tue 26/11/2024

1980s

Music Reissues Weekly: Magazine - Real Life, Secondhand Daylight, The Correct Use of Soap

“Let's walk down memory lane the Magazine way. Let's regurgitate fifth-rate Low [the David Bowie album] period pieces. Let's plonk plonk plonk with ponderous sub-Pink Floydery. Let's do the wallpaper waltz. This is not pushing back the barriers. It'...

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How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy

It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs...

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Rivals, Disney+ review - adultery, skulduggery and political incorrectness

Delirium has greeted Disney’s eight-part adaptation of Jilly Cooper’s 1988 novel Rivals (part of her Rutshire Chronicles series).Perhaps it’s nostalgia for the previously-unloved Eighties, or maybe it’s because its non-stop conveyor belt of adultery...

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Music Reissues Weekly: Arvo Pärt - Tabula Rasa

In 2022, Spritualized’s Jason Pierce described his musical goal as "trying to find somewhere between Arvo Pärt and The Stooges.” Amongst the most arresting and explicitly Pärt-styled results of this quest to link the minimalist composer with Iggy...

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Trouble in Tahiti/A Quiet Place, Linbury Theatre review - top cast plays unhappy families

Most of us have been there: an impasse in a marriage, a bereavement in a dysfunctional family. Leonard Bernstein certainly had when he composed Trouble in Tahiti in 1952, basing the unhappy couple on his own parents and even the incipient problems...

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Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended

Like an angry teenager rejecting everything his parents stand for, American artist Mike Kelley embraced everything most despised by the art world – from popular culture to crafts, and occultism to catholicism – to create what he ironically called “...

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Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor

Michael Craig-Martin was the most playful and provocative of the conceptual artists. His early sculptures are like visual puns, a play on the laws of nature. On the Table, 1970 (pictured below right), for instance, appears to defy gravity. Four...

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Music Reissues Weekly: New Jill Swing

As the name of a music genre, new jack swing was coined in an issue of the Village Voice dated 18 October 1987. Writer Barry Michael Cooper was profiling producer, songwriter and member of the R&B trio Guy, Teddy Riley when he created a tag...

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Music Reissues Weekly: Peter Baumann - Phase by Phase: The Virgin Albums

When the first solo album by Tangerines Dream’s Peter Baumann was released in the US in 1977, its promotion was striking. Press advertising (pictured below left) said “he possesses the infinite vision that has made his group one of the most...

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Music Reissues Weekly: Shadowplay - Touch and Glow, Eggs & Pop

Some pointers suggest how Finland’s Shadowplay might sound. They took their name from a Joy Division song. Their key founder member was Brandi Ifgray – born Visa Ruokonen. He had been in the final line-up of first-generation Finnish punk band Ratsia...

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theartsdesk on Vinyl 85: Julian Cope, Art Brut, Heaven 17, The Mysterines, Sleaford Mods, The Wombles and more

VINYL OF THE MONTHMike Lindsay Supershapes: Volume 1 (Moshi Moshi)Solo debut from Mike Lindsay, a founder member of tunng and also half of psychedelic duo LUMP. It’s a good thing when music is hard to describe. Opener “Lie Down” sets up the stall, a...

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Album: X - Smoke & Fiction

X, although beloved of music journalists, are one of American punk’s most under-acknowledged. They took a tilt at fame in the mid-Eighties with the radio-friendly Ain’t Love Grand album and its lead single “Burning House of Love”, but it wasn’t to...

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