sun 04/05/2025

Reviews

The Mummy review – please don't let them make a sequel

The best bit is in the trailer. It's the scene where Nick Morton (Tom Cruise) and Jenny Halsey (Annabelle Wallis) are inside a stricken Hercules transport aircraft as it suddenly plunges vertically out of the sky, leaving its occupants in weightless...

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Ackley Bridge, Channel 4 review – can the town's new academy bring racial and social harmony?

Welcome to Ackley Bridge Academy, home of a new Channel 4 drama and a new amalgam of two segregated schools in a Yorkshire mill town setting out to prove itself “a new school with a new attitude”. This, at least, is the vision of new headteacher...

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Barber Shop Chronicles, National Theatre review - foot-stompingly pleasurable

The strapline for this joyful show is: “One day; six cities; a thousand stories.” Allowing for hyperbole, this is just about right. Performance poet Inua Ellams’s new show is set in a handful of cities that stretch across one part of the globe, from...

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My Cousin Rachel review - du Maurier remake too florid by half

From the breathless questions posed at the beginning onwards, My Cousin Rachel charges forward like one of leading man Sam Claflin's fast-galloping steeds. Presumably eager not to let this period potboiler become staid, director Roger Michell swoops...

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Common, National Theatre review - Anne-Marie Duff fails to ignite

History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed – and always at the mercy of the winners. In a general election week, it is hard to deny that still now we are the progeny of the possessive...

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Norman review - revelatory Richard Gere in mesmerising New York tale

“You’re like a drowning man trying to wave at an ocean liner,” says lawyer Philip (Michael Sheen) to his uncle Norman Oppenheimer (Richard Gere as you’ve never seen him before – a revelation). “But I’m a good swimmer,” replies Norman, feverishly...

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Britten Sinfonia, Adès, Barbican

Thomas Adès and the Britten Sinfonia here reached the most revolutionary works in their twin portrait season of Gerald Barry and Beethoven: Barry’s Chevaux-de-frise and Beethoven’s "Eroica". Adès, ever-keen to play the iconoclast, emphasised all the...

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Annie review - a 12-year-old star is born

Forty years after Annie swept on to Broadway, brimming with shining-faced optimism amidst wearying times, along comes Nikolai Foster's West End revival of the show to do much the same today. A tentative-seeming Miranda Hart may be the name player,...

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Lord Lucan: My Husband, The Truth review - the coldest case of all

Four years ago the BBC dramatised the story of the Lucans. Rory Kinnear donned the forthright moustache and Catherine McCormack played his spouse Veronica as a brittle victim of mental cruelty. The script speculated about the murder of the nanny...

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Radamisto, Guildhall School, Milton Court

''…after various Accidents, it comes to pass that he recovers both Her and his Kingdom”. Handel's Radamisto may be a tale of warring kingdoms, noble self-sacrifice and mature, wedded love, but it’s also a fairly daft piece of dramatic belief-...

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Gurrelieder, Hallé, BBCPO, Elder, Bridgewater Hall, Manchester

It may not have had the symbolism of the Ariana Grande concert just down the road, but in its own way the joint Hallé/BBC Philharmonic performance of Schoenberg’s Gurrelieder said as much about Manchester as the rock jamboree did. It was originally...

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The Handmaid's Tale, Channel Four review - triumphant dystopian drama

The second episode of Bruce Miller’s brilliant dramatisation of Margaret Atwood’s The Handmaid’s Tale on Channel 4 finds Offred (the wonderful Elisabeth Moss) being penetrated by Commander Fred Waterford (Joseph Fiennes, looking conflicted). Of...

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