sun 25/09/2022

1990s

CD: 808 State - Transmission Suite

Prior to the UK dance music explosion of summer 1988, house and techno were American micro-scenes, geographically restricted to Chicago, Detroit and New York. Small coteries showed interest in the UK, but few thought of making the stuff. Mancunian...

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Reissue CDs Weekly: The Daisy Age

In the lyrics of 1989’s “Doin’ Our Own Dang”, Jungle Brothers’ Mike D noted his combo were “Breaking the beat others wished they broke.” Going further, he acknowledged “Cause you’re trying to feel what’s on my reel to reel.” Jungle Brothers...

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The Intelligence Park, Linbury Theatre review - baroque to the point of obscurity

Could Gerald Barry's first opera really be as enervating in the Royal Opera House's Linbury Theatre as it seemed nearly 30 years ago at its Almeida Music Festival premiere? Since then we've become accustomed to wonder at, even love, the Barry style...

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The Sisters of Mercy, Roundhouse review - hits delivered from the darkness

While bands such as The Birthday Party, Siouxsie and the Banshees and, especially, Bauhaus had a hand in inventing goth music at the start of the Eighties, it was The Sisters of Mercy who defined it. Their combination of black clad cowboy shtick,...

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City on a Hill, Sky Atlantic review - power, corruption and larceny in 1990s Boston

Connoisseurs of gnarly Boston-based crime sagas like The Town, The Departed and Black Mass will quickly find themselves at home in this sleaze-ridden new show, made by Showtime and brought to us by Sky Atlantic. Created and largely written by Chuck...

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Edwyn Collins, Concorde 2, Brighton review - enjoyable evening of tight guitar pop

In March of this year Edwyn Collins released his ninth studio album, Badbea, his fourth since two life-altering cerebral haemorrhages derailed him in 2005. It’s a vivacious collection that runs the gamut of what guitar pop can be, from acoustic...

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What Girls Are Made Of, Soho Theatre review - euphoric gig-theatre

It’s now Edinburgh Fringe transfer season in London, but here’s one they made earlier: Cora Bissett’s Fringe First-winning autobiographical play from the 2018 Festival about her time in 1990s indie band Darlingheart. Though the broad shape of this...

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Edinburgh International Festival 2019: JARV IS review - Britpop legend still delivers

”Cunts Are Still”. Well, that got your attention, didn’t it? Not my words, merely the title of one of JARV IS’s new tracks. In case you didn’t get it, JARV IS is a play on words and the name of given to Pulp frontman and founder Jarvis Cocker’s...

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Cindy Sherman: #untitled, BBC Four review - portrait of an enigma

Cindy Sherman predicted the selfie, so goes the claim. From our current standpoint, it is all too easy to analyse her many hundreds of photographic self-portraits made since the late 1970s as cultural forebears of the digital medium. What this BBC...

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Blu-ray: Lords of Chaos

“All this evil and dark crap was supposed to be fun,” complains exasperated Norwegian black metal overlord Euronymous, played by Rory Culkin, as his world spirals out of control in a cataclysm of murder, suicide and church burnings. The true events...

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the end of history ..., Royal Court review - raises more questions than it answers

An apocalyptic title proves somewhat of a red herring for a slight if intriguing play that returns the dream team behind Harry Potter and the Cursed Child to their erstwhile stomping ground at the Royal Court. Set across 20 years in the Newbury...

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Download Festival: downpours can't dampen spirits at metal bonanza

Download is Britain’s premier metal festival, attended by all ages. Theartsdesk’s three person team offer up their reviews of one day each, as they navigated their way between Eighties hair metal, contemporary Viking metal and any other metal you...

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