic mythology for teenagersFriday, 22 February 2019
Hel, heroine of Gavin Higgins and Francesca Simon’s new opera, is the illegitimate daughter of the Norse god Loki. In many ways The Monstrous Child itself feels like a bastard offspring, born – moody, mouthy and full of fragile rage – to Wagner’s... Read more... |
Equus, Theatre Royal Stratford East review - thrilling physicalityFriday, 22 February 2019
There is no doubt that Peter Shaffer's Equus is a modern classic. But does that justify reviving this 1973 hit play in our current social circumstances? And what can it say to us today? The good news is that up-and-coming director Ned Bennett is at... Read more... |
Sleeping with Extremists: The Far Right, Channel 4 review - insightful but flawed documentaryFriday, 22 February 2019
It’s always interesting to see how presenters make their presence known in documentaries. Louis Theroux hovers on the sidelines like an ethereal presence, Stacey Dooley connects immediately on an emotional level, and one-time host Keith Allen... Read more... |
Jesus Hopped the 'A' Train, Young Vic review - shards of power amidst much that is overwroughtFriday, 22 February 2019
An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train, back in London for the first major production since the late Philip Seymour Hoffman brought his acclaimed... Read more... |
Tartuffe, National Theatre review - morality-heavy version of the comedy classicFriday, 22 February 2019
Here's a recipe for a successful National Theatre production: take a well-loved classical comedy, employ an outstanding young director and a talented writer (so much the better if they have a proven track record together) and cast gold-standard... Read more... |
Capernaum review - sorrow, pity and shame in the Beirut slumsThursday, 21 February 2019
An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his parents. Why? For giving birth to him when they’re too poor and feckless to care for him. And he wants them to stop having... Read more... |
