mon 02/06/2025

Barbican

Batiashvili, LSO, Pappano, Barbican review - French and Polish narcotics

Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern imagination that you can always discover something new, especially given the intense hard work on detail of Antonio...

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Josefowicz, LSO, Mälkki, Barbican review - two old favourites and one new one

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two established favourites from big names of the 20th century plus a new-to-me piece by a forgotten figure...

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Giulio Cesare, The English Concert, Bicket, Barbican review - 10s across the board in perfect Handel

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David McVicar production last year made it seem so, not least thanks to the presence of two of last night’s soloists,...

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The Excursions of Mr Brouček, LSO, Rattle, Barbican review - sensuousness, fire and comedy in perfect balance

Who doesn’t love the quirky, passionate and humanitarian genius of Leoš Janáček? All of it, these days. Since Charles Mackerras introduced the UK to a then-unknown, even the less familiar operas have had plenty of exposure. Simon Rattle was among...

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Krapp's Last Tape, Barbican review - playing with the lighter side of Beckett's gloom

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly opens at the back of the space and the figure that has entered and sat down at the table also begins to emerge....

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Bach St John Passion, Academy of Ancient Music, Cummings, Barbican review - conscience against conformism

In a programme note for the St John Passion at the Barbican, the Academy of Ancient Music’s chief executive called their Easter performances of Bach’s compressed gospel tragedy a “ritual”. You understand why that word claims its place. However,...

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LSO, Noseda, Barbican review - Half Six shake-up

Tired after a hard day at the office? You might think you need a Classic FM-style warm bath, but the blast of Prokofiev’s Second Symphony, one of the noisiest in the repertoire, is the real ticket to recharging the batteries. Gianandrea Noseda, on...

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Lizz Wright, Barbican review - sweet inspiration

Lizz Wright’s exquisite singing breaks all boundaries between soul, gospel and jazz. In so doing she channels many interwoven strands of the African-American experience. Wright thrives on singing to an audience: her recorded output is wonderful...

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Jazz at Lincoln Center Orchestra, Marsalis, LSO, Pappano, Barbican review - sounds above substance

Few symphonies lasting over an hour hold the attention (Mahler’s can; even Messiaen’s Turangalîla feels two movements too long). Wynton Marsalis is a great man, but his Fourth, “The Jungle”, is no masterpiece, not even a symphony – a dance suite,...

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Bavouzet, BBCSO, Stasevska, Barbican review - ardent souls in mythic magic

Not to be overshadowed by the adrenalin charges of the Budapest Festival Orchestra the previous evening, the BBC Symphony Orchestra and its Principal Guest Conductor Dalia Stasevska gave a supercharged triple whammy of masterpieces. They even had a...

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Sheku Kanneh-Mason, Czech Philharmonic, Bychkov, Barbican review - from Russia, with tough love

Exactly half a century ago, Semyon Bychkov fled the USSR for the United States as he sought to swap tyranny for liberty. Last night, in a world that feels utterly different yet even more terrifying, the great conductor turned the stellar talents of...

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Mansfield Park, Guildhall School review - fun when frothy, chugging in romantic entanglements

Let’s call it Jane Austen fit for the West End, but with opera singers. The fact that it also serves as a fun ensemble piece for students is also very much in favour of Jonathan Dove’s Mansfield Park, with a neatly telescoped and often witty...

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