Visual arts
Chris Marker: A Grin Without A Cat, Whitechapel GallerySunday, 20 April 2014
If you’re not already familiar with at least some aspects of Chris Marker’s work, this exhibition will feel overwhelming, if not confusing. You may have to pay a second visit to get the most out of it, or even make sense of it. It’s certainly a... Read more... |
theartsdesk in Basel: More than MinimalismSunday, 20 April 2014
In a near-perfect, outward-looking Swiss city sharing borders with France and Germany, on a series of cloudless April days that felt more like balmy June than capricious April, anything seemed possible. The doors of perception which had slammed, I... Read more... |
Deutsche Börse Prize 2014, Photographers' GalleryThursday, 17 April 2014
Not so long ago, photographers were rejoicing in the freedom the digital revolution seemed to bring; unencumbered by the limitations of film, paper and darkroom practice, photography was suddenly liberated from the niggling pedantry of material... Read more... |
Matisse: The Cut-Outs, Tate ModernTuesday, 15 April 2014
When it comes to the two vying giants of 20th century art we do – don’t we? – all fall into that cliché of two opposing camps. You have the seductions of colour and decorative form on the one hand and you have the more classical rigours of line on... Read more... |
Valie Export and Friedl Kubelka, Richard SaltounSunday, 13 April 2014
The 1960s art scene in Vienna was dominated by Actionists such as Günther Brus, Otto Muehl and Herman Nitsch, who specialised in iconoclastic performances resembling pagan rituals. With women’s naked bodies being used either as raw material or an... Read more... |
Alan Davie, 1920-2014Monday, 07 April 2014
Alan Davie, who died on Saturday aged 93, was one of the great 20th-century British artists, a life-long maverick whose explosive canvases cut a swathe through the provincial aridity of the postwar art scene. The first British – probably the first... Read more... |
I Cheer a Dead Man's Sweetheart, De La Warr PavilionFriday, 04 April 2014
Given the kooky title of a new painting show at De La Warr Pavilion, it seems necessary to point out, yet again, that painting isn’t dead. The line is from poet A.E Housman, who wrote a versified dialogue between a dead man and his living friend. So... Read more... |
Phyllida Barlow: Dock, Tate BritainWednesday, 02 April 2014
The revamping of Tate Britain has produced such an atmosphere of understated elegance that one hardly dares breathe for fear of displacing a particle of dust. An air of suffocating sterility has seeped into the displays, which are so tastefully... Read more... |
Miroslaw Balka, White Cube/ Freud MuseumMonday, 31 March 2014
Perhaps my big mistake was to read the exhibition blurb before going in: as someone who worries about dark, confined spaces, I was anticipating Miroslaw Balka’s new installation with a perverse sort of excitement. Certainly, for anyone who enjoys a... Read more... |
theartsdesk in Calais: Monument, Musée des Beaux-ArtsSunday, 30 March 2014
Were it not for the bombs which rained down on Calais, its current Musée des Beaux-Arts would not exist. The 1966 building was part of a civic reconstruction programme, so it too is a war memorial of sorts. And it's now playing host to an exhibition... Read more... |
William Kent: Designing Georgian Britain, Victoria & Albert MuseumTuesday, 25 March 2014
Initiating the tercentenary of the arrival of the Hanoverians and thus the foundation of our German royal family, this startling and beguiling exhibition of the work of the polymath William Kent (1685-1748) crams 200 objects – drawings,... Read more... |
Cézanne and The Modern, Ashmolean MuseumSunday, 23 March 2014
Has any artist ever painted an apple that gets as close to the essence of appleness as Cézanne? I don’t think so. Cézanne’s apples are the equivalent of William Carlos Williams’s cold, sweet plums. Not only can you almost taste Cézanne’s apples but... Read more... |
