friendship
Get Down Tonight, Charing Cross Theatre review - glitz and hits from the 70sWednesday, 01 October 2025
In a fair few bars around the world tonight, bands will be playing “That’s The Way (I Like It)”, “Give It Up” and so many more of KC and the Sunshine Band’s bangers. They’ve filled dancefloors for half a century and Harry Wayne Casey (KC to you and... Read more... |
The Two Gentlemen of Verona, RSC, Stratford review - not quite the intended gateway drug to ShakespeareThursday, 14 August 2025
I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some jukebox musicals and I often prefer schools-oriented, pared back, slightly simplified Shakespeare to the full-scale Folio... Read more... |
Brixton Calling, Southwark Playhouse review - life-affirming entertainment, both then and nowTuesday, 29 July 2025
What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a really strong story stand on its own two feet. Like a late one at the Brixton Academy itself, this is a helluva night out.... Read more... |
Album: Wet Leg - moisturizerSaturday, 12 July 2025
War, pestilence, famine, death. I don’t know about you, but I’ve had my fill of them all. So what better time to visit the genuinely sunny uplands – the long-anticipated second album from Wet Leg.My, those seemingly demure, Amish-styled girls have... Read more... |
Letters from Max, Hampstead Theatre review - inventively staged tale of two friends fighting loss with poetryTuesday, 03 June 2025
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of their friendship she created Letters from Max, a 2018 book of their correspondence, then a play performed in New York... Read more... |
The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for themFriday, 24 January 2025
As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin MacInnes’s novel of an outsider embracing the temptations and dangers of London.Written a couple of years earlier and set a... Read more... |
The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to meSaturday, 30 November 2024
Percy Jackson is neither the missing one from Jackie, Tito, Jermaine, Marlon and Michael, nor an Australian Test cricketer of the 1920s, but a New York teenager with dyslexia and ADHD who keeps getting expelled from school. He’s a bit of a... Read more... |
King James, Hampstead Theatre review - UK premiere drains a three-pointerSaturday, 23 November 2024
Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not really on the way to anywhere, but not a destination either and obsessed with popular music and sports, it's very... Read more... |
Burnt Up Love, Finborough Theatre review - scorching new playMonday, 11 November 2024
Mac is in prison for a long stretch. He is calm, contemplative almost, understands how to do his time and has only one rule – nobody, cellmate or guard, can touch the photo of his daughter, then three years old, attached to his wall. Though he... Read more... |
Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorousThursday, 17 October 2024
There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career... Read more... |
Here in America, Orange Tree Theatre review - Elia Kazan and Arthur Miller lock horns in McCarthyite AmericaWednesday, 25 September 2024
The clue is in the title – not Then in America or Over There in America or even a more apposite, if more misleading, Now in America, but an urgent, pin you to the wall and stick a finger in your face, Here in America.Pre-Trump 2.0, David Edgar’s new... Read more... |
The Band Back Together, Arcola Theatre review - three is a dangerous numberMonday, 16 September 2024
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that the person or the performance? When Ellie walks in, he leaps up like a cat on a hot tin roof, nervous as a kitten, and we know –... Read more... |
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