Beckett
Waiting for Godot, Theatre Royal Haymarket review - humanity in high definitionTuesday, 24 September 2024
Modernism is us. Today. For the past two decades plays by Samuel Beckett and Harold Pinter – which once upon a time bewildered their audiences and gave critics apoplexy – have become big West End hits. The avant-garde is now commercial. The... Read more... |
Dance First - the travails of Samuel BeckettSaturday, 04 November 2023
Dance First takes its title from a line in Samuel Beckett’s most famous work Waiting for Godot. “Perhaps he could dance first and think afterwards,” says the tramp Estragon of Pozzo’s slave Lucky, who then proceeds to do both in a typically absurd... Read more... |
Footfalls & Rockaby, Jermyn Street Theatre review - Beckett up close and personalSaturday, 13 November 2021
Like all great art, Samuel Beckett's works find a way to speak to you as an individual, stretching from page to stage and on, on, on into our psyches. This happens not through sentimental manipulation or cheap sensationalism, but through the accrual... Read more... |
Eimear McBride: Strange Hotel review - keycards to the heart of a woman in flightSunday, 09 February 2020
Hotels in fiction can serve as places of desolation or discovery; as escape hatches, or else punishment blocks. In her third novel, Eimear McBride channels this ambivalence but annexes it to another sub-genre - the narrative of life on the road,... Read more... |
Waiting for Godot, Royal Lyceum Theatre, EdinburghThursday, 24 September 2015
It’s been a turbulent few months for Edinburgh’s Lyceum Theatre, with a substantial cut in funding from Creative Scotland last October, followed by the (unrelated) announcement that Mark Thomson, artistic director since 2003, would step down at the... Read more... |
Waiting for Godot, BarbicanSunday, 07 June 2015
In a peculiarly Beckettian development, the creative team of this Sydney Theatre Company production spent several weeks of rehearsal waiting not for Godot, but for their director. Tamás Ascher – who spotted the casting potential of Uncle Vanya co-... Read more... |
Happy Days, Young VicFriday, 20 February 2015
For those who never saw Samuel Beckett’s favoured performer Billie Whitelaw on stage as indomitable, buried-alive Winnie, peculiarly happy days are here again with another once-in-a-generation actress facing what Dame Peggie Ashcroft called “a ‘... Read more... |
Waiting For Godot, Arcola TheatreTuesday, 13 May 2014
Waiting For Godot is one of those plays which even those who have never seen know something about. “A tragicomedy in two acts,” as Beckett's subtitle described it, in which two tramps in bowler hats blether on about boots and a bloke who never... Read more... |
Not I, Footfalls, Rockaby, Royal Court TheatreTuesday, 14 January 2014
In many ways, the darkness is the most memorable aspect of this production. It's so deep and all-encompassing that your eyes start to play tricks on you, seeing spots of light and shadow where there is only blackness. Because of this, when Lisa Dwan... Read more... |
Watt, Barbican Pit TheatreFriday, 01 March 2013
It begins with a tall, thin man walking out of light and into darkness. There is much that remains murky in Barry McGovern’s adaptation of this novel by Samuel Beckett, written between 1941 and 1945 when Beckett, who had worked for the Resistance,... Read more... |
All That Fall, Jermyn Street TheatreFriday, 12 October 2012
Samuel Beckett recalled sinking into a "whirl of depression" while writing All That Fall. Audiences at this production - those, that is, who have managed to score a ticket for this short, sold-out run - are unlikely to emerge into Jermyn Street in a... Read more... |
Waiting for the first Black British GodotTuesday, 07 February 2012
When I lived in the Caribbean in my twenties, one of the books I found at the bottom of the remaindered bin of Kingston’s largest book shop was Theatre of the Absurd by Martin Esslin. I read it without any real sense of its context but there was... Read more... |
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