Reviews
Reissue CDs Weekly: Third Noise PrincipleSunday, 27 January 2019
A compilation on which Philip Glass and Terry Riley rub shoulders with Controlled Bleeding and Smegma is going to be interesting. Throw in Data-Bank-A, Dog as Master, NON and Suicide, and it becomes clear what’s striven for is an all-encompassing... Read more... |
Michael Peppiatt: The Existential Englishman review - we'll always have ParisSunday, 27 January 2019
In this memoir, subtitled “Paris Among the Artists”, Michael Peppiatt presents his 1960s self as an absorbed, irritatingly immature and energetically heterosexual young man let loose in Paris to find himself (or not). The young art historian,... Read more... |
Patti Smith, Roundhouse review – the priestess of punk has lost none of her powerSaturday, 26 January 2019
“Don’t love me yet,” replies Patti Smith to the first of tonight’s many excitable shout-outs. “Who knows, after 20 minutes you might be gone!” An unlikely scenario, given that this show – part of the Roundhouse’s annual “In the Round” series, which... Read more... |
The Mule review - good ol' boy rides againSaturday, 26 January 2019
Baggage can weigh a movie down. The Mule comes with quite a bit of baggage, and not just the kilos of coke stashed in the car’s trunk. Clint Eastwood’s fifty plus years as a screen icon turned director, his dodgy love life and libertarian politics... Read more... |
Fausto Melotti: Counterpoint, Estorick Collection review - harmonious thingsSaturday, 26 January 2019
For an artist whose cerebral and frequently playful works reference physics, myth and music, Fausto Melotti’s artistic education was appropriately heterogeneous.The foundations were laid early on at the Elisabettina School in his hometown of... Read more... |
Vice review - Christian Bale on surging and satiric formFriday, 25 January 2019
Satire was once thought in America to be that thing that closed on Saturday night. Not here: filmmaker Adam McKay goes the distance with Vice, a hurtling examination of realpolitik that puts Dick Cheney under a spotlight at once satiric and scary.... Read more... |
Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensityFriday, 25 January 2019
Its a preposterous act of hubris, isn’t it? Pairing large scale video installations by American artist Bill Viola with drawings by Michelangelo can’t possibly illuminate our experience of either art form; or can it? Are we meant to conclude that... Read more... |
On Her Shoulders review - half-life of a campaignerFriday, 25 January 2019
In September 2014, after three months of captivity, Nadia Murad escaped ISIS control in Mosul, Iraq. Since then, she has dedicated her life to travelling the world and telling everyone who will listen about the plight suffered by her Yazidi people,... Read more... |
Hough, Hallé, Elder, Bridgewater Hall, Manchester review - film music flowsFriday, 25 January 2019
No one worried about melting icecaps and homeless penguins when Vaughan Williams wrote his score for the film Scott of the Antarctic around 70 years ago. (They do now, as a new music theatre piece by Laura Bowler to be premiered by Manchester... Read more... |
When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the NationalThursday, 24 January 2019
When it was announced that Cate Blanchett was making her National Theatre debut with Martin's Crimp's new play, When We have Sufficiently Tortured Each Other, its website exploded with people wishing to buy tickets. To those many thousands... Read more... |
Imagine... James Graham, BBC One review - deft analysis of a working lifeTuesday, 22 January 2019
How does an unassuming 36-year-old with a terrifyingly sensible haircut and a mildly flamboyant taste in jumpers become the political playwright par excellence of his generation? That’s the question that Alan Yentob sought to dissect in this first... Read more... |
Violet, Charing Cross Theatre review - Jeanine Tesori's faith musical is a gentle pleasureTuesday, 22 January 2019
Following Caroline, or Change and Fun Home, the UK is blessed with another work from American composer Jeanine Tesori; this is the British premiere of her 1997 musical Violet, which had a Sutton Foster-starring Broadway production in 2014. If not as... Read more... |
