Ditch, Old Vic Tunnels | reviews, news & interviews
Ditch, Old Vic Tunnels
Ditch, Old Vic Tunnels
Dystopic drama in a chilly space under Waterloo station offers little hope
Wednesday, 19 May 2010
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/f0c3a021df8a28f4e3936660c10f3aba.jpg?itok=OVHRke5V)
Gethin Anthony as James: the new arrival is soon introduced to the horrors of war William Knight
Dystopia is a genre that works like a rhetorical device. Take a government policy — let’s say the war in Afghanistan — then list the bad effects that this has had on the British people, exaggerate by a factor of ten, or more, add some obscure but sinister language, extrapolate by throwing in some nightmarish horrors, and then wrap it all up for a small cast. If you’re lucky, as Beth Steel has been with her debut play which opened last night at the Old Vic Tunnels, you’ll get a really atmospheric venue, and, in her case, Kevin Spacey sitting in the first-night audience.
Dystopia is a genre that works like a rhetorical device. Take a government policy — let’s say the war in Afghanistan — then list the bad effects that this has had on the British people, exaggerate by a factor of ten, or more, add some obscure but sinister language, extrapolate by throwing in some nightmarish horrors, and then wrap it all up for a small cast. If you’re lucky, as Beth Steel has been with her debut play which opened last night at the Old Vic Tunnels, you’ll get a really atmospheric venue, and, in her case, Kevin Spacey sitting in the first-night audience.
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