Reviews
Tristan & Yseult, Shakespeare's Globe review - terrific visual and musical élanFriday, 16 June 2017![]() This show feels like an end-of-the-exams party, and in a way that’s exactly what it is. If the fruits of Emma Rice’s short tenure as Artistic Director at the Globe were a series of tests that she is deemed to have failed, then Tristan & Yseult,... Read more... |
Gifted review - genius in the family genesFriday, 16 June 2017![]() There’s quite an appealing mini-genre that concerns genius, usually involving mathematics and an outsider who struggles to cope for reasons that include social adaptation (Good Will Hunting), sexuality (The Imitation Game) and mental health (A... Read more... |
Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten geniusFriday, 16 June 2017![]() I can’t pretend to like the work of Fahrelnissa Zeid, but she was clearly an exceptional woman and deserves to be honoured with a retrospective. She led a privileged life that spanned most of the 20th century; born in Istanbul in 1901 into a... Read more... |
Churchill review - Winston has smallness thrust upon himFriday, 16 June 2017![]() He may often be voted Greatest Briton in the History of Everything, but are we approaching peak Winston? Scroll down Churchill’s IMDb entry and you’ll find that he’s been played by every Tom, Dick and Harry in all manner of cockamamie entertainments... Read more... |
Riviera, Sky Atlantic review - codswallop on the Côte d'AzurFriday, 16 June 2017![]() W Somerset Maugham, who knew a thing or two about the dark side, summed up the Riviera as “a sunny place for shady people”. On the evidence of this first episode, Riviera is a funny place for shitty people.The first few minutes flung us... Read more... |
Destination Unknown review - Holocaust survivors go backThursday, 15 June 2017![]() Destination Unknown is a passion project 13 years in production, a documentary featuring moving interviews with a dozen Jewish survivors of Nazi persecution. Elderly men and women describe what happened to them and their families during the war. We... Read more... |
Kuusisto, London Chamber Orchestra, Ashkenazy, Cadogan HallThursday, 15 June 2017![]() Tears were likely to flow freely on this most beautiful and terrible of June evenings, especially given a programme – dedicated by Vladimir Ashkenazy to the victims of the Grenfell Tower fire – already prone to the elegiac. It could hardly... Read more... |
Whitney: Can I Be Me review - tragic account of superstar who fell to earthWednesday, 14 June 2017![]() The statistics of Whitney Houston’s career are flabbergasting in this post-CD era. Her 1985 debut album sold 25 million copies. “I Will Always Love You” is the best-selling single by a female artist in music biz history. Its parent album, the... Read more... |
A Handful of Dust, Whitechapel Gallery review - grime does payWednesday, 14 June 2017![]() Why is dust so fascinating yet, at the same time, so repellent? Maybe the fear of choking to death in a dust storm or being buried alive in fine sand provokes a visceral response to it. My current obsession with dust comes from having builders in my... Read more... |
Michelangelo: Love and Death review - how to diminish a colossusTuesday, 13 June 2017![]() As perhaps the greatest artist there has ever been – and as one of the most fascinating and complex personalities of his era – Michelangelo should be a thrilling subject for serious as well as dramatic cinematic documentary treatment. Michelangelo... Read more... |
Fearless, ITV review - Helen McCrory lights up dense conspiracy thrillerTuesday, 13 June 2017![]() Emma Banville is almost too good to be true: a human rights lawyer who houses Syrian refugees, wins the most hopeless cases of wrongful conviction, won’t be bullied by anyone – coppers, prison wardens, the system. OK she smokes, presumably for the... Read more... |
Der Rosenkavalier, Welsh National Opera review - hard to imagine a stronger castTuesday, 13 June 2017![]() Der Rosenkavalier, you might think, is one of those operas that belong in a specific place and time and no other. “In Vienna,” says Strauss's score, “in the first years of Maria Theresia’s reign” (i.e. the 1740s). But this, of course, is a... Read more... |
