Reviews
Veronica Lee
In April 2023 the actor and comic Jamie Foxx had a stroke and was lucky to survive. In his latest Netflix Special, What Had Happened Was... he tells us about it, and his recovery. It's fitting, he tells us, that the show was recorded in Atlanta, just 400 yards away from the hospital he was taken to by his sister, who knew something was seriously wrong.The show is a curious – and undoubtedly unique – mix of comedy, music and thanksgiving that at times feels more like a revivalist meeting as Foxx attests repeatedly that God saved him. The religiosity – and there's a lot of it – may be off- Read more ...
Matt Wolf
It's the images that linger in the mind as I think back on a bustling theatre year just gone. Sure, the year fielded excellent productions (and some duds, too), but as often as not it's a particular sight that sticks in the mind.I shan't soon forget Patricia Clarkson (pictured below in rehearsals by Johan Persson) descending at play's end on the men in her family in Jeremy Herrin's West End revival of Long Day's Journey Into Night, a ghostly relic almost passive-aggressive in her anguish. Or the astonishing Lesley Manville clambering across the body of Mark Strong in Robert Icke's dazzling Read more ...
Adam Sweeting
Since its revival in 2020, All Creatures Great and Small has drawn big audiences internationally and become Channel 5’s biggest hit, even if there have been occasional grumbles about how it takes liberties with James Herriot’s original books.The show works because it gets the simple things right. It’s built on sound principles of solid plots and well-drawn characters, with the result that the ensemble at the core of All Creatures… ticks along like a piece of old-fashioned but lovingly maintained machinery.The role of grumpy but kind-hearted paterfamilias Siegfried Farnon now suits Samuel West Read more ...
Jonathan Geddes
Travis arrived onstage with the theme tune from classic sitcom Cheers as an accompaniment. The cavernous OVO Hydro might not be a place where everyone knows your name, but a Glasgow homecoming by local lads made good certainly tapped into a festive vibe of friends and familiarity, with singer Fran Healy making ample reference to the group’s roots during their set.That fondness for the quartet is partly why they were able to play such a large venue to begin with, given the rest of their tour visited more compact, if still decently sized, buildings. Of course, the group’s late 90s and early Read more ...
Harry Thorfinn-George
Robert Eggers' strength as a director is his ability to bring historical periods alive with gritty, tactile realism. He does this successfully because of his anthropological attention to props, costume and language, but also his willingness to treat the era’s belief system as concrete reality. There’s nothing glib or anachronistic about his films set among 17th century New England Puritans, 19th century fishermen or 11th century Icelandic vikings. So with his much anticipated remake of FW Murnau’s German expressionist masterpiece and ur-horror film Nosferatu, Eggers takes us to its Read more ...
Adam Sweeting
Though Death in Paradise is an Anglo-French production filmed in Guadeloupe, in the French West Indies, the Frenchness seems to have mysteriously leaked away. Where Sara Martins was a long-standing regular as DS Camille Bordey, and other French actors have rotated through the cast, the only glimmer of Gallicness remaining in this seasonal special was the vestigial presence of Elizabeth Bourgine as Catherine Bordey (Camille’s mum, pictured below with Danny John-Jules as Dwayne Myers). Otherwise we might have been on Jamaica or Barbados or St Lucia, such was the general lack of any trace of the Read more ...
Boyd Tonkin
Enough is as good as a feast, they say. But sometimes, especially at Christmas, you crave a properly groaning table. At the Wigmore Hall, The English Concert, directed by Harry Bicket, concluded their festive Baroque banquet with Bach’s Magnificat – complete with its four Christmas-tide interpolations. They had prefaced the Bach with a trio of lesser-known seasonal pieces dating from the preceding decades, by Charpentier, Stradella, and Purcell. That might sound like a light plate of rather scholarly, even austere, hors d’oeuvres. Not all all: Bicket’s enterprising first half proved that late Read more ...
Tim Cumming
A suitable place to find yourself out for the winter solstice, buttoning up for the longest night of the year, was at the Cadogan Hall off Sloane Square, a former place of worship marking its 20th year as a concert hall.The Unthanks, too, are approaching their 20th anniversary, and their winter tour of 2024 draws from their magical new album, In Winter, a double set that has drawn comparison to that ultimate winter album in British folk music – The Waterson’s Frost & Fire.For their celebration of the season, and of its spirits, they draw on big songs such as The Coventry Carol and The Read more ...
Kieron Tyler
One of last year’s major joys was the box set version of Hawkwind's Space Ritual, an 11-disc extravaganza which made the great live album, originally issued in May 1973, even more great. Now the two studio albums which preceded it – X In Search Of Space and Doremi Fasol Latido – have become similarly packaged, though less colossal, box sets.X In Search Of Space – also known as (X) In Search Of Space – was released in October 1971. Hawkwind’s second album, it came out when the band were still an underground attraction, a band lacking traction with the mainstream music scene. They were popular Read more ...
Gary Naylor
It is not just Twelfth Night, it’s Twelfth Night, or What You Will in The Folio, a signpost of the choices the inhabitants, old and new, of Illyria must make. Perhaps it’s also an allusion to Will’s own choices as an actor/playwright in the all-male company who cross-dressed (and maybe more) as women and girls without batting an eyelid. As is so often the case with the comedies, the great entertainer doesn’t hesitate to smuggle in a soupçon of transgressive psychology under cover of farce.We open on a young woman clambering out of the sea, shipwrecked but unbowed, soon seeking employment Read more ...
Jenny Gilbert
No new production of a beloved old ballet can please everyone, and there is none more beloved, or more frequently produced, than The Nutcracker. English National Ballet has staked its identity on performing Tchaikovsky’s last, most hummable and most festive ballet every Christmas since 1950, turning out a fresh reading every few years. This is quite feasible given that so little of the original 1892 production remains (the two pas de deux, the plot outline and the music, basically), leaving everything else up for grabs – a gift for designers and choreographers. The constant is Read more ...
Rachel Halliburton
This feels like the theatrical equivalent of being in a centrifuge – a wild, spinning ride through different forms of reality that deftly separates out the different layers of who you think you are. It’s a multiverse that’s like a cross between Alice in Wonderland and Everything Everywhere All At Once – both liberating and challenging as you hurtle from one situation to another.For the critic, a further challenge is presented once you emerge into the so-called real world again, since you have signed a terrifying form that promises you will sacrifice your household pets – or something similar Read more ...