wed 21/05/2025

TV

A Time to Live: 'I did not want to reveal at the end who was alive or dead'

Do you ever wonder what you’d do if you were given a terminal diagnosis and told you may only have months to live? That question is what my latest film is all about. It may sound maudlin and sad but I can assure you it isn’t. And the reason for that...

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Born to Kill finale, Channel 4 review – a full-blown psychotic nightmare

Was it just a coincidence that budding serial killer Sam attended Ripley Heath High? Probably not. Born to Kill, written by Tracey Malone and Kate Ashfield, was keenly aware that it followed in the bloody footsteps of both real sociopaths such as...

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King Charles III, BBC Two review - royal crisis makes thrilling drama

Actor Oliver Chris, who plays William in Mike Bartlett’s ingeniously-crafted play about the monarchy, was doing some pre-transmission fire-fighting by going round telling interviewers he couldn’t see what anybody (eg the Daily Mail) could find to...

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Babs review - Barbara Windsor's playful screen therapy

Barbara Windsor’s laugh belongs in the National Sound Archive. It’s a birdlike chuckle that wavers between innocence and dirt. We all know Babs’s laugh. But what about her tears? There have been plenty of those too according to Babs, BBC One’s...

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Britain's Nuclear Bomb: The Inside Story review - 'power, politics and national identity'

In the midst of a general election campaign and with Euro-shrapnel flying around our ears, it’s an intriguing moment at which to revisit Britain’s history as a nuclear power. Although this film from BBC Science concentrated on the factual and...

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Midnight Sun finale review - 'terminal silliness, wholesale slaughter'

So here’s the thing: a heavily pregnant woman is hanging by her ankles above a raging torrent. Two teens, one with a broken arm, are stuck down a well. And 15 miners, deep below ground, take refuge from a fire in an emergency chamber, unaware it has...

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theartsdesk at The Hospital Club

The Arts Desk is delighted to announce a new partnership with The Hospital Club in Covent Garden. There are plenty of private members club in central London, but The Hospital Club is uniquely a creative hub with its own television studio,...

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Line of Duty, Series 4 finale review - 'great acting, great writing'

Cop a load of that, then. Hana Reznikova is serving time for triple murder. Ted Hastings is on permanent gardening leave. The Huntleys have renewed their wedding vows on a family trip to Disneyworld. Just kidding. This is a Reg 15 alert to advise...

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Brian Johnson's A Life on the Road review – ripping yarns of rock'n'roll

The simplest ideas are often the best. Here’s one – take AC/DC’s Tyneside-born vocalist Brian Johnson and get him to chew the fat with a list of fellow rock’n’roll veterans. Later in the series he gets to meet Sting, Nick Mason and Lars Ulrich, but...

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The Good Fight review - 'flawless writing and acting'

If Robert King and Michelle King, creators of The Good Wife, took the Joss Whedon line on sequels – “They are inevitably awful” – then we would not have The Good Fight (More4) gracing our screens. But, thankfully, this sequel (actually, more a spin-...

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Little Boy Blue review – 'the sum of all fears'

Turning the real-life murder of an 11-year-old boy into a four-part TV drama carries obvious risks (might it be exploitative, sick or in bad taste, for instance?), but judging by this opening episode of Little Boy Blue (ITV), screenwriter Jeff...

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Broadchurch review - the final reckoning

“Take your pick. Who shall we talk to first?” DI Alec Hardy (David Tennant) and DS Miller (Olivia Colman) had their three prime suspects waiting for them in custody. The fact that none of them proved to be the guilty party was what was wrong not...

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