Theatre
Helen Hawkins
As hurricanes rip into the American Gulf states with increasing ferocity, Eastern Europe disappears underwater and even the gentle British rain becomes a deluge, the arrival of Daisy Hall’s debut play Bellringers at Hampstead Theatre’s Downstairs space couldn’t be more timely,The scene throughout is a belfry, with bell-ringing ropes hanging overhead, where two men in monks’ habits have just arrived. Outside, rain is beating down. The two men, Aspinall (Paul Adeyefa) and Clement (Luke Rollason, pictured below), begin to argue about when they should ring the bells, whether they actually need to Read more ...
French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-running
Gary Naylor
It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely for Gallic-Gang Productions to resurrect Jean (La Cage aux Folles) Poiret’s farce Fefe de Broadway, adapted as French Toast.It’s 1977 and English theatre director, Simon Monk (Ché Walker wearing Jeremy Clarkson’s hair and bearing the public schoolboy’s sense of entitlement), is down on his luck, needing a hit. He lands on a musical version Read more ...
Heather Neill
"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality in his part as written by O'Casey, but in Matthew Warchus's hands this is made an explicit element of the whole production, culminating in the unexpected finale. When the first scene opens, swags of red stage curtains rise and remain looped in place throughout, framing the action.The play, the second in Seán O'Casey's Dublin trilogy, is set in the city in 1922. Citizens ground down by poverty suffer further as society is ripped apart by civil war Read more ...
aleks.sierz
Why should we not look back in anger? With the Oasis reunion tour in the news recently, the title of John Osborne’s seminal kitchen-sink drama – which kicked off the whole cultural phenomenon of the Angry Young Men on its first staging in 1956 – has again become familiar in its reminted version, to a new generation.Now packaged as Young and Angry, Look Back in Anger has been revived along with Arnold Wesker’s equally classic Roots (1958) at the Almeida Theatre in a mini-season with a shared cast led by Morfydd Clark and Billy Howle. But can these 1950s expressions of rage, whose verbal Read more ...
Helen Hawkins
What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop producer, Jung Jae-il, who has created additional music for Lear.Korean opera traditionally tells its stories via a hybrid blend of singing, speech and movement (Pansori), and it’s unlike anything most Western audiences have heard before. The vocals are projected with intense passion, though have various kinds of ornamentation that sound, to the uninitiated (including me), like catches in the voice, exaggerated rubato or a subdued kind of yodelling. One of the style's leading Read more ...
aleks.sierz
Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in the pan; mixing up memories; just plain blank episodes. At various times, she relives distant moments in her life with her husband Ameet, who died more than 20 years ago. Very soon she is diagnosed with Alzheimer’s.As played by national treasure Meera Syal, who barely leaves the stage during this full-length tragi-comedy by Tanika Gupta, making a very welcome return to the National Theatre, she grows in emotional stature while her incurable condition Read more ...
Helen Hawkins
The stock of the late 19th century playwright Arthur Wing Pinero has just received a significant boost, thanks to the brilliant work of the actress Nancy Carroll – not only as a superb performer but as a dab hand with an adaptor’s pen. Not seen in London since 1991, Pinero’s 1890 farce The Cabinet Minister has emerged as a tour de force in her hands: sparkling with wit, vibrancy and knowingly naughty innuendo. Trollope would probably have turned the same material into a weightier, more mordant commentary on the British class system, but here the text is intent on fleet-footed fun, firing Read more ...
Helen Hawkins
It’s hard to work out why Kwame-Kwei Armah chose to end his tenure at the Young Vic by directing this soggy musical by Elvis Costello (songs/lyrics) and the American playwright Sarah Ruhl (book). Was it because of it seemed to be a warning about the dangers of populism? Such warnings are always welcome, but this isn’t the piece to do that. In its original form it was a punchy Elia Kazan film that in 1957 launched the career of future sitcom star, Andy Griffith. HIs TV show was a byword for down-home values and folksy wisdom, but In Kazan’s film he had played an Arkansas drifter, Larry “ Read more ...
Helen Hawkins
The National’s new production of Coriolanus has to be one of the most handsome to appear on the Olivier stage. But it has arrived minus a key item: a hero whose end is tragic.Maybe director Lyndsey Turner wasn’t aiming for that. Her protagonist, pugnaciously played by David Oyelowo, is more a fully functioning part of Shakespeare’s steel-trap of a play than a hero to understand and pity. In this fast-paced piece, Coriolanus rises, then falls, but there are no pit stops, no subplots, along the way. He has a family, but there’s virtually no family time to reveal a gentler side to this super- Read more ...
Gary Naylor
The clue is in the title – not Then in America or Over There in America or even a more apposite, if more misleading, Now in America, but an urgent, pin you to the wall and stick a finger in your face, Here in America.Pre-Trump 2.0, David Edgar’s new play tells us (at least twice, Edgar not shy of driving home a point) that we can learn from past trauma in order to guide current behaviour. So, 300 million+ Americans are to draw on Stanislavski's Method in the polling booths come November?The memories Edgar conjures are from the 1950s, when the House Un-American Activities Committee went Read more ...
aleks.sierz
Modernism is us. Today. For the past two decades plays by Samuel Beckett and Harold Pinter – which once upon a time bewildered their audiences and gave critics apoplexy – have become big West End hits. The avant-garde is now commercial. The incomprehensible is our reality.How so? By casting celebrity stars in the main roles, and emphasizing the humour. So the current revival of Samuel Beckett’s Waiting for Godot – which premiered in Paris in 1953 and then got a London production a couple of years later – features Ben Whishaw, a national treasure since he voiced Paddington in the film series, Read more ...
Gary Naylor
Iconic is a word the meaning of which is moving from the religious world into popular culture – win a reality TV show dressed as a teapot, and you can be sure that your 15 minutes of fame will be labelled iconic across social media. Not quite what Andrei Rublev had in mind 600 years ago.That said, few would deny that descriptor to the London Underground Map, not just a highly effective tool to navigate an ever-more complicated city, but perhaps the symbol of the metropolis. For something so ubiquitous and so useful, it is a surprisingly abstract work, owing more to Mondrian than Mercator Read more ...