1960s
Kieron Tyler
Being told that Magical Mystery Tour was a home movie is bit tiring. Self-evidently, The Beatles’ filmic response to the psychedelic experience was not that. They tried, and failed, to hire Shepperton Studios. Known artists like Ivor Cutler and The Bonzo Dog Doo-Dah Band were brought on board. Gavrik Losey, then hot from being an assistant director on Modesty Blaise, worked on it. Masses of extras were employed. Although a self-originated vanity project, none of this points to it being a home movie. The negative reception received at the time seems to have skewed the collective consensus. Read more ...
joe.muggs
A confession: though very fond of the Beatles, I'd never seen their self-directed Magical Mystery Tour before this DVD release. Not that I have anything against psychedelic follies, but I felt like I'd had my fill of this sort of thing a long time ago and had never bothered seeking it out. Consider me chastened; it's a joyous film – yes, it's the result of a bunch of rich young men fooling about with drugs and looks like it, but there's so much warmth, so much colour, so much affection for the textures and quirks of a lost Britain shot through it that it's hard not to love.Two things make it Read more ...
graeme.thomson
The 1989 production at the Tron in Glasgow of Bill Findlay and Martin Bowman’s translation of Les Belles-Soeurs, the 1965 play by Québécois writer Michel Tremblay, has become a landmark event in Scottish theatre. This new co-production between the Royal Lyceum Theatre Company and the National Theatre of Scotland marks a major and very welcome revival of a work which, although initially written to challenge the prevailing cultural constraints of Canada in the 1960s, retains a real contemporary kick.The themes of The Guid Sisters – economic desperation, the politics of language, religion, the Read more ...
theartsdesk
Joe Strummer & the Mescaleros: Global A Go-Go, StreetcoreLisa-Marie FerlaAs well as marking the 10th anniversary of Joe Strummer's death, 2012 would also have been the year the legendary Clash frontman turned 60. The reissue of these two albums, recorded with his last band the Mescaleros, is therefore doubly timely.The band's three albums built on the very best of the globe-trotting, more experimental themes that had begun to sneak into The Clash's work before they disbanded in 1985, but did so in a way that kept them vital and accessible to those of us raised on three-chord punk Read more ...
theartsdesk
Lee “Scratch” Perry and Friends: Disco Devil - The Jamaican DiscomixesThomas H GreenAs bass culture conquers the musical universe, with even Justin Bieber diving into dubstep waters and gnarly electro-goth Skrillex one of the biggest earning new artists of the year, the double CD Disco Devil is a timely release. It represents the roots of bass culture. Not the prehistory of Lee “Scratch” Perry’s early Seventies experiments, but a slightly later turning point that led us directly to where we are today. One of the notions that Jamaica’s sound system culture was built around was an emphasis of Read more ...
Kieron Tyler
The death of lyricist Hal David at 91 is a sad reminder that the golden age of a uniquely American approach to songwriting is getting further and further away. The Bacharach and David brand will last, as will classic songs like “Anyone Who Had a Heart”, “Don’t Make Me Over”, “Magic Moments”, “Raindrops Keep Fallin’ on my Head, “The Look of Love” and “Walk On By”. Yet David’s passing emphasises that although these compositions have a life of their own, they remain rooted in an era that becomes less and less tangible as the years pass.Of course, for David and his partner Burt Bacharach Read more ...
igor.toronyilalic
Even though their names are bound together in the portmanteau title, the directors of the four short films that make up RoGoPaG - Rossellini, Godard, Pasolini and Gregoretti - don't go for any sort of narrative tie-ins. The only thing that links the films are the Sixties themes: nuclear annihilation, the shifting role of women and the rise of consumer capitalism. The largely unsatisfying results would only recommend themselves to the dedicated arthouse fan or movie historian were it not for Pasolini's inspired contribution, La Ricotta.The generosity of vision in Pasolini's La Ricotta Read more ...
theartsdesk
Lee Hazlewood: A House Safe for TigersGraham RicksonLee Hazlewood’s voice can still invoke awe. It's gravelly, sonorous, rasping, but incredibly affecting – even when he’s scraping around in the depths it always sounds musical. A reissue of a hard-to-find 1975 LP, A House Safe for Tigers was originally the soundtrack to a Swedish TV movie directed by Hazlewood’s friend Torbjörn Axelman. Hazlewood had moved to Sweden in 1970, partly to ensure that his son wouldn’t be drafted to Vietnam. He continued to record and release new material, most of which slipped under the radar.A House Safe Read more ...
Kieron Tyler
The fright wig is instantly recognisable. Even with her back turned, it’s obviously Tina Turner on stage. Except it isn’t. It’s actress Emi Wokoma playing the singer in a performance virtually guaranteed to turn her into a star. Casualty and EastEnders will soon be distant memories for Wokoma. Good for her, maybe, but she’s the best thing about the otherwise wafer-thin Soul Sister.Soul Sister could have been a game of two halves. The first on the Ike and Tina partnership, his abuse of her and their divorce; the second beginning with her 1983 comeback and solo career. Instead, the solo years Read more ...
Kieron Tyler
Ride: Going Blank AgainKieron TylerWhen Oxfordshire’s Ride arrived in the shops via Creation Records, they were the sonic little brothers to label-mates My Bloody Valentine. But their second album, 1992’s Going Blank Again, ploughed its own path, leaving the competition behind. Twenty years on, this smart, book-bound reissue adds most of the tracks from contemporary EPs and teams the album with a DVD of a March 1992 Brixton Academy live show.In the liner notes, guitarist – and future Oasis bassist, and current Beady Eye member - Andy Bell admits Ride were initially an “an amalgamation of the Read more ...
Kieron Tyler
Although the collaboration between Jane Arden and Jack Bond was truly two-way, their films were wholly driven by a female perspective. They also evolved from Arden’s explorations into the nature of self and how external forces affect that. Yet instead of being a form of therapy, the Arden-Bond films are magical journeys blurring the boundary between the real and unreal.Separation (1967) has some mod-ish trappings: music by Procul Harum, visuals from light-show artist Mark Boyle and clothing from Ossie Clark. The character Jane (Arden herself) drifts through a world where she interacts with a Read more ...
Kieron Tyler
The Kinks: The Kinks at the BBCKieron Tyler“Meet a group that recently came from nowhere to the top of the hit parade. A rhythm and blues outfit with long, shoulder-length hair and the strange name of The Kinks.” With that, Brian Matthew introduced The Kinks to BBC listeners on 19 September 1964. Two months later, Matthew declares the band “members of the shaggy set”. On being asked why they grow their hair so long, Ray Davies says that “girls go for it”. His brother Dave offers that girls are going kinky.Almost 50 years on, these off-the-cuff remarks are amongst the wealth of fabulous Read more ...