Agatha Christie
Helen Hawkins
The BBC’s latest “cool” Agatha Christie adaptation has many hallmarks of the decidedly dark ones that were considered prestige Christmas treats until recently. But although it’s lovely to look at, it’s low on chills and thrills.The 1944 Agatha Christie novel it’s based on, later a play, has been given a makeover by Rachel Bennette, whose reworking winds back the clock to the mid-1930s. We get the usual moody coastal setting with raging seas and lowering skies, and gloomy interiors that are so underlit you can’t see what’s happening at crucial points. Sunny south Devon this is not. But the Read more ...
Adam Sweeting
Well at least they haven’t changed the identity of the killer this time around, but the BBC’s new version of Agatha Christie’s 1939 novel has been modified in other ways. Screenwriter Siân Ejiwunmi-Le Berre and director Meenu Gaur have opted to move the story into the mid-1950s, introducing themes of racism, class prejudice and capitalist exploitation. And you thought it was just a tidy little whodunnit.Labouring under this narrative burden is the protagonist Luke Fitzwilliam, who Christie wrote as a retired colonial policeman. Here, he’s reborn as a regional attache from Nigeria who’s Read more ...
Veronica Lee
“Wagatha Christie” – I salute the bright spark who coined the term – describes, for those who don't follow such fripperies, the social media spat between footballers' wives Rebekah Vardy and Coleen Rooney (married to Jamie and Wayne respectively), which later became the subject of an multimillion-pound court case.In October 2019 Rooney posted a now famous “reveal post” on her social media; for months, she wrote, she had been doing some sleuthing to find out who was leaking stories from her private Instagram account about her and her family to The Sun. By a process of elimination and by Read more ...
Adam Sweeting
With Magpie Murders currently airing on BBC One, Why Didn’t They Ask Evans? is another gem from the BritBox stable, where it made its debut last year. Its secret weapon is Hugh Laurie, who’s all over it as screenwriter, director and actor.Wisely, he has steered clear of the well-worked territory of Poirot and Miss Marple, and instead has adapted a Christie novel from 1934 which introduces us to a pair of amateur sleuths, Bobby Jones and Lady Francis Derwent (familiarly known as Frankie). However, Christie completists will doubtless already know that a previous ITV version of the story from Read more ...
Markie Robson-Scott
A starry cast headed by Saoirse Ronan and Sam Rockwell doesn’t quite manage to bring this lavish, light-hearted period pastiche to life, though it looks good – nice cars, lovely costumes, a quasi-Wes Anderson vibe – and there are mild chuckles to be had.Filmed during the pandemic in an empty theatre-land, it’s Bafta-award-winning director Tom George’s film debut and fans of BBC Three’s brilliant mockumentary, This Country, which he directed, may be startled at his new trajectory. This Country’s creator and star, Charlie Cooper, is also on board as a melancholy theatre usher, as is Paul Read more ...
Veronica Lee
Death on the Nile, Kenneth Branagh's second visit to Agatha Christie's oeuvre, was supposed to be released in November 2020 but Covid, a studio sale and some embarrassing revelations about one of its cast members put paid to that. Was it worth the wait? Not really.Oh, it's as sumptuous as Branagh's first Christie adaptation, Murder on the Orient Express (2017) and boasts more gorgeous scenery, but it's noticeably less star-packed. If the cast of the train whodunit were all comfortably seated in Hollywood's first-class carriage, most of the Nile riverboat passengers are, with no disrespect Read more ...
Heather Neill
Lucy Bailey's production of Christie's Witness for the Prosecution, first staged at County Hall in 2017, has a few years to make up on The Mousetrap's near 70, but it has already proved its staying power, despite the hiatus of the lockdown months.The venue is inevitably a significant part of its attraction. The courtroom at County Hall - once the chamber which saw the political debates of the Greater London Council - is a magnificent, atmospheric space, standing in for the Old Bailey. A statue of Justice, scales in hand, presides over the action and 12 members of the audience are co-opted as Read more ...
Veronica Lee
Christmas and Agatha Christie are a very good fit – how better to spend time with your loved ones than sitting down to watch some murder and intrigue together? So Agatha and the Curse of Ishtar was an early festive treat, another enjoyable melding of fact and fiction (mostly fiction, it should be said) from husband-and-wife producer team Tom and Emily Dalton, whose Agatha and the Truth of Murder was a hit for Channel 5 last year.We were in Ur, southern Iraq in 1928 where a team of British archaeologists led by Leonard Woolley (Jack Deam) and his assistants Max (Jonah Hauer-King) and Pearl ( Read more ...
Jasper Rees
Ordeal by Innocence belongs to a new and, you hope, short-lived sub-genre. The only other stablemate is All the Money in the World. Both were in the can and good to go when very serious sexual allegations were made against a member of the cast. For the latter, Ridley Scott reshot every scene which featured Kevin Spacey, subbing in Christopher Plummer. For BBC One’s now annual serving of an Agatha Christie drama, everyone came back to redo the bits which previously contained Ed Westwick and now have Christian Cooke (pictured below). Fortunately most of these seem to be interiors, as the Read more ...
Jasper Rees
Crooked House is being released as a film in various territories, but has already been shown on television in America and has now surfaced as a drama on Channel 5 bearing the title Agatha Christie’s Crooked House. It duly falls in with a recent televisual tradition for serving up the Queen of Crime as a Christmas treat. See also A Witness for the Prosecution and And Then There Were None (which would have been joined by Ordeal by Innocence on Boxing Day until the BBC pulled it on learning that its star Ed Westwick was accused of rape and sexual assault).Adapted from the novel published in 1949 Read more ...
Nick Hasted
Kenneth Branagh, like his Poirot, cares about cutlery. The director and detective’s fastidiousness both find their ideal home on the Orient Express, where waiters measure fork placement with the precision of Poirot’s sacred monster of a moustache. This Murder on the Orient Express follows 1974’s Sidney Lumet version and the train itself in ensuring its customers’ well-being with well-appointed luxury. Finding a proper film star in almost every compartment only adds to the steam age glamour.Branagh’s glaring problem is that the audiences most likely to see Agatha Christie at the cinema will Read more ...
aleks.sierz
Some site-specific theatre feels like a really good fit. You could say, in this case, that it seems like poetic justice. Agatha Christie’s 1953 play, Witness for the Prosecution, used to be a rep standard, and now gets a compelling new production in the echoing surrounds of the Council Chamber at London County Hall, which is situated on the South Bank, next to Westminster Bridge. The drama, which the Queen of Crime adapted from her own short story of the same name (originally published in 1933), centres on the trial of Leonard Vole for the murder of Emily French, a wealthy older woman who has Read more ...