tue 06/05/2025

Reviews

The Harmony Test, Hampstead Theatre review - pregnancy and parenthood

“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have been plenty of laughs, and some much more awkward moments, in Richard Molloy’s The Harmony Test, which premieres in the Hampstead Theatre’s Downstairs...

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The Lovely Eggs, XOYO, Birmingham review - Lancashire duo brings the Bank Holiday to a speedy end

When the Lovely Eggs’ married duo of Holly Ross and David Blackwell took to the stage at the recently rebranded XOYO in Birmingham on Bank Holiday Monday, they looked like they should be playing for two completely separate bands. She was looking...

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Bluets, Royal Court review - more grey than ultramarine

When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie Mitchell’s staging of Margaret Perry’s adaptation of Maggie Nelson’s Bluets – despite the casting of...

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Sheffield Chamber Music Festival 2024 review - curator Steven Isserlis spotlights masterly Fauré and Saint-Saëns

“Saint-Saëns: The Renaissance Man” proclaimed the big screen at the first remarkable programme I attended within the 2024 Sheffield Chamber Music Festival. The same epithet could be applied to this year’s curator, Steven Isserlis, so remarkable a...

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Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph

Tate Britain’s Now You See Us could be the most important exhibition you’ll ever see. Spanning 400 hundred years, this overview of women artists in Britain destroys the myth that female talent is an exotic anomaly.We were led to believe there’d been...

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Romeo and Juliet, Duke of York's Theatre review - doomy and deathly, and much-hyped

One of Shakespeare's longest plays gets gets served up fast and filleted courtesy the director of the moment Jamie Lloyd, who is second to none when it comes to revealing the hidden performance strengths of various (and very varied) stars.Last year...

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Sphinx Organization, Wigmore Hall review - black performers and composers take centre stage

Kudos to the Wigmore Hall for continuing to make efforts to diversify its roster of performers and repertoire. Last year I reviewed the Kaleidoscope Collective, and noted how the different profile of their players attracted a younger and less...

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Travels Over Feeling: The Music of Arthur Russell, Barbican review - a sublime evening undercut by tonal shifts

Last night’s Travels Over Feeling: The Music of Arthur Russell (a concert in part accompanying the recent publication of a book about his life by Richard King) was a brilliant way to honour the legacy of a fascinating, challenging, and sublime...

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Music Reissues Weekly: Jon Savage's The Secret Public - How The LGBTQ+ Aesthetic Shaped Pop Culture

Jon Savage's The Secret Public How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979 accompanies the titular author/historian/journalist’s book of almost the same name. The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979) and...

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Jerry’s Girls, Menier Chocolate Factory review - just a parade that passes by

Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that, like me, you recognize about 80 per cent of the material in Jerry’s Girls. But is it enough when you (...

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Punt and Dennis, The Marlowe, Canterbury review - satire and sketches

Ten years after their last tour Steve Punt and Hugh Dennis are back on the road with We Are Not a Robot. It comes after their long-running The Now Show on Radio 4 has ended and, reassuringly for their fans, is more of the same affable humour, with...

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Furiosa: A Mad Max Saga review - just as mad without Max

In the way of Batman being overshadowed by his villains, in his last outing, Mad Max: Fury Road, the erstwhile hero of George Miller’s dystopian action series had to take a back seat (literally and metaphorically) to the shaven haired, one-...

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