19th century
Nick Hasted
This other major work by the writer of the English folk horror landmark The Blood on Satan’s Claw (1971), Robert Wynne-Simmons, is more restrained than that unsettlingly erotic, dreadful conjuring of rustic demons and collective evil. He argues on his sole directorial feature’s Blu-ray debut that it isn’t folk horror at all, simply an Irish folk tale in pre-Famine days “when magic had a value”.The Outcasts (1982) is earthed in the boggy mud and lush green of West Ireland, where innocent Maura (Mary Ryan) is bullied by her siblings in a stone home seemingly pulled from the ground. Read more ...
Robert Beale
Kahchun Wong’s third Bridgewater Hall concert with the Hallé in his inaugural season as principal conductor consisted of just one work: Bruckner’s Symphony no. 9 – but not in the incomplete three-movement version that until quite recently has been the norm in Manchester (and elsewhere).The story that only three of four planned movements were completed, with mere sketches for the last one being found at the composer’s death, was widely accepted, and when Cristian Mandeal performed and recorded it with the Hallé in 2007, and Ryan Wigglesworth played it with them in 2017, that was the version we Read more ...
Gary Naylor
The misadventures and misbehaviours of the English upper-middle class is catnip for TV executives. All those posh types on which us hoi polloi can sit in delicious self-righteous judgement, as we marvel at their cut glass accents, well-tailored clothes and ostentatious wealth. Meanwhile their worlds are always collapsing due to villainy, venality or misconceived virtue. Lovely stuff! While such tales are seldom far from a screen, they are often far from a stage, the challenge of scaling down just too intimidating for most adaptors. Not so Shaun McKenna and Lion Couglan who took on the Read more ...
David Nice
“I think this is all very strange,” declares 14-year-old Hedvig Ekdal at the end of The Wild Duck’s third act, just as everything is about to plunge into a terrifying vortex. Alan Lucien Øyen's’s production is pointedly strange from the start, a claustrophobic, Beckett-like terrain in the haunting, possibly haunted space of the Coronet, with black side walls and 13 black chairs, in which happiness stands no chance of survival. The screw turns slowly, but with devastating effect.Øyen, responsible also for the set and sound design, has whittled down Ibsen's cast, dispensing with the servants Read more ...
Gary Naylor
Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids rehearsing Julius Caesar (a motif that runs through the play) with John Wilkes Booth already displaying narcissistic tendencies in kids’ squabbles. That changes when their father, a successful British-born actor with a murky past, returns from touring to dominate the space, physical and mental. It’s easy to spot the damage done to Wilkes and one’s Read more ...
Gary Naylor
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in Sherman McCoy’’s analogy from The Bonfire of the Vanities) have a reputation for living high on the hog off the ideas and industry of others. They’re the typess who might work as a subject for a cynical musical, but in a straight drama?Stefano Massini's play, adapted by Ben Power, never quite loses that vacuum at its centre, as it tells the story of The American Dream for the umpteenth time, sidestepping some inconvenient truths (also for the umpteenth time), while Read more ...
Adam Sweeting
Set in Yorkshire in the 1890s, and based on the novels by CL Skelton, The Hardacres is the story of the titular family who, it seems, were pioneers of takeaway fish, although not accompanied by chips. It’s their stall selling fried herring fresh from the ocean which makes the Hardacres an unexpected fortune.Hitherto, the family have been working as dockers and fish-gutters and struggling to make ends meet, and events take a turn for the worse when patriarch Sam (Liam McMahon) damages his hand in an accident. When his wife Mary (Claire Cooper) appeals to their employer, the charmless Mr Shaw ( Read more ...
Robert Beale
Two splendid pieces of orchestral virtuosity began and finished the second Saturday concert by the BBC Philharmonic under John Storgårds at the Bridgewater Hall. It was given the title of “Mischief and Magic”, an apt summary.For mischief we had Richard Strauss’s Till Eulenspiegel’s Merry Pranks, perhaps the most perfect of his orchestral tone poems in that it not only tells a story but is beautifully shaped and balanced as an extended classical rondo.The episodes were given their folklore-based descriptions by Strauss (“Through the market he rides”, “Dressed as a priest he oozes unction”, “ Read more ...
Helen Hawkins
The stock of the late 19th century playwright Arthur Wing Pinero has just received a significant boost, thanks to the brilliant work of the actress Nancy Carroll – not only as a superb performer but as a dab hand with an adaptor’s pen. Not seen in London since 1991, Pinero’s 1890 farce The Cabinet Minister has emerged as a tour de force in her hands: sparkling with wit, vibrancy and knowingly naughty innuendo. Trollope would probably have turned the same material into a weightier, more mordant commentary on the British class system, but here the text is intent on fleet-footed fun, firing Read more ...
Robert Beale
If audience reaction is anything to go by, Kahchun Wong’s season-opening first concert officially in post as principal conductor of the Hallé was an outstanding success.And the reception was deserved. Still young enough, with a mop of hair cascading over his forehead, to look like a Wunderkind, he has considerable experience behind him, with a career on both sides of the world – in south-east Asia and in Europe and America.That particular characteristic was symbolized in this programme. He has an interest in Britten’s music, and already he and the Hallé have recorded the complete score of The Read more ...
Robert Beale
The first piece by Grace-Evangeline Mason I heard was six years ago, a simple song in a multi-composer “Manchester Peace Song Cycle” performed at the Royal Northern College of Music when she was studying there.It was striking because of its eloquent melody and evocation of child-like joy. Subsequent experience has confirmed the impression that she writes music that immediately communicates, that is often about something, rather than abstract (and she’s not afraid to tell us that), and that it does what it says on the tin.Her ABLAZE THE MOON, premiered by the BBC Philharmonic in the 2023 Read more ...
Robert Beale
A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest pianists of their generation, who met at the Royal Northern College of Music, celebrated the 50th anniversary of their first collaboration there. Peter Donohoe and Martin Roscoe played duets for two pianos: they’ve done it throughout their careers, and in Donohoe’s case with other celebrated partners. But there was a special chemistry between the two old friends that made for a magical evening.Their first appearance on the same platform was actually Read more ...