tue 29/04/2025

TV

Bodyguard, BBC One, series finale review - gripping entertainment of the highest calibre

And breathe. Bodyguard – not, as even some careless BBC broadcasters keep calling it, "The Bodyguard" – careered to a conclusion as if hurtling around a booby-trapped assault course. It turned out that, contrary to a popular theory about Jed...

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A Discovery of Witches, episode 2, Sky 1 review - when the sorceress met the vampire

Witches, vampires and magicke of all descriptions continue to be big box office, so Sky 1’s new dramatisation of the first book of Deborah Harkness’s All Souls Trilogy should be finding a ready-made audience. Anybody who’s into this kind of stuff...

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James Graham: 'the country of Shakespeare no longer recognises arts as a core subject'

Thank you. It’s an honour to have been asked to speak here today. Although looking at the h100 List this year, I’ve no idea why I’m presumptuously standing here; given the talent, creativity and achievements far surpassing my own within this room....

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Strangers, episode 2, ITV review - conspiracy theories multiply

You might consider it odd that a man whose wife spends half the year in Hong Kong without him hasn’t managed to get around to catching a plane from Heathrow to visit her in the Far East, but that is the case with Jonah Mulray, the stressed-out...

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Killing Eve, BBC One review - the dying game

It may be a sign of the times that the two lead performances in Killing Eve are female, with Jodie Comer fizzing hyperactively as shape-shifting assassin Villanelle and Sandra Oh (from Grey’s Anatomy) as British intelligence officer Eve Polastri (...

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Classic Albums: Amy Winehouse - Back to Black, BBC Four review - suffering turned into song

Formats are second nature to TV: the BBC and Eagle Rock’s Classic Albums will run and run. Like all formats, there’s always the risk that the medium becomes the message, and content suffers under the weight of form. But Classic Albums at least...

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Black Earth Rising, BBC Two review - Blick's new blockbuster

As writer and director, Hugo Blick has brought us two of the twistiest dramas in recent-ish memory (The Shadow Line and The Honourable Woman). Looks like he’s done it again here, if not more so, since the eight-part Black Earth Rising takes as its...

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Wanderlust, BBC One review - an unflinching look at stale sex

What signals the end of a relationship? The loss of attraction? Infidelity? Or is it, as Wanderlust explores, something more innocuous? The opening episode of BBC One's latest show packed in enough domestic drama to sustain most series, but found...

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Vanity Fair, ITV review - seductions of social climbing

Emcee Michael Palin, as William Makepeace Thackeray himself, introduces us to the show: “Yes, this is Vanity Fair; not a moral place certainly; nor a merry one, though very noisy.” All his major characters – or “puppets” – are riding a fairground...

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Keeping Faith, BBC One, series finale review - we need to talk about Evan

It’s been a long haul for Keeping Faith. The drama was shot in Welsh and English simultaneously, and premiered in the former with subtitles on S4C at the back end of 2017. It switched to the latter language on BBC One Wales earlier this year. Word...

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Bodyguard, BBC One, episode 2 review - a wild ride to who knows where

It was always a question of when. As in when would the hoity-toity Home Secretary and her poker-faced bodyguard move into the horizontal? “I’m not the queen, you know,” she said, by way of a hot come-on. “You can touch me.” As a mode of discourse,...

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Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

Grayson Perry is at it again. The Turner Prize winner, Reith lecturer, sculptor, printmaker, ceramicist, curator, writer, British Museum trustee, CBE, RA – plus Britain's and the art world’s favourite transvestite – is trying to find sense...

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