rock
Albums of the Year 2019: Leonard Cohen - Thanks for the DanceThursday, 02 January 2020
Leonard Cohen’s death, just as Trump finagled his way into the White House, was the cruellest of blows. Now more than ever we need his bitter, witty, ironic commentary and wry observations, his wonderful words delivered in that bottomless “golden... Read more... |
Liam Gallagher: As It Was, BBC Two review - no expletives deleted in exhausting rock-docMonday, 30 December 2019
Liam Gallagher knows exactly how "fucking fantastic… and fucking shit I am", and proceeds to tell us so for 85 minutes. This 10-year documentary project came about as a result of director Charlie Lightening’s friendship with Gallagher, formed... Read more... |
Albums of the Year 2019: Seratones - PowerSaturday, 28 December 2019
Up until a couple of weeks ago, I had every intention of making Songs Of Our Native Daughters featuring Rhiannon Giddens, Leyla McCalla, Allison Russell and Amythyst Kiah my Album of the year. It’s a solid work of great beauty, elegance and... Read more... |
The Libertines, Margate Winter Gardens – last post on the TS Eliot-named tourMonday, 23 December 2019
Once upon a time – before the nation’s schism – an indie band with dubious reputation espoused the virtues of Albion and invited us on the good ship Arcadia to travel to this Utopia. Things are a bit different now.Unfashionably nostalgic and... Read more... |
Reissue CDs Weekly: Big Front YardSunday, 22 December 2019
In June 1978, the still-extant independent label Cherry Red issued its first record. The seven-inch featured three slices of terse, Buzzcocks-ish art-punk by The Tights. The band were from Great Malvern, Worcestershire – as was the label. They only... Read more... |
Rod Stewart, Royal Philharmonic Orchestra, O2 review - Tonight's the NightFriday, 20 December 2019
I can’t look at Rod Stewart without thinking of Barbara, one of the naughtier girls in my third-form class at East Barnet Senior High School. She was tiny, and obsessed with him, her hair cut like his. “Maggie May” was number one, playing from tinny... Read more... |
theartsdesk on Vinyl Christmas Special 2019Tuesday, 17 December 2019
Season’s greetings, vinyl junkies. It’s unfortunate things grew so stinky just as we headed towards the one time when Britain downs tools and disappears to the enjoy itself for a week or two. But let’s try for good will towards all. To help along... Read more... |
CD: Harry Styles - Fine LineTuesday, 17 December 2019
Not all One Direction solo albums are created equally, and after Liam Payne's public ostracization for LP1, all eyes are on Harry Styles. His self-titled debut earned some baffling comparisons to David Bowie, so what to expect next?Fine Line is akin... Read more... |
Albums of the Year 2019: Imperial Wax - Gastwerk SaboteursSaturday, 14 December 2019
No-one needs to be told that 2019 was a year which saw the UK, USA and many other countries looking somewhat at unease with themselves. Inevitably, this filtered down into much of the music that was produced under these conditions. Even Peter... Read more... |
My Baby, Concorde 2, Brighton review - Dutch three-piece deliver trance dance powerSaturday, 07 December 2019
“Trance boogie,” states My Baby frontwoman Cato van Dijck before submersing herself in the rising tribal rhythm of “Sunflower Sutra". Trance boogie is, indeed, what My Baby do. The song is decked with floating flecks of glissando guitar from... Read more... |
IDLES, Barrowland, Glasgow review - rowdy and raucous, but with heartThursday, 05 December 2019
As the number of sweaty bodies increased towards the front of the Barrowland stage, IDLES singer Joe Talbot had a direct message. “Keep safe” he implored on several occasions, like a concerned dad warning his kids, or perhaps a shepherd guiding his... Read more... |
CD: The Who - WHOWednesday, 04 December 2019
From the off, with a bellicose Daltrey declaring “I don’t care, I know you’re going to hate this song,” on the opener “This Music Must Fade” to the ferocious vocal hitched up to a careering chariot of a riff that drives “Ball and Chain”, and the... Read more... |
