Reviews
L'Orfeo, EBS, Gardiner, Colston Hall, BristolMonday, 29 May 2017
This last of Sir John Eliot Gardiner’s semi-staged Monteverdi series took us back practically to the very start of the whole genre. L’Orfeo was presented in Mantua in 1607 as a court opera, and will have been seen and heard by a fraction of the... Read more... |
Jam review – obsession and resentment in the classroomMonday, 29 May 2017
When TV drama tackles Britain’s class divide, the go-to working-class type is the northerner: gritty, blunt of vowel and partial to a deep-fried Mars bar. The first and perhaps only pleasant surprise in Matt Parvin’s debut play Jam, produced by the... Read more... |
Arundhati Roy: The Ministry of Utmost Happiness review - brilliant fragments of divided IndiaSunday, 28 May 2017
Just as in the United States, the quest among Indian authors in English to deliver the single, knock-out novel that would capture their country’s infinite variety has long been the stuff of parody. More than two decades ago, the writer-politician... Read more... |
Billy Bragg: Roots, Radicals and Rockers review - riffing on skiffle, and more besidesSunday, 28 May 2017
Wow! An unconventional opening for a book review maybe, but ‘“wow!” nonetheless. Subtitled "How Skiffle Changed the World", this is an impressive work of popular scholarship by the singer, songwriter and social activist whose 40-year (and counting)... Read more... |
Reissue CDs Weekly: Hoyt AxtonSunday, 28 May 2017
Hoyt Axton’s songs were heard most widely when recorded by others. Steppenwolf recorded his “The Pusher” in 1967. It featured on their early 1968 debut album but was most pervasive in summer 1969 after it was included on the soundtrack of Easy Rider... Read more... |
An Octoroon review - slavery reprised as melodrama in a vibrantly theatrical showSaturday, 27 May 2017
Make no mistake about it, Branden Jacobs-Jenkins is a playwright to watch. London receives its first opportunity to appraise his vibrant, quizzical talent with this production of An Octoroon, for which he received an OBIE in 2014 (jointly with his... Read more... |
Swans, Asylum, BirminghamSaturday, 27 May 2017
There are not many bands who are obtuse enough to begin a gig with a 45 minute unrecorded song, especially when they are preparing to go their separate ways at the end of the tour and have no plans for further recording. Sonic adventurers Swans,... Read more... |
The Red Turtle review - Studio Ghibli loses its magic touchSaturday, 27 May 2017
A man is caught up in a storm at sea; giant waves like Hokusai crests throw him onto a deserted tropical island. Over the next 80 minutes, his struggle to survive occupies the screen. Curious crabs provide a little company, but not enough to stop... Read more... |
Paula, BBC Two review - Denise Gough's the real thingFriday, 26 May 2017
Playwrights have long migrated to the small screen in search of better pay and room to manoeuvre. Most don’t leave it as long as Conor McPherson, who was perhaps cushioned from necessity by the global success of The Weir. A quarter of a century... Read more... |
Deposit, Hampstead Theatre Downstairs review - capital's housing crisis lands centre-stageFriday, 26 May 2017
Matt Hartley's personal take on London's housing crisis returns to the Hampstead Theatre's studio space downstairs and is sure to hit audiences where, so to speak, they live. First seen at the same address in a production not open to the press, the... Read more... |
The Other Side of Hope review - Aki Kaurismäki at his tragicomic bestFriday, 26 May 2017
It takes real skill to make a film about a desperate Syrian refugee and a dour middle-aged Finn reinventing himself and turn it into the warmest, most life-enhancing film I’ve seen this year. But Aki Kaurismäki has form, he’s been making movies... Read more... |
theartsdesk on Vinyl 28: Manic Street Preachers, Joep Beving, Wreckless Eric, SWANS and moreFriday, 26 May 2017
While the 36 records reviewed below run the gamut of Wreckless Eric to Democratic Republic of the Congo Afro-electronica, this month there’s also a special, one-off section for modern classical. This is due to an ear-pleasing haul of releases... Read more... |
