TV
Katherine Waters
Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the permafrost this way and you’re seeing into the past: as the ice melts, gas which was captured and stored tens of thousands of years ago when woolly mammoths and sabre-toothed cats stalked Alaska is released into the atmosphere. Each slick of melt water is another decade returning to the rivers. A scientist pokes a flare towards a hissing vent and the lake burps fire. It is methane, a gas with 21 times the smothering effect of carbon dioxide which Read more ...
Tom Birchenough
Chimerica is a stage-to-screen adaptation that has certainly kept up with the times. When it opened at the Almeida back in 2013 – a West End transfer followed, along with an Olivier award for Best New Play – Lucy Kirkwood’s drama was (very loosely) about the geopolitical symbiosis between the world’s two largest economies, China and America (hence, the title). It was seen through the prism of a story that began back in 1989 on Tiananmen Square and continued through to the present day.Channel 4’s new four-part drama, adroitly directed by Michael Keillor, retains the original’s sense of Read more ...
Adam Sweeting
Great, a new drama not by the Williams brothers. Instead it’s Dan Sefton’s second iteration of his medical thriller Trust Me, last seen in 2017 starring Jody Whittaker. Since she’s off being Doctor Who, the new series has a new cast, with John Hannah as Dr Archie Watson and Ashley Jensen as physio Debbie Dorrell.Front and centre, though, is Corporal Jamie McCain (Alfred Enoch), who’s been brought to the neurological unit of South Lothian hospital after suffering a spinal injury during a shoot-out in Syria. He’s currently in the “spinal shock” phase (in medic-speak), which has left him with Read more ...
Jasper Rees
Pre-publicity for Back to Life has been all about its stablemate. This new six-part comedy comes from the same producers who brought you Fleabag, and the hope is that the Midas touch is catching. It seems unlikely, on the face of it, to follow the same path from the experimental comedy factory that is BBC Three all the way to global domination. That would not be for a lack of originality or ambition, however.Back to Life tells of an emotionally damaged single woman in her thirties on a quest for redemption. So far, so Fleabag. In fact her back story has as much in common with other dramas Read more ...
james.woodall
If you were a fan of “Rock Island Line” when it became a pop hit, you’d have to be at least in your mid-70s now. In 1956, Paul McCartney heard Lonnie Donegan perform it live in Liverpool, and Paul’s rising 77. How many below that age know it is moot, though that doesn’t necessarily disqualify it from the hour-long documentary treatment. For blues lovers, it’s a benchmark. “Rock Island Line” dates from the late 1920s and was first recorded in 1934.Billy Bragg dependably and articulately fronted up this BBC Four history of the song, a protest paean to, or (as it might once have been called) a Read more ...
Adam Sweeting
Bognor Regis was once renowned for its restorative climate and was much favoured by George V (he awarded the town the “Regis” tag), but times have changed if Toby Jones’s new series is anything to go by. The Bognor we see in BBC Two's Don't Forget the Driver is a crumbling ghost town, all run-down bungalows, pensioners and, it seems, an underclass of exploited immigrants. It looks like the London-luvvie invasion which has trendified other coastal towns like Hove and Broadstairs has passed dear old Bognor by. Jones, who also co-wrote the series with Tim Crouch, plays Peter Green with a Read more ...
Jasper Rees
The problem with Fleabag (BBC Three/BBC One) is that it makes almost all television look pedestrian. It’s like the difference between Fleabag’s scummily inadequate boyfriends and the unattainable perfection embodied by the cool sweary priest. Earth vs heaven. Water/wine. And now it is gone.Having delivered a raging aria about the cruelty of love, the sinning father fled back to the triumphant embrace of the Almighty, pursued by a cunning fox. Having declared her own simple truth about love Fleabag, clutching a re-stolen effigy of her mother’s fecund body, set off in the other direction, her Read more ...
Markie Robson-Scott
The Williams brothers (The Missing, Liar, Rellik, Baptiste) are back. In The Widow, the writer-producer team of Jack and Harry move on to Wales, Rotterdam and corruption in the Democratic Republic of the Congo, but the recipe is wearyingly familiar: a bag full of evil money, a missing person, foreign languages that some characters can’t speak, and people who say ponderous things like, “They say hope is to see the light in spite of all the darkness” and “We can never hide who we are." There’s a fine cast, it’s stylish and colour-saturated, but in the first two episodes at least, there’s Read more ...
Jasper Rees
Piers Morgan hated This Time with Alan Partridge (BBC One) and predicted it would be pulled before the end of the series. This may be taken as a kitemark of quality. And yet the prime target for Steve Coogan’s satire was no voice in the wilderness. A lot of viewers professed themselves underwhelmed by the return of Partridge to mainstream broadcasting and voted with their remotes: the show managed to shed a third of his audience between the first and second episode.One of the disappointments for Partridge fans is that for five episodes he has been on if not best, then better behaviour, Read more ...
Adam Sweeting
Congratulations to Stephen Graham, guest-starring in this fifth season of BBC One’s Line of Duty, for still being alive at the end of episode one, a favour not routinely granted to headline names in Jed Mercurio’s diabolical labyrinth of deception. Then again, death needn’t necessarily be the end, as we were reminded when the late and exceptionally unlamented ACC Derek Hilton, the sleazy string-puller from series four, repeated on us here like a bad oyster.Mercurio isn’t just telling a story, he’s spinning a kind of Game of Villains epic that stretches out to unknowable horizons. Just as the Read more ...
Richard Macer
Halfway through filming For Folk’s Sake, a documentary for BBC Four about Morris dancing, I received a package in the post that would dramatically change the course of the programme. It was from my mother. Inside were a number of yellowing newspaper articles from the 1920s and 1930s and some dog-eared black and white photos. The newspaper clippings showed photographs of capacious lawns outside stately homes and on the hot summer grass were vast hordes of people folk dancing.All the women had bobbed hair and wore long white skirts and the men were, to all intents and purposes, in cricket Read more ...
james.woodall
Documentaries about the 20th century’s most fabled quartet keep coming. There’s no special call for The Beatles: Made on Merseyside (BBC Four), which looked at the group’s Liverpool beginnings, though at a stretch it could be argued that in the 50th anniversary year of their horrible break-up we need reminding of pop’s Biggest Bang in 1963. This was almost the film to do it. Yet for such an explosive moment in cultural history it was curiously downbeat.That might be because, as we were reminded throughout, the group’s genesis was scruffy and full of false starts. Liverpool in the 1950s seemed Read more ...