Classical music
Cargill, RSNO, Søndergård, Usher Hall, Edinburgh review - luscious opening to a rich seasonTuesday, 08 October 2019
The conductor Thomas Søndergård turned 50 on Friday. He marked the occasion, which coincided with the opening concert of the Royal Scottish National Orchestra’s winter season, with a short homily on the contradictions of age – “the young seek... Read more... |
Leonskaja, Ferschtman, Várdai, Wigmore Hall review - direct line to Schubert's geniusMonday, 07 October 2019
From the epic-lyric heaven storming of Beethoven's last three piano sonatas to the lyric-epic dances on the volcano of Schubert's two late piano trios isn't so big a leap, especially when you have the clairvoyant poise between colossal and intimate... Read more... |
'A laboratory for everything': Jasper Parrott on the future of his classical music agencySaturday, 05 October 2019
Fiftieth anniversary? It seems incredible but also so exhilarating not least because these times we live in now seem to me to be a golden age for music of all kinds and in particular for what we label so inadequately classical music. This flowering... Read more... |
Classical CDs Weekly: Brahms, Bright, Dvořák, Gipps, RotaSaturday, 05 October 2019
Brahms: Symphony No 3, Dvořák: Symphony No 8 Bamberger Symphoniker/Jakub Hruša (Tudor)Brahms 3 and Dvořák 8 make for an interesting pairing: Brahms at his most autumnal and introspective coupled with Dvořák in ebullient mood. There's a useful... Read more... |
Fry, AAM, Egarr, Barbican review – revival and revolutionThursday, 03 October 2019
Second performances are even more valuable than premieres, composers say, when it comes to launching a piece into the world. Spare a thought, then, for Jan Ladislav Dussek, who has had to wait over two centuries for this prize to be awarded to his... Read more... |
Balsom, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - made in BrumThursday, 03 October 2019
There’s nothing like practising what you preach. “I say straight out that I regard all so-called 12-tone music, so-called serial music, so-called electronic music and so-called avant-garde music as utter rubbish, and indeed a deliberate conning of... Read more... |
Charles Owen and Katya Apekisheva on the London Piano Festival: 'It's not just playing one concert and going home'Tuesday, 01 October 2019
We’ve been friends for many years, since the mid-1990s when we were both studying at the Royal College of Music with the same inspirational piano teacher, Irina Zaritskaya. Our first duo performance was in 2001 at the Homecoming Festival in Moscow,... Read more... |
Tetzlaff, Nelsen, Philharmonia, Salonen, RFH review - spider's webs and silk sheetsMonday, 30 September 2019
You can't expect a full house when the only work approaching a repertoire staple on your programme is Berg's Lulu Suite. Yet Esa-Pekka Salonen was able to serve up what must count as one of the most enthralling Philharmonia programmes ever at the... Read more... |
Dickson, Brautigam, Aurora Orchestra, Collon, Kings Place review - disappointing Mozart concertoMonday, 30 September 2019
Kings Place Hall One is a slightly strange venue, its small stage size seeming out of proportion for the dimensions of the room. It means only a chamber orchestra can fit on stage – and even then they often look uncomfortably squashed, especially... Read more... |
Fischer, LPO, Jurowski, RFH review - total focus in shattering threnodiesSaturday, 28 September 2019
Throughout his 11 years as Principal Conductor of the London Philharmonic Orchestra to date, Vladimir Jurowski has focused on two elements, programme-wise: tellingly-linked concerts of the rich and rare, and fine-tuned interpretations of the... Read more... |
Classical CDs Weekly: Axel Borup-Jørgensen, Purcell, Ostrobothnian Chamber OrchestraSaturday, 28 September 2019
Floating Islands: Guitar music by Axel Borup-Jørgensen Frederik Munk Larsen (guitar) (OUR Recordings)Carl Nielsen cast a long shadow over the generation of Danish composers who succeeded him, and there's mention here of post-war musicians... Read more... |
Tetzlaff, Philharmonia, Salonen, RFH review - glories of the Weimar eraFriday, 27 September 2019
The mid-1930s, when the Nazi government replaced the Weimar republic, was a bleak time for the composers featured in last night’s Philharmonia concert. Arnold Schoenberg was the first to leave for the US, followed by Paul Hindemith in 1938. Alban... Read more... |
