wed 15/10/2025

Classical music

Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester review - moving lyricism in Elgar’s concerto

Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist in their performance of Elgar’s Cello Concerto in the season’s opening concert at the Bridgewater Hall...

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Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manchester review - joy, insight, imagination and unanimity

The Royal Northern College of Music was in celebratory mood last night for the opening of its new season, in a joint promotion with Manchester Camerata that marked the 50th anniversary of the start of the RNCM’s Junior Fellowship programme.For...

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Jansen, LSO, Pappano, Barbican review - profound and bracing emotional workouts

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very eve of lockdown in 2020. The work’s dying fall then was echoed by the spectral drift ending Vaughan...

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Jakub Hrůša and Friends in Concert, Royal Opera review - fleshcreep in two uneven halves

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša went for fleshcreep: too little of Bartók's The Miraculous Mandarin – given a chorus, he could have done the half-hour ballet,...

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Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - youth, fate and pain

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26 season at the Bridgewater Hall. One was “Fountain of Youth” (the programme title and also that of...

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Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields review - flames of joy and sorrow

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito allying period instruments with great voices could electrify in a new way. And here we were last night with Pablo Heras-...

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Cho, LSO, Pappano, Barbican review - finely-focused stormy weather

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the lines in a lighter take. In his second full concert of his second season as the wildly successful and...

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Classical CDs: Shrouds, silhouettes and superstition

 Kabalevsky: Cello Concerto No. 2, Schumann: Cello Concerto Theodor Lyngstad (cello), Copenhagen Phil/Eva Ollikainen (OUR Recordings)This disc’s sleeve note suggests that Kabalevsky’s Cello Concerto No. 2 “owes an obvious debt to the composer’s...

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Appl, Levickis, Wigmore Hall review - fun to the fore in cabaret and show songs

Concerts at the Wigmore Hall offer many types of pleasure, but not often an evening so straightforwardly fun as Monday night’s recital by baritone Benjamin Appl and Lithuanian accordion virtuoso Martynas Levickis. Appl is primarily a Lieder singer...

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Lammermuir Festival 2025, Part 2 review - from the soaringly sublime to the zoologically ridiculous

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but some of us have been in on the secret for years. Importantly, that includes the East Lothian audiences,...

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BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspects of love

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I was able to see, and hear, exactly what that means. A few days ago, in Scotland, I marvelled at...

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Presteigne Festival 2025 review - new music is centre stage in the Welsh Marches

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his death was spending the weekend of 21 - 25 August at the Presteigne Festival, you probably wouldn’t have...

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