Visual arts
Facing the Modern: The Portrait in Vienna 1900, National GalleryTuesday, 08 October 2013
“We should pity the age which finds its reflection in this ‘art’”, wrote one critic in 1911, after seeing too many Vienna Secession paintings. From the quotation marks, we see the despairing critic was attacking the art rather than the age.... Read more... |
Sarah Lucas: Situation, Whitechapel GalleryThursday, 03 October 2013
I read someone recently describe Sarah Lucas’s sculptures as “aggressive”. Perhaps being greeted by a roomful of huge plaster cocks, mechanised wanking arms and greasy doner kebabs with two fried eggs in an abject arrangement of the female sex can... Read more... |
Shunga: Sex and Pleasure in Japanese Art, British MuseumWednesday, 02 October 2013
Sex please, we are Japanese. This astonishing collection of about 170 paintings, prints and illustrated books from 300 years of Japanese art, known as “shunga” or spring pictures, come in part from the culture of the “floating world” (ukiyo-e)... Read more... |
Adrián Villar Rojas, Sackler Serpentine GalleryFriday, 27 September 2013
A queue of artists, press and glitterati snaked its way through Kensington Gardens waiting to be let into the private view for the opening of the Serpentine’s new Sackler Gallery this week, housed in The Magazine, a former 1805 gunpowder store,... Read more... |
Ana Mendieta: Traces, Hayward GalleryTuesday, 24 September 2013
Gazing out of my window pondering how to start my review of Ana Mendieta, I noticed a creeper engulfing the house at the end of my garden. Having covered the wall, one window and a chimney, the tentacles are spreading along the gutter and over the... Read more... |
Gallery: Only in England - Tony Ray-Jones and Martin ParrMonday, 23 September 2013
Tony Ray-Jones is one of the hidden greats of British social documentary photography. A huge influence on photographers working today, he documented the English at play with great empathy and often surreal humour. Touring seaside resorts during the... Read more... |
Houghton Revisited: The Walpole CollectionSaturday, 21 September 2013
What is the extraordinary, crowd-drawing appeal of a picture collection reunited, for a short time only, with its original surroundings? Well, for a start, this is no modest assembly of old masters, and Houghton Hall's elaborately crafted ensemble... Read more... |
Gallery: Derwent Art PrizeFriday, 20 September 2013
You can use a computer to draw, as Hockney does, every day on his iPad, yet, despite all the technological advances the 21st century has thrown our way, the pencil continues to be the artist’s most basic tool. And though there are those who lament,... Read more... |
Thinking With the Body, Wellcome CollectionThursday, 19 September 2013
While the main gallery is closed for renovation, the Wellcome Collection has taken the opportunity to mount a fascinating upstairs show exploring the way choreographer Wayne McGregor collaborates with scientists.A timeline charting McGregor’s career... Read more... |
Australia, Royal AcademyWednesday, 18 September 2013
In The Importance of Being Earnest, first performed in 1895, Oscar Wilde wittily quipped that Algernon must choose between “this world, the next and Australia”. At a time when it took weeks to reach the other side of the globe most Britons, if they... Read more... |
Tacita Dean, Frith Street GalleryTuesday, 17 September 2013
In 1970 the American artist Robert Smithson took several tonnes of mud and rock and built a jetty out into the Great Salt Lake in Utah. Instead of making a single, straight line, Smithson’s jetty curved round on itself and formed a spiral. Since no... Read more... |
Francis Bacon/Henry Moore: Flesh and Bone, Ashmolean MuseumSaturday, 14 September 2013
It is a shock, in this succinct exhibition of two British colossi of the past century, Henry Moore (1898-1986) and Francis Bacon (1909-1992), to be reminded of just how colossal and original are their achievements. We are shown their curiously... Read more... |
