tue 03/12/2024

19th century

Hamilton, Disney+ review - puts us all in the room where it happened

The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021. Instead, we get the early release on Disney+ of Miranda’s Hamilton – filmed, NT Live style,...

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The Luminaries, BBC One review - one of the most visually arresting dramas of the year

Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. Over the course of seven years, and apparently 200 drafts...

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Blu-ray/DVD: Little Women

For the average female millennial, Greta Gerwig’s Little Women is the perfect film to watch in lockdown. Brought up on Winona Ryder’s Jo March, then Gerwig’s Frances Ha in our teen years, we never expected this blessing but are most ardently...

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Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

Swaggering pirates, X marks the spot, a chattering parrot, “Yo-ho-ho and a bottle of rum”? All present and correct. But Bryony Lavery’s winning 2014 adaptation of Robert Louis Stevenson for the National, directed by Polly Findlay, also features...

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Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope...

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DVD/Blu Ray: The Elephant Man

David Lynch’s second feature, his only period movie, is as good as anything else he has ever done, building on the claustrophobia of his first, Eraserhead (1977)  The story of Joseph Merrick, born in Victorian times with the most terrible...

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The English Game, Netflix review - it's the toffs versus the workers in this version of sporting history

Julian Fellowes admits he knows little about football and has always hated sport in general, but this hasn’t prevented him from writing a TV series (for Netflix) about football’s 19th century origins. While his other new series, ITV’s Belgravia,...

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Director Marjane Satrapi: ‘The real question is do you like everyone? No? So, why should everyone like you?’

Marjane Satrapi, the Iranian-born French filmmaker, has a reputation that precedes her. Her upbringing was the subject of the acclaimed films Persepolis (2007) and Chicken With Plums (2011). Persepolis won the Cannes Jury Prize, two César awards and...

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Belgravia, ITV review - when the toffs and the nouveaux riches collided

The prolific Lord Fellowes returns with this six-part adaptation of his own novel (for ITV), a niftily-wrought yarn (originally issued in online instalments) about the old aristocracy and the rise of new money in the early 19th Century. Some are...

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Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraint

No orchestra wants its conductor to cancel in the week of a concert. Mirga Gražinytė-Tyla’s illness was announced only on Monday, but even in ideal conditions, if you needed to find a last minute replacement maestro for a programme of Bartók and...

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BBC Philharmonic, Wellber, Bridgewater Hall, Manchester review - making music magic

Omer Meir Wellber, who once used to do magic with music for children, pulled a whole set of rabbits out of the hat in his reading of Beethoven’s Fourth Symphony on Saturday. Others may make the work's rhythms and melodies alluring through the sheer...

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SCO, Emelyanychev, Usher Hall, Edinburgh review - Beethoven at too insistent a lick

Fast is fine in Beethoven, so long as you find breathing-spaces, expressive lines and crisp articulation within it. The Scottish Chamber Orchestra's febrile new chief conductor, Maxim Emelyanychev, started the "Pastoral" Symphony last night with a...

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