TV
Marina Vaizey
At the end of this absorbing documentary about the art – and life – of Paul Nash we visited his tombstone in a Buckinghamshire churchyard, accompanying writer and presenter Andrew Graham-Dixon as he laid sunflowers on the grave. He reminded us that Nash saw the sunflower as a symbol for the soul, turning to the sun; indeed one of his last paintings was “Solstice of the Sunflower”.The final phrase Graham-Dixon used about this highly literate and intelligent artist was that he had been haunted by life, haunted by death, and by the ghosts of war. Unusually, Nash was an official war artist in Read more ...
Adam Sweeting
Fans of this dense and rewarding odyssey of Prohibition and American gangsterism are doubtless still reeling from the news that its fifth series will be the last, despite the riotous applause which greeted series four. This unwelcome state of affairs perhaps accounted for the vaguely dissociated and dream-like quality of this season opener, which was as much concerned with filling in some of Nucky Thompson's early history as with driving the plot forward into the 1930s.An opening sequence set in 1884, of young boys diving into the sea to catch gold coins flung from the Atlantic City pier by Read more ...
Adam Sweeting
Created by Gideon Raff, mastermind of Homeland and its Israeli forerunner Prisoners of War, and produced by Howard Gordon (who worked on Homeland and 24), Tyrant parades its roots on its sleeve. Its mix of action thriller and family drama, all souped up by a stiff dose of combustibly unstable Middle East politics, adds up to a slick entertainment formula, but do such deadly and complex issues deserve to be handled quite so glibly? If The Honourable Woman was a crossword without clues, this is more like a shopping list scrawled in felt pen.Nonetheless, the basic premise is reasonably promising Read more ...
Tom Birchenough
“Changing perceptions” is the byline that Mitsubishi gives to its sponsorship of Channel 4’s documentary slot. Animal-lovers, a constituency that surely makes up a sizable part of evening viewers, will certainly have come away from Matt Rudge’s bizarrely entertaining film All Creatures Great and Stuffed with their perceptions changed.Against the background of more tradit animal shows like the BBC’s current Our Zoo, not to mention the innumerable lives, secret or otherwise, of cats and dogs that frolick their way periodically through the schedules, Rudge’s study of the astonishing growth of Read more ...
Jasper Rees
The act of learning music, in a choir or an orchestra, rounds out a young person. What are the benefits again? All together now: improved social skills, concentration, discipline, self-esteem, numeracy, behaviour, confidence. Music makes you better. Society at large would benefit from investing in music education. It sort of beggars belief that this argument still has to be made. Meanwhile it would seem the DoE's idealogues and OFSTED's bean counters are inadvertently bent on beggaring the futures of British youth.You can’t get a decent music lesson in every British primary school, not if St Read more ...
Lisa-Marie Ferla
By the time that In the Club reached its final episode, fans of Kay Mellor’s pregnancy-pals drama were probably ready for a happy-ever-after. Across six eventful hours we had seen car crashes, assaults, social workers, a bank robbery and Jill Halfpenny giving birth in a car park. We’d also witnessed the usually glacial Hermione Norris living off wine and pizza in a student flat for weeks before popping out one of the healthiest babies of the series - although by that stage it was hardly the least realistic plot development.But to concentrate on the drama - and boy, was there drama - was, I Read more ...
Marina Vaizey
Artist and critic Matthew Collings purported to set out the rules of abstraction through taking the viewer on a very bumpy ride through 20th century painting, with a nod to Cézanne to get us started. He set the scene by telling us that abstraction as a concept in art has been around for 100 years and early on we were presented with a genuine surprise: the large canvases, in relatively soothing colours, of freehand geometric forms that appeared wholly abstract by the almost totally unknown female – yes, female – Swedish artist Hilma Af Klint, from 1907.The classic dating for abstraction in Read more ...
Marina Vaizey
Presenter Alastair Sooke looked alarmingly fit, careering round the British countryside and the streets of Paris on his bicycle, talking all the while (and never out of breath) as he described the artistic trajectory of John Constable. In the opening sequence he set the scene, biking straight across – and not at the traffic lights, either – the Cromwell Road to get to the main entrance of the Victoria and Albert Museum; the film is timed to preview the major show “Constable: The Making of a Master” that there opens on September 20. That museum has the largest collection of Constable, which Read more ...
David Nice
“You feel like you’re walking into Fame, the movie,“ says one of three third-year drama students towards the beginning of this six-part documentary. That’s what we might have hoped of what, at least in the first episode, turns out to be a mere infomercial for New York’s prestigious academy of performing arts.The format ought to work: start of academic year in episode one - select, out of the lucky seven per cent chosen from auditions, a dancer, actors, violinist, jazz pianist, and follow their progress. I can only hope a singer will be in the offing, too; for now, there's a palpable imbalance Read more ...
Jasper Rees
Sofie Gråbøl as Danish royalty: it hardly stretches credulity. The face of Nordic noir has been a star in her home country ever since appearing in Bille August's Pelle the Conqueror in 1987, but is solely familiar on these shores as Sarah Lund, the jumpered Copenhagen detective from three unmissable series of The Killing. This autumn the only thing that will be recognisable about Gråbøl will be those big blue eyes as she is spirited back to the late Middle Ages, bewigged, bejewelled and billowing, to play a queen of Scotland.No, not that one. She is starring as Margaret, the very capable Read more ...
Nick Hasted
Bilko doesn’t date. The 143 episodes here are as deathless as Fawlty Towers’ 12, but occupy a very different place at the sitcom’s peak. When writer-producer Nat Hiken put Phil Silvers’ inveterate gambler and conman in charge of a motley platoon in the peacetime backwater of Fort Baxter, Kansas in 1955, it was a New York Jewish comic partnership as happy as S.J. Perelman’s with the Marx Brothers. Hiken ensured his series was shot in New York, where he knew Silvers from card games, to keep a crackling energy unavailable in Hollywood studios.Its original title, You’ll Never Get Rich, was Read more ...
Veronica Lee
On the face of it, it's one of the more counter-intuitive pieces of casting this year; surreal stand-up and possible future Labour Mayor of London Eddie Izzard as Robert Watson Watt, the Scottish scientist who helped develop radar. But on second thoughts, perhaps not, as Watson Watt had to overcome prejudice and entrenched opinion to see his vision through.Radar was at first dismissed by Winston Churchill (not Tim McInnerny's finest hour) as a fantastical project - “castles in the sky” - but he later acknowledged its huge importance in winning the war. Watson Watt and his team developed radar Read more ...