Reviews
Graham Fuller
Trumbo depicts the 13-year struggle by the screenwriter Dalton Trumbo (Bryan Cranston) to break the blacklist imposed on him and the other members of the Hollywood Ten in 1947. By continuing to get his scripts produced throughout the Fifties, Trumbo made a heroic, if morally complex stand against rabid Red Scare-mongers like the gossip columnist Hedda Hopper (Helen Mirren) and John Wayne (David James Elliott). It’s disappointing that his courage and brinkmanship should grace a movie with no attitude of its own – that has the narrow sensibility of a 1980s or 1990s telefilm.Cranston nails the Read more ...
Stuart Houghton
The Room 3 is the latest in Fireproof Games' series of tactile puzzle games that invite you to twist, prod and rotate on-screen objects to reveal hidden secrets and activate devious mechanisms. It presents you with intriguing objects and devices that have concealed switches, hidden panels and features that you must find and manipulate in order to progress. Think a Fabergé egg, but with a superhuman level of detail and cunning in its construction.A typical room (don't let the title fool you, there are several) might contain an antique radio that must be tuned in a certain way, using a tool you Read more ...
graham.rickson
Dutilleux: Le Loup, and other early works Vincent Le Texier (baritone), Orchestre National des Pays de la Loire/Pascal Rophé (BIS)Henri Dutilleux's mature orchestral output can be squeezed onto a handful of CDs, so this anthology of early works plugs a useful gap. Extracts from the 1953 ballet Le Loup have been recorded before, but Pascal Rophé's Orchestre National des Pays de la Loire give us the complete score. It's wonderful stuff, beautifully orchestrated and full of delicious things, my favourite being the plaintive, howling bassoon solo in the second scene. Sections of the work recall Read more ...
alexandra.coghlan
For a play about silence – its uncanny ability to tell the truth, to “persuade when speaking fails” – The Winter’s Tale is remarkably wordy. Of the sequence of late romances only Cymbeline comes close to the dense and elliptical verbal patterning we find ourselves tangled in here. But Michael Longhurst’s new production for the Sam Wanamaker Playhouse is so richly cast, its verse-speaking so expressive that we see straight through the often opaque text to the humanity and the humour beneath.After a riotous Pericles and troubled Cymbeline, this third play in Dominic Dromgoole’s farewell quartet Read more ...
David Nice
"I wish I had money," exclaims the weak-willed hero of Stravinsky's The Rake's Progress and, hey presto, the devil appears to strike a deal. Auden and Kallman didn't have the last word on Faustian-pact librettos. Now writer Louise Welsh and composer Stuart MacRae, successful collaborators already on the award-winning Ghost Patrol, have had the bright idea of turning a fiendishly clever short story by Robert Louis Stevenson, The Bottle Imp, into an updated operatic subject.The Devil Inside has a gripping plot - especially if, like me, you hadn't read either story or synopsis in advance - and Read more ...
Marianka Swain
The death of a child is an unnatural loss. There’s no reassurance that the departed lived a full life, rather the jagged edge of one cut short. In the case of Becca and Howie, it’s also nonsensical: their perfectly healthy four-year-old son struck by a car in a freak accident while chasing their dog onto a quiet suburban street. How to find meaning in such absurd horror?The central problem of American playwright David Lindsay-Abaire’s empathetic, Pulitzer-winning work is that their respective coping mechanisms have taken them down different paths, opening up a chasm between them. Becca ( Read more ...
Marina Vaizey
This slightly ludicrous programme is really a chance to see a charming range of dogs and cats, based on an assumption that by comparing cats and dogs we humans can decide which species is best. But best for what? As pets, domestic companions, survivors in the human jungle?Both species have survived indeed by attaching themselves in one way and another to various human societies, and even managing in certain societies to be worshipped as divine beings, Egypt being a prime example, while now some Asian countries see dogs as a food source. Well, they eat guinea pigs in South America; one country Read more ...
Veronica Lee
Even if the evening had turned out to be rubbish, there was always going to be a warm welcome for Vic Reeves and Bob Mortimer's return to live performance with 25 Years of Reeves & Mortimer: The Poignant Moments. Aside from the obvious room for nostalgia, Mortimer almost didn't make it; this tour could start only after he had emergency triple bypass surgery last year. Thankfully, it hasn't affected either his or Reeves' gift for utter silliness, as their appearance at Dave's Leicester Comedy Festival proved.The show starts with a series of clips from their career, made in grainy Read more ...
David Nice
Demons, trolls and dead souls have a habit of latching onto Ibsen's bourgeois Norwegians. Surely the best way for actors to handle them is to keep it natural, make them part of the furniture and, in Dostoyevsky's words, "render the supernatural so real that one is almost forced to believe it". But very little seems real or spontaneous in Matthew Warchus's production of The Master Builder. It certainly doesn't help that chilling events from the past or visions of the paranormal are underlined with creepy music and lighting when they should be torn from the characters' insides, the sounds Read more ...
Adam Sweeting
In 2005, Lynn Alleway made a film about Kids' Company founder Camila Batmanghelidjh called Tough Kids – Tough Love. In June last year, Alleway was invited to film her again. It wasn't spelled out in this new documentary, but you'd have to assume Batmanghelidjh was hoping to enlist some sympathetic media coverage, since the management and funding of Kids Company was coming under a gathering crescendo of scrutiny.Certainly, Alleway got plenty of access to Ms B, whom we saw speaking at length in the backs of cars, in corridors, on pavements, on phones and in her office. Alleway, behind the Read more ...
Matt Wolf
"One... Two... You know what to do": that coolly delivered rehearsal intro from a trombonist called Cutler (Clint Dyer) could serve as a synoptic appraisal of the simply overwhelming National Theatre revival of Ma Rainey's Black Bottom. The play in 1984 launched the late August Wilson on to Broadway, where I first saw it, and here announces itself as a bellwether achievement in artistic director Rufus Norris's still-young National Theatre regime and as, very possibly, the finest Ma Rainey yet.For that, credit the surpassing empathy of a director in Dominic Cooke, who brings much the same easy Read more ...
Gavin Dixon
All three Grieg violin sonatas in a single recital may seem like too much of a good thing. The similarities between them outweigh the differences, which are more of quality than intent. But, when heard in chronological order, they provide a fascinating précis of Grieg’s artistic development, from the youthful and cheerfully unsophisticated First, through the terser and more tightly argued Second, to the Third, the composer’s undisputed masterpiece in the genre.Norwegian violinist Henning Kraggerud (main picture) is clearly a native speaker when it comes to Grieg. Folk music plays different Read more ...