20th century
Mr Selfridge, Series 3, ITVMonday, 26 January 2015
Mercifully not preceded by a Broadchurch-style hype-tsunami, the new series of Mr Selfridge has slipped neatly back into the Sunday 9pm slot as if it's the rightful owner just back from a year of travelling round the world. It's not revolutionary,... Read more... |
Hannigan, LSO, Rattle, Barbican HallFriday, 16 January 2015
For his second programme this week with the London Symphony Orchestra, Sir Simon Rattle conducted variations on a programme he’s been doing for years. So what’s the theme? Invention and hysteria, you might say. Berg’s Marie in Wozzeck and... Read more... |
Simón Bolívar Symphony Orchestra of Venezuela Concert 2, RFHSaturday, 10 January 2015
The Simón Bolívar orchestra is the musical answer to the question “Would you like to supersize that?” A youth orchestra in bulk, if no longer in name, the ensemble has made a signature of its heft, making repertoire work on its own terms rather than... Read more... |
The Frozen Scream, Wales Millennium CentreThursday, 18 December 2014
There are moments in this collaboration between performer and theatre impresario Christopher Green and best-selling novelist Sarah Waters, where, rather like with a Stewart Lee stand-up routine, the audience has to make a conscious decision whether... Read more... |
Ohlsson, BBCSO, Oramo, BarbicanSaturday, 13 December 2014
How disorienting it is to find century-old works in the concert repertoire of which you can still say “I’ve never heard anything like it”. That must have been the reaction of most audience members last night to Tuscan-German composer Ferruccio... Read more... |
Stefanovich, Currie, Queen Elizabeth HallMonday, 08 December 2014
Tamara Stefanovich and Colin Currie – a dream team for Birtwistle’s The Axe Manual. Both are new music specialists with a gift for grace and dexterity, even in the most complex works. The score sets up a range of sophisticated relationships between... Read more... |
Maggi Hambling, National GalleryFriday, 05 December 2014
I must admit to feeling, briefly, just a little disappointed on first sight of Maggi Hambling’s Walls of Water, nine new paintings on show at the National Gallery. Perhaps it was the evocative title, which promises high drama and instant... Read more... |
3 Winters, National TheatreThursday, 04 December 2014
The single spacious room that is the central location of Tena Štivičić’s 3 Winters has seen plenty of ghosts. It’s part of an old Zagreb mansion, and through the course of the play witnesses the diverse events of Croatian history of the last 70... Read more... |
Conflict, Time, Photography, Tate ModernSunday, 30 November 2014
This huge exhibition is an awesome and terrifying compilation of photographs of the sites of conflict, and the remnants of wars and conflicts of all kinds – local, civil, short, long, global, technological, industrial and hand-to-hand. Taken from... Read more... |
Pelléas et Mélisande, Philharmonia, Salonen, RFHFriday, 28 November 2014
In an operatic world in which the director is an increasingly despotic king, it’s good to be reminded that, sometimes, not staging an opera is the most radical reading of all. No elaborate set or concept dominated David Edwards’s one-off Pelléas et... Read more... |
Concerning ViolenceMonday, 24 November 2014
In Concerning Violence Göran Hugo Olsson has created an almanac documentary drawing on material from Swedish television archives, filmed by a number of directors in Africa, largely in the 1970s. It’s fascinating footage, covering a number of... Read more... |
Imagine... Anselm Kiefer, BBC OneTuesday, 18 November 2014
Anselm Kiefer reminds me a bit of someone I once worked for. Totally unpredictable, and possessed of a formidable intelligence and creativity, his mental leaps can be bewilderingly hard to follow, leading occasionally to truly breathtaking results,... Read more... |
