sat 28/06/2025

Reviews

Coming Clean, Trafalgar Studios review - Kevin Elyot play has lost the pathos if not the plot

Time and a transfer haven't been kind to this well-meaning but surface-thin revival of Coming Clean, the 1982 Kevin Elyot play that is surely more poignant than is ever apparent here. Two summers ago, much the same cast found a better-calibrated way...

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The Queen of Spades, Royal Opera review - uneven cast prey to overthought concept

Prince Yeletsky, one of the shortest roles for a principal baritone in opera but with the loveliest of arias, looms large in Stefan Herheim's concept of The Queen of Spades. Not so much as a name in Pushkin's perfect short story of 1834, a mere...

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Time Is Love/Tiempo es Amor, Finborough Theatre review - sultry yet static

Confessions first: I fell asleep mid-way through Time Is Love/Tiempo es Amor, from too much time on trains and planes over the New Year. I was kindly allowed back for a second visit to the Finborough Theatre show, for a Sunday matinee, dosed with...

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Mutter, Vengerov, Argerich, Oxford Philharmonic, Papadopoulos, Barbican review - a birthday banquet

When three of the planet’s starriest soloists take the time to celebrate the anniversary of a young, non-metropolitan orchestra, it may seem perverse to leave the hall entranced most by the one work in which the illustrious trio played no part. Of...

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Leicester Comedy Festival Gala Preview Show review - an entertaining mixed bag

Suited and booted, Tom Allen and Suzi Ruffell presented this gala preview to the Leicester Comedy Festival, which is now in its 26th year and starts next month. The comics, who do an occasional podcast together called Like Minded, make an engaging...

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Magda Szabó: Katalin Street review - love after life

This is a love story and a ghost story. The year is 1934 and the Held family have moved from the countryside to an elegant house on Katalin Street in Budapest. Their new neighbours are the Major (with whom Mr Held fought in the Great War) and his...

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Reissue CDs Weekly: Music is the Most Beautiful Language in the World

The title comes from a slogan used in a 1920s newspaper ad for Weinberg’s, a gramophone, record and sheet music shop in Brick Lane. Readers saw the words in Yiddish though. Brick Lane was central to London’s Jewish East End and those who lived in...

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On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'roll

On Drums was inhabited by a parade of fine-looking young and middle aged multi-ethnic anglophone drummers, all introduced by Stewart Copeland, the American drummer of the Police. In vintage film and contemporary interviews his chosen musicians...

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Hannigan, LSO, Rattle, Barbican review - the sublime and the beautiful

With the London Symphony Orchestra often playing like some commanding and relentless force of nature, Sir Simon Rattle steered two mighty avalanches of Nordic sound into a concert of granitic authority last night. However, I suspect that many people...

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Aspects of Love, Southwark Playhouse review - discourse keeps passion at bay

“Love Changes Everything”, as immortalised by Michael Ball, is the most enduring feature of Andrew Lloyd Webber, Don Black and Charles Hart’s 1989 musical – a moderate West End success, and a Broadway flop. Jonathan O’Boyle’s production, seen last...

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Colette review - Keira Knightley thrives in Paris

In a telling scene midway through Colette, our lead is told that rather than get used to marriage, it is “better to make marriage get used to you.” In this retelling of the remarkable Colette’s rise, it is evident she did much more than that; by the...

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Catastrophe, Series 4, Channel 4 review - final series starts strongly

Some may have thought that Catastrophe (Channel 4) had neared the end of the road with the third series, but I disagree. It was still managing, with some deftness, to pull off the difficult trick of mixing broad humour with serious themes of love,...

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