sat 01/11/2025

family relationships

Hedda, Orange Tree Theatre review - a monument reimagined, perhaps even improved

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film deal and didn’t come back. Millions watched her, but only a very select few saw her, and that paradox became insupportable...

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Mary Page Marlowe, Old Vic review - a starry portrait of a splintered life

I came late to the Old Vic's shimmering production of Mary Page Marlowe, Tracy Letts's Off Broadway play from 2018 which has arrived in London with Andrea Riseborough and Susan Sarandon leading a sizable and uniformly excellent cast. And I hope...

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The Unbelievers, Royal Court Theatre - grimly compelling, powerfully performed

Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said about Nick Payne's blistering new play The Unbelievers is that its concept is as brave as leading lady...

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Troilus and Cressida, Globe Theatre review - a 'problem play' with added problems

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National Theatre some 20 minutes walk away along the Thames. There’s not quite Elizabethan levels of discomfort to endure, so no...

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I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for the bad language, but lately, British cinema has been making this a selling point. In Wicked Little Letters (2023...

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Clarkston, Trafalgar Theatre review - two lads on a road to nowhere

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in the back office had also heard of him, as tickets are priced up to and beyond £100 for a 100 minutes all-through, 10-years-old three-hander...

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Measure for Measure, RSC, Stratford review - 'problem play' has no problem with relevance

An opening video montage presents us with a rogues' gallery of powerful men who have done bad things. Plenty of the usual suspects appear to stomach-churning effect, but no ex-President Nicolas Sarkozy, sentenced last week to five years in prison by...

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50 First Dates: The Musical, The Other Palace review - romcom turned musical

About halfway through this world premiere, I realised what was missing. Where is the sinister lift, where are the long corridors and, most of all, WHERE IS MR. MILCHICK? 50 First Dates: The Musical may indeed be the sunnier cousin of Severance, but...

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The Harder They Come, Stratford East review - still packs a punch, half a century on

The impact of great art is physical as much as it is psychological. I recall the first time I saw Perry Henzell’s 1972 film, The Harder They Come. I’d been in the pub and, as we did then with just four channels, slumped in front of the television to...

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Reunion, Kiln Theatre review - a stormy night in every sense

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this play) with a soupçon of Chekhov, Ibsen and Williams looks like, The Kiln has your answer.Mark O’Rowe’s feuding family...

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The Lady from the Sea, Bridge Theatre review - flashes of brilliance

Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from the Sea is illuminated by the sense of adventure and excitement one has come to expect from this singular artist....

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The Courageous review - Ophélia Kolb excels as a single mother on the edge

“I never abandoned you,” says Jule (Ophélia Kolb; Call My Agent!) to her 10-year-old daughter Claire (Jasmine Kalisz Saurer), setting a fairly low bar as far as motherhood is concerned.Swiss-American director Jasmin Gordon’s first feature, with a...

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