New music
Anya Ryan
And that’s it again for another year. Oh Glastonbury. A fever dream where the time of reality stops as you hop on a ride to a land of magic.Yes, it might be celebrated for its musical marvels (Elton John, surely, the set of 2023 that will make the history books) but the real wonder of the world’s greatest festival is its ability to transport you somewhere else – somewhere glorious, just for a little while. People all across the country and beyond will have watched the footage broadcast live on the BBC. But it is what they don’t see, can't see, that has the festival’s heart.In its very Read more ...
Sebastian Scotney
Barb Jungr has made a speciality – some might even say her own art form – out of taking well-known songs, and discovering far more subtlety and meaning in them than people ever knew they had. As she explains in the notes accompanying My Marquee: “ I love well-constructed songs with lyrics that, however apparently simple, can yield other levels of interpretation and subtlety.” One writer has called what she finds in these songs “confessional depth”.That is certainly a part of the story. She has interpreted Bob Dylan, Leonard Cohen, Sting, The Beatles, Appalachian folk songs... One thing I Read more ...
Liz Thomson
2020 was a cruel year for everybody but in addition to the horrors of Covid which included the loss of her compadre John Prine to the virus, Lucinda Williams endured damage to her Nashville home in a tornado and then, in November 2020, she suffered a stroke, which left her with impaired motor skills on her left side. Playing the guitar was no longer as natural as breathing and that would in turn make songwriting difficult. She needed a cane to walk. But within a year, she was road-ready and back in front of an audience though not (yet) playing guitar.So Stories from a Rock ‘n’ Roll Heart is Read more ...
Kieron Tyler
Had Blossom Dearie overtly embraced pop, her vocal style could be characterised as along the lines of Priscilla Paris, Jane Birkin or Saint Etienne’s Sarah Cracknell – intimate, a little breathy, oxygenated. However, jazz was her bag and June Christy, Peggy Lee and Norway’s Karin Krog are the closest reference points.After listening to the live material collected on the six-CD box set Discover Who I Am: The Fontana Years London 1966-70 another, incongruous, marker comes to mind. When she speaks between songs – and sometimes while singing – her inflection is similar to that of the New York Read more ...
Jonathan Geddes
Even when Peter Gabriel is bleak, he has reasons to be cheerful. Early on in his set he opined that soon enough “none of us will have jobs anymore”, referring to the ongoing rise of artificial intelligence, although this was followed by him stressing the positives that can be found in such new technology. It seemed fitting, because Gabriel himself, now 73, showed on this evening that optimistic possibilities of the future occupy his thoughts as much as ever.That meant that despite the arena setting he shied away from any sort of easy nostalgia trip and instead half the setlist was comprised Read more ...
Kieron Tyler
The cover versions on Dream From The Deep Well include “I Know Who is Sick,” most familiar from the Clancy Brothers and Tommy Maken interpretation, and “Down by the Glenside,” which The Dubliners incorporated into their repertoire. The first opens the album, the second closes it. Between, amongst the original compositions, there is also an adaptation of Tim Buckley’s “I Must Have Been Blind.”Taking these as a way in to the fourth studio album from the UK-born but Irish singer-songwriter Brigid Mae Power is an understandable path to follow, but after Dream From The Deep Well concludes it Read more ...
Guy Oddy
When the Queen of the Goths comes down from her castle to tour the UK, given that she hasn’t played here at all in the last 10 years, people take notice. In fact, on this Summer Solstice evening, the audience at Wolverhampton’s recently refurbished Halls had fans from places as far and wide as Lincoln, Gloucester and Brighton, never mind the West Midlands, and probably even further afield – just to breath the same air and be in the presence of one of the real titans of the Eighties music scene.The first gig of her tour brought a full house for Siouxsie Sioux’s re-emergence and aging Read more ...
Cheri Amour
Whether it’s the newly platinum tresses or the bubblegum production shimmer that make up Maisie Peters’ sophomore record, The Good Witch has a definite nod to The Wizard of Oz’s Glinda. Unlike that Good Witch of the North though, Peters’ career didn’t just pop off like a bubble. Still only 23 years old, Peters has actually been crafting songs for over a decade now.The West Sussex-born songwriter tested her craft in her teens busking on the streets of Brighton. Her stardust didn’t go unnoticed with chart-topper and MBE Ed Sheeran (perhaps, the Wizard of this story) signing Peters to his label Read more ...
Jonathan Geddes
War might be good for absolutely nothing, but it does provide bands with some easy names. Before the War on Drugs headline set, Warpaint took to the stage, and despite a muted reaction to the quartet they were on enjoyable form. They’re unlikely to ever be topping the bill in arenas in their own right, but maybe that’s a good thing, and the funky closing double header of “New Song” and “Disco//Very” whipped by with pace and verve.Then again, the War on Drugs themselves seemed a long shot to become an arena band, even with a sound considerable in scope. Perhaps their booker had over-estimated Read more ...
joe.muggs
There are whole books to be written – indeed, hopefully being written – on how hip hop has interacted with dance music culture in North America over the past decade plus. From the overblown mania of rap megastars jumping on David Guetta tracks in the heat of the EDM explosion at the start of the 2010s, to the far more sophisticated fusions done brilliantly by Beyoncé and slightly less so by Drake on big albums last year, it’s created some of the most ubiquitous sounds globally. And in the thick of the raves and festivals, Black American vernacular forms like trap, drill, New Jersey club and Read more ...
Thomas H. Green
Pete Fij and Terry Bickers are bathed in muted red light. They are sat side-by-side, Fij with an acoustic guitar, Bickers with a vintage 1970s CMI hollow-bodied electric. Behind them, oil wheel lighting gloops and bubbles gently, bespattered with glowing green circles cast by the stationary disco ball hanging high above them. “It’s surprising to see how much life you can fit into the back of a van,” sings Fij, dolefully, then adds, “It only took two trips.”The line, from the song “Broken Heart Surgery”, sums up part of the duo’s appeal, combining, as it does, a world-weary mournfulness with Read more ...
Kathryn Reilly
“I hope they do Mardy Bum,” a small boy squeaks longingly to his mother. She was probably his age when Whatever People Say I Am, That's What I’m Not came out almost two decades ago. This is very much a multi-generational affair incorporating those of us who were too old to like them when they started, their peers now also in their mid-30s, and lots and lots of kids. The transformation from lovable spotty teenagers to be-quiffed rockers and on to cuban-heel-and-aviator-sporting Lotharios is still quite remarkable despite the fact we’ve all changed beyond belief in those Read more ...