sun 08/12/2024

Classical music

Classical CDs: Christmas 2024

 Trio Mediæval: Yule (2L)Pick of my Christmas discs is this sublime collection from Trio Mediæval on the Norwegian audiophile label 2L, reflecting yuletide’s origins in Northern European pagan culture. Imaginative and idiomatic-sounding...

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Giltburg, Bournemouth SO, Wigglesworth, Portsmouth Guildhall review - seemingly effortless élan

A time must come again when British orchestras return to complete Tchaikovsky ballet scores in concert, as in the BBC glory days of the great Rozhdestvensky. We were halfway there with The Nutcracker's second act in Mark Wigglesworth’s second...

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Bach Mendelssohn Festival, Part I, Oxford Philharmonic Orchestra review - the flame that never died

“I am not better than my fathers.” Cracked, pained, occasionally rasping, rising to a fearsome roar then subsiding to a throaty whisper, Sir Bryn Terfel’s still-formidable bass-baritone made the great vault of Wren’s Sheldonian Theatre in Oxford...

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Currie, Hallé, Wong, Bridgewater Hall, Manchester review - sparkle and intrigue

Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme seemed likely to come from James MacMillan’s Veni, Veni, Emmanuel – his percussion concerto, with the star...

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Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall review - a joyful, fascinating laboratory of noise

There were points when this concert felt like the musical equivalent of watching the atom split – as well as notes there were animal shrieks, sinister rattles, sibilant serpentine sussurations, and primal throaty rumbles. Indian-American composer...

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Classical CDs: Vitamins, kings and magic spells

 Brahms: Piano Concertos 1 and 2, Solo piano works Igor Levit (piano), Wiener Philharmoniker/Christian Thielemann (Sony)Who’d have thought that Igor Levit and Christian Thielemann would be such effective partners? Levitt is one of the most...

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Kavakos, Philharmonia, Blomstedt, RFH review - a supreme valediction forbidding mourning

From a privileged position in the Festival Hall stalls, I could see 97-year old Herbert Blomstedt’s near-immobile back as he sat on a piano stool with the score in front of him, but also his supremely expressive right arm and hand, every finger...

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Perianes, Orchestre Symphonique de Montréal, Payare, Barbican review - elegance and drama but not enough bite

When the Venezuelan Rafael Payare was appointed as conductor of the Orchestre Symphonique de Montréal (OSM) two years ago, his first action was to blast his way through a French Berlitz course. A graduate of the El Sistema music-teaching project –...

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La Serenissima, Wigmore Hall review - an Italian menu to savour

For 30 years, La Serenissima have re-mapped the landscape of the Italian Baroque repertoire so that its towering figures, notably Vivaldi, no longer look like isolated peaks but integrated parts of a spectacular range. The ensemble founded by...

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Roman Rabinovich, Wigmore Hall review - full tone in four styles

Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand which may have belonged to Haydn, both in the Cobbe Collection at Hatchlands, Surrey? He clearly cares...

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Wyn, Dwyer, McAteer, RSNO & Choirs, Diakun, Usher Hall, Edinburgh review - ebullient but bitty

Carmina Burana isn’t a masterpiece: it’s primarily a bit of fun; fun to listen to, fun to play, really fun to sing.Few and far between are the performances where it ever manages to be much more than that, though this RSNO concert came close, mainly...

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Gerhardt, BBC Philharmonic, Chauhan, Bridgewater Hall, Manchester review - from grief to peace

Anna Clyne’s This Moment had its UK premiere at Saturday’s BBC Philharmonic concert. She’s the orchestra’s composer in association, and this seven-minute piece was first played by the Philadelphia Orchestra last year.Inspired by the calligraphy of...

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