fri 10/01/2025

1960s

My Brilliant Friend, Season 2: The Story of a New Name, Sky Atlantic review – a troubling friendship deepens

In her surprisingly self-revealing collection of essays and interviews Frantumaglia (Neapolitan dialect word for a disquieting jumble of ideas), the writer who calls herself Elena Ferrante often ponders the metamorphosis from novel to film. “The...

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Echo in the Canyon review – California droopin'

Echo in the Canyon is a lamentably thin documentary about the vibrant folk-rock music scene that flourished in the bohemian Los Angeles neighbourhood of Laurel Canyon from 1965 to 1967. Though it features priceless vintage footage of the Beach Boys...

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Reissue CDs Weekly: The Belfast Gypsies

There’s something wrong with the picture above. It’s the sleeve of a French EP issued in August 1966 credited to a surly looking band called “Them”. The chap standing in the middle has what appear to be bullet holes in his shirt, but where’s the...

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Reissue CDs Weekly: Keith Relf - All the Falling Angels

“Collector of the Light” is based around what sounds like a treated bass guitar. As the neck is moved up and down, multiple notes are plucked at once. The instrument’s sound is subaquatic, wobbly. Over this, a distant, echoey voice sings of being...

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Blu-ray: Funeral Parade of Roses

There is a memorable scene in Toshio Matsumoto’s Funeral Parade of Roses (1969), in which a group of stoned hippies and cross-dressers force each other, one-by-one, to walk the length of a line of tape that runs along the floor. Those who...

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Reissue CDs Weekly: King Size Taylor and the Dominoes

The enduring status of The Beatles shouldn’t distract from them having been one amongst many Liverpool bands while they found their feet. In October 1961, local impresario and Cavern Club DJ/MC Bob Wooler worked out that there were 125 active bands...

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The Shadows at Sixty, BBC Four review - pop's age of innocence

Back in the day, the weekend started with Ready Steady Go. Now Friday evenings are once more essential viewing, and not just because we’re all locked down. While the endless ToTP reruns are often no more than bad-taste wallpaper, the music...

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First Person: Sam Yates on directing a Tom Stoppard play in real time via Zoom

I am fortunate to have worked as a director in theatre, film, television and radio, and so it was hugely intriguing to be invited to direct an online reading of Tom Stoppard’s beautiful 1964 play, A Separate Peace.Here was a new form which...

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Reissue CDs Weekly: Mitch Ryder & The Detroit Wheels - Sockin’ It To You

How Mitch Ryder is seen depends on particular perspectives. The Detroit blue-eyed soul belter racked up a string of US hits on 45 in 1966 and 1967. He made many albums, became an oldies radio staple and a perennial live draw. In the UK though he was...

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Danger Close review - the Vietnam war from an Australian perspective

The battle of Long Tan in Vietnam isn’t well known to the casual observer, but it has entered the military folklore of Australia and New Zealand. On 18 August 1966, 108 men of Delta company, 6th Battalion of the Royal Australian Regiment found...

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ReMastered: Tricky Dicky and the Man in Black, Netflix review - dynamic saga of music and politics

Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Launching in 2018, when Tricky Dick and the Man in Black first aired, it has proved to be a solidly well-made set of music documentaries.  Some of its subjects have...

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Reissue CDs Weekly: Recording Is The Trip - The Karen Dalton Archives

“My favorite in the place was Karen Dalton. She was a tall white blues singer and guitar player, funky, lanky and sultry. Karen had a voice like Billie Holiday’s and played the guitar like Jimmy Reed and went all the way with it. I sang with her a...

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