Barbican
Trio Da Kali, Milton Court review - Mali masters make the ancient newWednesday, 08 October 2025
Trio Da Kali are griots, and their traditional role in West Africa is to connect: to evoke the glories of the past and to bring communities together through mediation and spiritual admonition. Their role, even though sung in Bambara, without... Read more... |
Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its partsSaturday, 04 October 2025
It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually challenging as they are visually exhilarating. Last week, audiences were asked to understand the forces of... Read more... |
theartsdesk Q&A: composer Donghoon Shin on his new concerto for pianist Seong-Jin ChoSaturday, 27 September 2025
Donghoon Shin has a taste for the esoteric – a love of labyrinths, literary puzzles, and contradictory aspects of the self. One of his favourite authors is the Argentinian essayist and short-story writer, Jorge Luis Borges, whose perspective... Read more... |
Lacrima, Barbican review - riveting, lucid examination of the forces of globalisation through a dressFriday, 26 September 2025
So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every fashion choice she makes will be scrutinised for the rest of her life, it is, nonetheless, she herself who will be mercilessly... Read more... |
Jansen, LSO, Pappano, Barbican review - profound and bracing emotional workoutsMonday, 22 September 2025
Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very eve of lockdown in 2020. The work’s dying fall then was echoed by the spectral drift ending Vaughan... Read more... |
Cho, LSO, Pappano, Barbican review - finely-focused stormy weatherSaturday, 20 September 2025
It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the lines in a lighter take. In his second full concert of his second season as the wildly successful and... Read more... |
Ganavya, Barbican review - low-key spiritualityMonday, 08 September 2025
At the start or her show, the white-robed singer Ganavya does something unusual: while other performers usually warm their audience up before suggesting they sing along, she plunges straight in, a minute or so into chanting “a love supreme”, and... Read more... |
Good Night, Oscar, Barbican review - sad story of a Hollywood great's meltdown, with a dazzling turn by Sean HayesFriday, 08 August 2025
Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing audience, the most sought after guest was Oscar Levant. No longer a household name except to fans of vintage... Read more... |
Interview: Quinteto Astor Piazzolla on playing in London and why Mick Jagger's a fanWednesday, 16 July 2025
“I still can’t believe that some pseudo-critics continue to accuse me of having murdered tango,” Astor Piazzolla once declared. “They have it backward. They should look at me as the saviour of tango. I performed plastic surgery on it.”Thirty-three... Read more... |
Salome, LSO, Pappano, Barbican review - a partnership in a millionMonday, 14 July 2025
A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent productions. In concert, the illusion needs the charismatic force of a great soprano and conductor. We got that... Read more... |
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings trueWednesday, 04 June 2025
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings might rob a show of the glitter and allure it once had.For Jordan Fein’s impassioned, magical Fiddler... Read more... |
Batiashvili, LSO, Pappano, Barbican review - French and Polish narcoticsSunday, 25 May 2025
Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern imagination that you can always discover something new, especially given the intense hard work on detail of Antonio... Read more... |
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