Theatre
First Person: Learning the lessonsTuesday, 14 April 2015
A Level Playing Field is the first play in my trilogy Education Education Education. The trilogy is my response to the black cloud of exams which has arrived in our household every spring for the last nine years – just as the sun was beginning to... Read more... |
Olivier Awards 2015: Young Vic triumph heralds the era of the giant-killerMonday, 13 April 2015
The Young Vic’s victory parade came as no surprise after a bumper year, but, in an impressive night for studio and publicly funded theatre, the egalitarian 2015 Oliviers also showered affection upon the Hampstead, Donmar, RSC, Chichester, Royal... Read more... |
theartsdesk Q&A: Choreographer Stephen MearSaturday, 11 April 2015
From Singin’ in the Rain and Anything Goes to Hello, Dolly! and Mary Poppins, Olivier Award winner Stephen Mear has done more than any other British choreographer to usher classic musicals into the modern era. But adept as he is at razzle-dazzling ’... Read more... |
After Electra, Tricycle TheatreFriday, 10 April 2015
Some dramas begin with a brilliant idea. April De Angelis’s new black comedy, After Electra, is one of these. It starts with an audacious premise: the octogenarian artist Virgie is celebrating her birthday in her abode on the Essex coast, and... Read more... |
Dead Sheep, Park TheatreFriday, 03 April 2015
While seven-way debate rages, broadcaster and debuting playwright Jonathan Maitland takes us back 25 years to a radically different political landscape: a time of regents, and of regicide. It’s 1990 – Thatcher the leader claiming divine right to... Read more... |
Brighton Festival: The Locations That Make the FestivalFriday, 03 April 2015
Andrew Comben, CEO of the Brighton Festival, chooses ten locations that have resonance with the annual event. He talks about their past and future but, most particularly, what will be happening this May“Brighton Festival is all about the spaces and... Read more... |
Abyss, Arcola TheatreThursday, 02 April 2015
Despite the age of austerity, London theatre is booming. Not just the West End, but Off-West End and the fringe as well. One sign of its health is its openness to Continental imports, especially to plays that have been transposed into English by... Read more... |
Sweeney Todd, London ColiseumWednesday, 01 April 2015
Still they keep coming, 35 years on from the London premiere of Sondheim's "musical thriller": Sweeneys above pubs, in pie shops, concert halls and theatres of all sizes, on the big screen, Sweeneys with symphony orchestras, two pianos or a handful... Read more... |
Oppenheimer, RSC, Vaudeville TheatreWednesday, 01 April 2015
“Now I am become death, the destroyer of worlds.” J Robert Oppenheimer’s quotation from Hindu scripture is often used to signify the scientist’s rueful realisation, when it was too late, of what he had created in delivering an atomic bomb to the US... Read more... |
Why everyone should see The Mysteries from Cape TownMonday, 30 March 2015
One night in Cape Town, I was caught in a power cut. Like an untenanted theatre, the city went utterly dark, darker than perhaps it had been since settlers first arrived three centuries earlier. Street lamps, restaurants, car showrooms, offices were... Read more... |
The Three Lions, St James TheatreSaturday, 28 March 2015
The devil gets the best lines, as usual. That may depend, of course, on whether we’re prepared to qualify David Cameron in that role, but in William Gaminara's rapid-firing farce The Three Lions, the PM (played with real brio by Dugald Bruce-... Read more... |
Princess Ida, Finborough TheatreFriday, 27 March 2015
All Savoyards, whether conservative or liberal towards productions, have been grievously practised upon. They told us to expect the first professional London grappling with Gilbert and Sullivan’s eighth and, subject-wise, most problematic operetta... Read more... |
