21st century
Book extract: Holiday Heart by Margarita García Robayo translated by Charlotte CoombeSunday, 07 June 2020
Holiday heart, instead of sentimental love discovered on vacation, describes a faltering organ, overloaded from excess consumption: a heart at risk. In Margarita Garcia Robayo’s brilliantly observant, often sardonically pitched novel, the heart... Read more... |
Stephen Hough/Lucy Crowe, Anna Tilbrook, Wigmore Hall online/BBC Radio 3 review - the end of the beginningWednesday, 03 June 2020
After a devastating drought, even a light shower can feel like something of a miracle. Under normal circumstances, a 60 minute lunchtime piano recital from the Wigmore Hall would represent wholly unremarkable business as usual for BBC Radio 3. As it... Read more... |
Moyra Davey: Index Cards review – fragments of the artistSunday, 31 May 2020
Moyra Davey’s biographical note, included in Fitzcarraldo Editions’ copy of Index Cards, describes “a New York-based artist whose work comprises the fields of photography, film and writing.” It is a useful aperture into the Toronto-born artist’s... Read more... |
Women Make Film: Part Two review - two steps forward, one step backFriday, 22 May 2020
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. It reconfirms Women Make Film as a remarkable feat of excavation and... Read more... |
Single: Bob Dylan - Murder Most FoulSaturday, 28 March 2020
A combination of chopped-up newsreel and fever dream, “Murder Most Foul” is Bob Dylan’s most striking piece of work in years. This is the author of “Desolation Row” populating a 17-minute song with a lifetime of remembered cultural fragments,... Read more... |
Album: Sufjan Stevens &. Lowell Brams - AporiaThursday, 26 March 2020
Sufjan Stevens is an immensely creative musician – a multi-instrumentalist, songwriter and composer. His work ranges from sophisticated dreamy pop that has influenced many, not least Bon Iver to grandiose and sometimes disturbing soundscapes. He... Read more... |
I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinentTuesday, 24 March 2020
The way that theatres and other arts institutions have leapt into action over the past week, providing a wealth of material online and new ways to connect with audiences, has been truly inspirational. Yesterday, the Hampstead Theatre re-released on... Read more... |
Nathalie Léger: The White Dress review – masterfully introvertedSunday, 22 March 2020
Nathalie Léger’s The White Dress brings personal and public tragedy together in a narrative as absorbingly melancholic as its subject is shocking. The story described by Léger’s narrator – a scarcely fictional version of herself – is of the... Read more... |
Feel Good, Channel 4 and Netflix review - a fresh, bingeable comedy that digs deep but feels mildThursday, 19 March 2020
“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit... Read more... |
Dark Waters review - an ominous drama with plenty of backbone, but not enough fleshFriday, 28 February 2020
Watching Dark Waters, the latest film from director Todd Haynes (Carol, Far from Heaven), I kept thinking — what’s the opposite of a love letter? The film is based on the work of Rob Bilott, a real-life lawyer who uncovered a corruption scandal so... Read more... |
Sex Education, Series 2, Netflix review - the teen sex show we deservedFriday, 14 February 2020
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high... Read more... |
Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voicesTuesday, 11 February 2020
“From today, painting is dead.” These melodramatic words were uttered by French painter, Paul Delaroche on seeing a photograph for the first time. That was in 1840 and, since then, painting has been declared dead many times over, yet it refuses to... Read more... |
