19th century
The Barber of Seville, Clonter Opera Theatre review - youthful enthusiasm triumphsFriday, 16 July 2021
Harnessing the enthusiasm of youth has always been what Clonter Opera, on a farm in Cheshire, is about with its summer productions. The house is relatively small (there’s always a reduced orchestration as accompaniment), and the idea is that... Read more... |
Blu-ray: Flowers of ShanghaiTuesday, 22 June 2021
Rounding out a decade of personal success – beginning with his Cannes Jury Prize-winning The Puppetmaster (1993), followed by a best director award for Good Men, Good Women (1995) – the Taiwanese director Hou Hsiao-hsien... Read more... |
Hallé, Berglund, Bridgewater Hall, Manchester review - taking Beethoven seriouslySaturday, 19 June 2021
Tabita Berglund is that rare species, an up-and-coming orchestral conductor attracting enough attention to secure repeated international bookings in even these straitened times. She also happens to be female and young, which until relatively... Read more... |
Victoria Mas: The Mad Women's Ball review - compelling plot meets disquieting historyTuesday, 15 June 2021
To this day, if you take a stroll down Paris’ Boulevard de l’Hôpital, you’ll come across an imposing building: the Hôpital Pitié-Salpêtrière. It’s one of Europe’s foremost hospitals. It’s the place where 20th-century icons Josephine Baker and Michel... Read more... |
Turner's Modern World, Tate Britain review - the universal artistThursday, 13 May 2021
When Turner’s Modern World opened at Tate Britain last autumn only to close again days later, we might have felt then an echo of sensations and sentiments powerfully expressed in the exhibition itself. Its subject is the dirty cacophony of newly... Read more... |
Hough, Hallé, Elder, Bridgewater Hall, Manchester online review - brassy, bouncy optimismFriday, 16 April 2021
Sir Mark Elder is back with the Hallé for the latest (and penultimate) filmed concert in their “Winter Season” of 2020 and 2021, including the world premiere of Huw Watkins' Second Symphony. He introduces it from the Bridgewater Hall foyer, and... Read more... |
Shakespeare Re-Shaped, Opera Up Close online review - Verdi on the sofaWednesday, 24 March 2021
The screen lights up, the Zoom link connects and there, blinking back at you (30% awkward, 70% enthusiastic) is a familiar face. Is it definitely working? Can you hear me? What do we say now? God, I'm getting old. Even after 12 months of... Read more... |
Isata Kanneh-Mason, Hallé, Elder online review - triumphant film returnFriday, 19 March 2021
Sir Mark Elder and the Hallé are back in the Bridgewater Hall for the first programme in the second tranche of the orchestra’s digital Winter Season – filming that had to be postponed from its original planned date but is triumphantly achieved now.... Read more... |
Hughes, Manchester Collective, Lakeside Arts online review - creating the occasionMonday, 22 February 2021
There’s an atmosphere of tender restraint through most of the programme created by Ruby Hughes and Manchester Collective for Lakeside Arts at the University of Nottingham. It was streamed live yesterday afternoon, and, as is the way with most... Read more... |
Der Freischütz, Bavarian State Opera online review – marksmen as marketeersMonday, 15 February 2021
Bavarian State Opera has led the way for live performances and associated broadcasts during the pandemic. Their series of weekly “Montagsstück” events have presented innovative chamber operas, specifically for web streaming. Their next goal is full-... Read more... |
Christian Blackshaw, Wigmore Hall online review - pure as the driven snowTuesday, 26 January 2021
From a distance, the pianist Christian Blackshaw bears an uncanny resemblance to Franz Liszt, silver hair swept back à la 19th century. At the piano, though, you could scarcely find two more different musicians. There seems not to be a... Read more... |
Vienna New Year’s Day Concert, BBC Two/Radio 3 review - noble integrity and missionary zealSaturday, 02 January 2021
“Without a care” (Ohne Sorgen, the title of a fast polka by Josef Strauss performed here with deadpan sung laughs from the players) was never going to be the motto of a Vienna Philharmonic concert without an audience. Introspection and even sadness... Read more... |
