sat 31/05/2025

New music

Inspiral Carpets, Concorde 2, Brighton review - a raucous catalogue of Madchester-era hits

As Inspiral Carpets play “She Comes in the Fall”, a great song and one of their signature tunes, its martial drumming drags me into my own past. Seeing them play it at a 600-capacity venue makes me recall seeing them, over three decades ago,...

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Album: Sissoko Ségal Parisien Peirani - Les Égarés

This is an enchanting album which brings together four outstanding musicians, brilliant in their own right, but also adept at the kind of collaboration in which the whole is greater than the sum of the parts.The distinguished cellist Vincent Ségal...

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Music Reissues Weekly: The Barracudas - Drop Out with the Barracudas

From around July 1977, Jeremy Gluck began contributing to the UK music weekly Sounds. Amongst his pieces were features on The Lurkers, The Rezillos, 999 and his home country Canada’s punk band The Viletones. He’d also written about Generation X for...

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Nick Mulvey, Chalk, Brighton review - cult star shines bright

Welcome to the church of Mulvey. The sold-out venue is packed with a svelte crowd, mostly ranging in age between about 30 and 45. Nick Mulvey is playing a new number which has an air of lockdown-inspiration about it, with its lines about “missing...

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Album: Leveret - Forms

Ten years ago, three leading young English folk musicians got together in a room and swapped some tunes – Rob Harbron, whose English concertina graced the likes of The Remnant Kings and Emily Portman’s albums; melodeon player Andy Cutting, a three-...

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Album: Lana Del Rey - Did You Know That There's a Tunnel Under Ocean Blvd

Compared to her peers, Lana del Rey is mightily prolific. This is her eighth album since her breakthough 11 years ago (her ninth in total). Her last album appeared 15 months ago. There’s still much she wants us to hear. Did You Know That There’s a...

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Suede, Symphony Hall, Birmingham review - a messianic performance from Britpop's originators

“Why do we come to concerts?” asks Brett Anderson, Suede’s ringmaster and vocalist, before launching into an acoustic version of “The Wild Ones” from the stage of Birmingham’s Symphony Hall. “We come to concerts to feel something together, for a...

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Album: Depeche Mode - Memento Mori

Depeche Mode’s Andy “Fletch” Fletcher, who died in May last year, was generally held to contribute to the dynamic of the band more than the music. The only member of the band without songwriting credits, his contribution as peacemaker and “...

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Robert Forster, Lafayette review - élan, spontaneity and thoughtfulness from the former Go-Between

“Learn to Burn” generates the loudest and most sustained applause. As it was originally the opening track of Robert Forster’s 2015 album Songs to Play, the response is unexpected. It’s preceded by a version of his old band The Go-Betweens’ “Spring...

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Album: Black Honey - A Fistful of Peaches

There’s a disconnect on the third album by Brighton rockers Black Honey. The music is rousing post-grunge indie rock, tuneful, full of vim, but the lyrics speak of someone deeply troubled. The mood is, perhaps, best summed up by “Rock Bottom” which...

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Album: Cécile McLorin Salvant - Mélusine

In European folklore, mélusine are woman from the waist up and fish or serpent below. The fabled character is first known in the 13th century. Mélusine dwell in inland water – rivers, wells and such.For the concept driving US composer/singer Cécile...

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Music Reissues Weekly: Duffy Power - Innovations, Live at the BBC

Sometime in early October 1963 John Lennon and Paul McCartney encountered The Rolling Stones and offered them one of their songs; one which became the London blues aficionado’s second single. “I Wanna be Your Man” was duly recorded on 7 October 1963...

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